Your 11 favorite quirky composers

Started by Symphonic Addict, January 07, 2021, 06:58:26 PM

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Symphonic Addict

Composers whose music have quirkiness. As simple as that. Music that has as a good deal of amusement through or by using jokes, sarcasms in whatever use in music that tends to express or evoke that on you, good humour, irony, satyre, wit, and so on, in many of their compositions. Malice is another good word I could link these composers with. Music that makes you smile and sometimes laugh as a result of their genius, intelligence and spark.

A meeting with all these guys would be an exhilarating experience in heaven (or hell?)  >:D

Malcolm Arnold
Joseph Haydn
Paul Hindemith
Rued Langgaard
Bohuslav Martinu
Carl Nielsen
Francis Poulenc
Sergei Prokofiev
Max Reger
Albert Roussel
Dmitry Shostakovich
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

springrite

Ibert
Francaix
Haydn
Martinu
Stravinsky
Poulenc
Brian
Ustvoskaja
Shchedrin
Harrison
Carter
Do what I must do, and let what must happen happen.

Mirror Image

11? Why an odd number? Anyway...in no particular order:

Ravel
Stravinsky
Nielsen
Martinů
Janáček
Schnittke
Varèse
Ligeti
Ives
Koechlin
Berlioz

vandermolen

Langgaard came immediately to mind.
Now, let me think...
Morton Gould ('West Point Symphony')
Malcolm Arnold
Mosolov ('Iron Foundry')
Dukas ('Sorcerer's Apprentice')
Nielsen ('Sinfonia Semplice')
Havergal Brian
Gavril Popov
Sauguet
Martinu
Ives
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Florestan

#4
Joseph Haydn is THE master of "good humour, irony, satire, wit".

Besides other names already mentioned, I nominate:

Rossini
Donizetti
Franz Liszt
Louis Moreau Gottschalk
Moritz Moszkowski
Cecile Chaminade
Jacques Offenbach
The Strauss Family
Oscar Straus
Franz von Suppé
Franz Lehár
Emmerich Kálmán
Leroy Anderson
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Brian

Roughly chronological

D. Scarlatti
CPE Bach
Haydn
Nielsen
Janácek
Antheil
Poulenc
Jón Leifs
Françaix
Marc-André Hamelin
Andrew Norman


knight66

I don't know that I could come up with 11. But seeing the question, the first name that came to mind is Saint Saens. Moving behind some of his very best known pieces such as Samson and Delilah, his music is not entirely what one expects. He was quite original. His first piano concerto middle movement sounds well ahead of when it was written, 1868. The Carnival of the Animals, is a real oddity as is Danse Macabre and the Organ Symphony is certainly striking and not many ploughed that field.

He was the first major composer to write film music,The Assassination of the Duke of Guise out of which he produces a suite which included a harmonium. There is a piece for piano and trombone and I read there was one for horn and harp!

And that is without even touching upon his private life.

Mike

DavidW: Yeah Mike doesn't get angry, he gets even.
I wasted time: and time wasted me.

Brian

Quote from: knight66 on January 16, 2021, 11:59:23 AM
There is a piece for piano and trombone and I read there was one for horn and harp!
Oh shoot! I forgot Reicha but he liked unusual instrument combinations and quirks as well, including a trio for three cellos, an early bassoon quintet, and the notorious Quatuor Scientifique. Might be fun to discuss classical and romantic works with really unusual groups of instruments.

Symphonic Addict

Thanks for your responses so far!

Quote from: springrite on January 07, 2021, 07:36:12 PM
Ibert
Francaix
Haydn
Martinu
Stravinsky
Poulenc
Brian
Ustvoskaja
Shchedrin
Harrison
Carter

Ustvoskaja, interesting. I was unaware of him/her.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: Mirror Image on January 07, 2021, 08:15:00 PM
11? Why an odd number? Anyway...in no particular order:

Ravel
Stravinsky
Nielsen
Martinů
Janáček
Schnittke
Varèse
Ligeti
Ives
Koechlin
Berlioz

