JS Bach Italian Concerto BWV 971

Started by staxomega, October 09, 2021, 11:23:15 AM

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staxomega

I don't think we have a dedicated thread for the Italian Concerto, just the big JSB thread on harpsichord.

Your favorite performances, new recordings, etc.

How is Kenneth Gilbert on Harmonia Mundi?

DavidW


71 dB

#2
I hate these kind of threads so much. They make me feel inferior. I don't know the good ones. All I have is a loser named Rübsam on loser label Naxos playing piano. That's my loser life. I am not a millionaire who can pay a lot. My Harmonia Mundi collection is very small, because those babies cost some serious money!
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"

DavidW

If you were truly an INTJ you would have found Gilbert's Bach on YT and stopped crying.  You are really an INFP in denial!

MusicTurner

#4
Quote from: 71 dB on October 09, 2021, 12:05:53 PM
I hate these kind of threads so much. They make me feel inferior. I don't know the good ones. All I have is a loser named Rübsam on loser label Naxos playing piano. That's my loser life. I am not a millionaire who can pay a lot. My Harmonia Mundi collection is very small, because those babies cost some serious money!

It's a catchy piece, that is good to have. Rübsam definitely has his fans, also here ...

I've got a bunch, but didn't make comparisons. One or two on a harpsichord, one in an arrangement for flute and orchestra (?!), the rest on piano, the eldest being Schnabel (1938), Michelangeli (1943), Marcelle Meyer (1946), and Rudolf Serkin (1950)

Mandryka

#5
The thing is a concerto, with a structure like concertino and ripieno. So you either have to have a two manual harpsichord with stops so  each keyboard has a different timbre, or maybe you could pull it off on a fortepiano with different timbres in each register, or maybe a really clever clavichord or modern piano player could give it the feel of a concerto.


The score actually asks for a two manual harpsichord. However, I wonder if the best solution is organ, like Bach's Vivaldi transcriptions. Leon Doeselaar did it that way for the Dutch "All of Bach"  series, it's on YouTube. And Erwin Wiersinger used an organ on an MDG CD called J S Bach - a new angle (which he shares with Doeselaar), it came out a couple of years ago. You lose speed and brilliance, obviously.  Have a listen and see if you gain anything.

The Gilbert CD is very good, by the way.
Wovon man nicht sprechen kann, darüber muss man schweigen

bioluminescentsquid

I remember it's Genn Gould (?) who said that either this or the Chromatic fantasy was "Bach for people who didn't like Bach"

Anyways, some music. I haven't listened to the Italian concerto in ages! https://www.youtube.com/watch?v=8QOcsTDmnzI

71 dB

Quote from: DavidW on October 09, 2021, 12:25:44 PM
If you were truly an INTJ you would have found Gilbert's Bach on YT and stopped crying.  You are really an INFP in denial!

BWV 971 is surprisingly "rare" for a Bach keyboard work. Of course I can stream it on YT or Spotify, but I don't feel I have a work/performance in my life unless I have it in my collection. Only the experience of hearing the performance is part of my life. Sometimes that is enough, sometimes it is not.

Right now I try to concentrate on the music of Johann Friedrich Fasch. This is another thing I dislike about online communities: Non-stop ideas of listening to this and that on YT so that I can't concentrate on anything!  :P
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"

Selig

My choice for best 971, and best headgear:


Jo498

I have several recordings on piano (Meyer, Gould, Tipo, Bunin, Koroliov...), usually not consciously bought but acquired as "fillers" and it's not my favorite work either. My favorite of the bunch I have is probably Bunin's.
The outer movements are good but the middle movement is a bit "too thin" for Bach's style. This style works better in a real violin or woodwind concerto. I think the only harpsichord recording I have is Leonhardt (Sony/Seon) which I remember like a lot of Leonhardt to be a bit too much on the "severe" side for that piece.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Que

#10
Quote from: Jo498 on October 09, 2021, 11:40:54 PM
I think the only harpsichord recording I have is Leonhardt (Sony/Seon) which I remember like a lot of Leonhardt to be a bit too much on the "severe" side for that piece.

Quite so. Here it is on Youtube - slow and ponderous....  ::)

Quote from: bioluminescentsquid on October 09, 2021, 02:02:54 PM
Anyways, some music. I haven't listened to the Italian concerto in ages! https://www.youtube.com/watch?v=8QOcsTDmnzI

I like the Scott Ross recording, but my favourite on the harpsichord is the young Christophe Rousset:



Other notable recordings (haven't kept up with new releases in the last decade or so):

Olivier Baumont, in an elegant style closer to Rousset.
And Ketil Haugsand in a meticulous performance Leonhardt would have aprroved of.

