Quiz: Mystery scores

Started by Sean, August 27, 2007, 06:49:47 AM

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Luke

Quote from: BWV 1080 on June 07, 2023, 10:50:23 AMa similar progression in a very famous piece


That's Schumann.

Luke

The Arabesque I think

BWV 1080


classicalgeek

Quote from: BWV 1080 on June 07, 2023, 10:50:23 AMa similar progression in a very famous piece


This is from Schumann's Arabeske, of course...
So much great music, so little time...

Luke

Or the Davidsbunderlertanze. I need to remind myself.


Florestan

Quote from: Luke on June 07, 2023, 10:51:26 AMWhich one? It's not my Mystery 3

Oh, I got it wrong then.
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Luke

Quote from: classicalgeek on June 07, 2023, 10:52:43 AMThis is from Schumann's Arabeske, of course...

Ha I was right first time then!  ;D

Luke


classicalgeek

Quote from: Luke on June 07, 2023, 10:53:18 AMHa I was right first time then!  ;D

I think you and I posted our answers at the same time!

Still stumped on the original, though...
So much great music, so little time...

Luke

This composer often writes very simple-looking things such as this, with e.g. tedious chromatic scales and plain looking triads. But they sound more interesting in performance.

BWV 1080


classicalgeek

Quote from: Luke on June 07, 2023, 10:56:21 AMThis composer often writes very simple-looking things such as this, with e.g. tedious chromatic scales and plain looking triads. But they sound more interesting in performance.

So it wasn't Ligeti, then...
So much great music, so little time...

Luke

Not Ligeti. Just as well-known, or even more so.

BWV 1080

Quote from: Luke on June 07, 2023, 10:58:35 AMNot Ligeti. Just as well-known, or even more so.

Bartok?

Luke


Karl Henning

Quote from: Florestan on June 07, 2023, 10:28:34 AMCouperin's Les barricades mysterieuses.
pour la révolution mystérieuse?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Luke

My previous clue is pretty helpful if you think about it.

Luke

Quote from: Karl Henning on June 07, 2023, 11:08:07 AMpour la révolution mystérieuse?

That's the question - what are these barricades? Our analysis lecturer (W. Dean Sutcliffe) thought it was a registral thing - that the music is bounded by pitch limits which it tries to pierce.

Karl Henning

Quote from: Luke on June 07, 2023, 10:41:12 AMYes! Marvellous piece

here as it should be done:


and here in Thomas Ades' quirky hocketing arrangement (it's better done on the EMI recording!)


This arrangement sounds a bit like an analysis-in-sound of the piece. I find this interesting because, when I went to Cambridge, we had an analysis lecture on this piece; Tom Ades was there only a few years before, so it's conceivable he had the same lecture, and that this piece is a result of it.
I should have known. My buddy Paul played it a number of times. This video, made in his former home on Whipple Street in Fall River, revives pleasant memories.

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot