Started by Mandryka, July 06, 2021, 06:14:52 AM
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Quote from: Jo498 on July 06, 2021, 08:11:59 AMI am barely familiar with the music but the young Mustonen recorded them (Decca, 1990s, with Alkan, I think) and he is usually interesting.
Quote from: hvbias on July 06, 2021, 11:26:38 AMScherbakov and Mustonen are the two I'm most familiar with. Brian mentioned Andrey Gugnin in another thread, this is the most "modern, detached" version I've heard, maybe this is like Roger Woodward given the descriptions of his Op. 87 in the other thread.
Quote from: Mandryka on July 06, 2021, 01:34:03 PMWhere is the Gugnin?
Quote from: hvbias on July 06, 2021, 03:30:37 PMIt's on Hyperion so presumably not very easy to hear online, send me a PM if you'd like.
Quote from: Mandryka on July 07, 2021, 07:43:01 AMI've managed to hear it now. I'm starting to think that I had stumbled on the best by accident with Virssaladze.
Quote from: Mandryka on July 06, 2021, 09:16:00 AMThere seems to be a version for violin and piano too, not sure whether both were penned by DSCH,
Quote from: hvbias on July 14, 2021, 02:00:53 PMHow does one hear this? I see one on Youtube, but then two other pianists are credited in the extras section.
Quote from: Mandryka on July 15, 2021, 06:14:22 AMOne buys the CD https://live-classics.com/shop/liszt-mephisto-waltz-no-1-sonetto-104-di-petrarca-shostakovich-24-preludes-op-34-lisztgounod-waltz-from-faust-milan-1995-2001/or one listens to the stream herehttps://music.youtube.com/watch?v=9Y53BkOqKhI&list=OLAK5uy_l8UAgMsJKmcZB-5jrgF_LD0hfKAIAPaGk(I think it is excellent, I hope you try it.)
Quote from: Mandryka on July 16, 2021, 08:08:44 PMMustonen makes them into a hotchpotch, a rag bag of unconnected pieces of music, Elisso makes them flow and cohere. I wondered why Elisso is one track, now I know: it's part of her conception. Mustonen's touch is more brittle.
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