MusicTurner

#11
Quote from: Jo498 on October 09, 2021, 11:40:54 PM
I have several recordings on piano (Meyer, Gould, Tipo, Bunin, Koroliov...), usually not consciously bought but acquired as "fillers" and it's not my favorite work either. My favorite of the bunch I have is probably Bunin's.
The outer movements are good but the middle movement is a bit "too thin" for Bach's style. This style works better in a real violin or woodwind concerto. I think the only harpsichord recording I have is Leonhardt (Sony/Seon) which I remember like a lot of Leonhardt to be a bit too much on the "severe" side for that piece.

That's a bit like my collection, and besides the mentioned, older ones (Schnabel, Meyer, Michelangeli, Serkin), I also have Bunin, Koroliov, Brendel, Fiorentino, Tharaud, Schiff, and Katsaris. No Gould, it seems. The harpsichord one is an old Martin Galling LP, probably rather undistinguished. I plan to listen a bit to these versions in the coming days.


Jo498

There might be two Gould recordings, I am not sure. One was a filler to an older issue of the keyboard concertos, and the same (or a different one) on a Miscellaneous called "The Italian Album". Gould is very dry in the middle movement, I think he plays the d minor concerto after Marcello with more soul than Bach's own Italian.

I also have an arrangement as violin concerto on a disc "Concerti italiani" with Alessandrini cond. (unfortunately they missed the chance to have both original and arrangement on one disc).
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

MusicTurner

#14
Quote from: Jo498 on October 10, 2021, 12:27:11 AM
There might be two Gould recordings, I am not sure. One was a filler to an older issue of the keyboard concertos, and the same (or a different one) on a Miscellaneous called "The Italian Album". Gould is very dry in the middle movement, I think he plays the d minor concerto after Marcello with more soul than Bach's own Italian.

I also have an arrangement as violin concerto on a disc "Concerti italiani" with Alessandrini cond. (unfortunately they missed the chance to have both original and arrangement on one disc).

A Violin Concerto version somehow seems more appropriate/likely, than a Flute Concerto version of that work ... I got the Bunin on an EMI twofer, because of Gavrilov's fine French Suites there, but remember finding Bunin a pleasant surprise on that set.

Mandryka

#15
Quote from: Que on October 09, 2021, 11:59:34 PM
Quite so. Here it is on Youtube - slow and ponderous....  ::)

I like the Scott Ross recording, but my favourite on the harpsichord is the young Christophe Rousset:



Other notable recordings (haven't kept up with new releases in the last decade or so):

Olivier Baumont, in an elegant style closer to Rousset.
And Ketil Haugsand in a meticulous performance Leonhardt would have aprroved of.

I think you will like Pinnock on Archiv. It may be my top choice on harpsichord in fact.
Wovon man nicht sprechen kann, darüber muss man schweigen

Jo498

I am pretty sure there are also flute or oboe versions.
Bunin is an excellent Bach player, unfortunately he has not recorded a lot and even less is available outside of Japan. I have one more EMI disc besides the fillers for Gavrilov.
At least among pianist the Concerto seems much favored vs. the "French ouverture b minor". Koroliov has a nice disc on Hänssler (usually cheaper than TACET...) with all of Clavierübung II.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

staxomega

#17
Thank you all for the suggestions! I did end up ordering the Gilbert CD and will be exploring the others I haven't heard.

Quote from: bioluminescentsquid on October 09, 2021, 02:02:54 PM
I remember it's Genn Gould (?) who said that either this or the Chromatic fantasy was "Bach for people who didn't like Bach"

Sounds like something pretentious Gould would say, ironically if he'd lived into the era when HIP became the norm he might have heard the retort that Bach on piano is for people that don't like Bach :D I don't listen to Italian Concerto that often, Chromatic Fantasia and Fugue is one of my favorites on piano.

MusicTurner

#18
As one would perhaps expect, Gould's remark seems to have been related to the rather daring Chromatic Fantasy (which Gould apparently didn't like that much, comparing it to music from horror movies, and where he apparently didn't tend to play the Fugue): http://glenngould.org/f_minor/msg06001.html

Selig

Nice relic: Kirkpatrick 1939 (or 1936, according to bach-cantatas)

https://www.youtube.com/watch?v=FWbCHsYSwHA