I kind of expected this list from you, John. It could be my list too if I thought a second time, or a third. Quite fascinating about Varèse, Ligeti and Koechlin. And Nielsen, Stravinsky, Janáček and Martinů, yes!!!
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: vandermolen on January 16, 2021, 02:39:57 AM
Langgaard came immediately to mind.
Now, let me think...
Morton Gould ('West Point Symphony')
Malcolm Arnold
Mosolov ('Iron Foundry')
Dukas ('Sorcerer's Apprentice')
Nielsen ('Sinfonia Semplice')
Havergal Brian
Gavril Popov
Sauguet
Martinu
Ives

Langgaard, absolutely, also Arnold. Oh, wow. What a composer. Morton Gould never having passed by me. Also Sauguet. Intriguing.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: Florestan on January 16, 2021, 07:21:32 AM
Joseph Haydn is THE master of "good humour, irony, satire, wit".

Besides other names already mentioned, I nominate:

Rossini
Donizetti
Franz Liszt
Louis Moreau Gottschalk
Moritz Moszkowski
Cecile Chaminade
Jacques Offenbach
The Strauss Family
Oscar Straus
Franz von Suppé
Franz Lehár
Emmerich Kálmán
Leroy Anderson


Another list that seems to synthesize tastes bringing forth some potential favorites ever overall, or partially. Haydn is, indeed, one of the pioneers in the Austrian-German tradition without losing good humour.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: Brian on January 16, 2021, 11:03:30 AM
Roughly chronological

D. Scarlatti
CPE Bach
Haydn
Nielsen
Janácek
Antheil
Poulenc
Jón Leifs
Françaix
Marc-André Hamelin
Andrew Norman

Can't understand why I forgot Françaix. Silly me. He should be in my list.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: knight66 on January 16, 2021, 11:59:23 AM
I don't know that I could come up with 11. But seeing the question, the first name that came to mind is Saint Saens. Moving behind some of his very best known pieces such as Samson and Delilah, his music is not entirely what one expects. He was quite original. His first piano concerto middle movement sounds well ahead of when it was written, 1868. The Carnival of the Animals, is a real oddity as is Danse Macabre and the Organ Symphony is certainly striking and not many ploughed that field.

He was the first major composer to write film music,The Assassination of the Duke of Guise out of which he produces a suite which included a harmonium. There is a piece for piano and trombone and I read there was one for horn and harp!

And that is without even touching upon his private life.

Mike

Saint-Saëns sounds splendid to me as well. I feel much wit, much freshness and inventiveness.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

springrite

Quote from: Symphonic Addict on January 17, 2021, 01:17:12 PM
Thanks for your responses so far!

Ustvoskaja, interesting. I was unaware of him/her.
A pupil of Shostakovich who famously turned down Shostakovich's proposal for marriage/romance.
Do what I must do, and let what must happen happen.

Symphonic Addict

Quote from: springrite on January 17, 2021, 03:40:28 PM
A pupil of Shostakovich who famously turned down Shostakovich's proposal for marriage/romance.

Thanks for the info. I did recall I had seen Ustvoskaja somewhere, but it was Ustvolskaya, Galina Ustvolskaya.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

vandermolen

Quote from: Symphonic Addict on January 17, 2021, 01:24:14 PM
Can't understand why I forgot Françaix. Silly me. He should be in my list.
+1  ::)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Brian

In the middle of the night, finally thought of a romantic-era composer who fits the description: Berwald.

Mirror Image

Quote from: Mirror Image on January 07, 2021, 08:15:00 PM
11? Why an odd number? Anyway...in no particular order:

Ravel
Stravinsky
Nielsen
Martinů
Janáček
Schnittke
Varèse
Ligeti
Ives
Koechlin
Berlioz

As good as this list is, I'd like to make some substitutions: Schulhoff for Berlioz and Hindemith for Nielsen.

DavidW

Quote from: Mirror Image on February 03, 2021, 07:28:26 AM
As good as this list is, I'd like to make some substitutions: Schulhoff for Berlioz and Hindemith for Nielsen.

You're like there is entirely too much pre-modern era on this list!  I better cut out that one composer...