Topic: Erich Wolfgang Korngold

[SurprisedByBeauty]

Note the qualifier: "if he intends to keep this up". 
I, as well, think that he has extraordinary qualities, which were present during the evening in intermittent fashion, but also in copious amounts whenever he chose to reveal them (for instance, his way with the orchestral interludes was breathtaking). This made the soulless mess he tried to turn Korngold's score into during other parts of the evening even more aggravating. It seems to me that in opera he's entering a dangerous phase in which all those lauds of him being a "singer's conductor" result in him turning more and more into grotesque mannerisms regarding orchestral balance in order to "facilitate" singers and justify the credential. I hope he has more sense than making it a habit resorting to this kind of tasteless hyperbole and that it's simply Korngold he was unable to connect with. However, given the tendencies, it might be a good idea for him to stick to orchestral music for a while. I expect great things in Berlin, unless he has any similar misguided ideas for them, too.

I've found him to be a specifically great opera conductor (Jenufa, Frau Ohne Schatten, Lady Macbeth, Rheingold) and I also find that a great opera conductor is rarer than a great orchestral conductor! [I'm thinking of K.Petrenko & C.Thielemann, mostly.] (Whereas a fine opera conductor is probably more easy to have than a fine orchestral conductor... P.Jordan, F.Luisi, C.Meister, who are all better in the pit than on the podium.) To get a repertoire opera orchestra to perform as the Staatsorchester has performed in those years under Petrenko is simply more of an achievement than to get the Berlin Philharmonic to perform great. So I think we're in for a gain in Berlin but a net-loss. Also, he's so introverted, I genuinely and seriously doubt Petrenko does anything in order to live up to some perceived notion of him as a conductor known for this or that.

[Wanderer]

I've found him to be a specifically great opera conductor (Jenufa, Frau Ohne Schatten, Lady Macbeth, Rheingold)

Based on my experience, I think he’s a very good (with glimpses of greatness) rather than a superlative opera conductor. There is greatness/genius in there, but not in a consistent manner. I'm glad your experiences have all been positive (I’d have liked to have been there for Jenůfa and indeed for any of those - with the possible exception of R. Strauss, after what I've heard him doing to Korngold).

To get a repertoire opera orchestra to perform as the Staatsorchester has performed in those years under Petrenko...

I do agree and appreciate the fact that he managed to elevate the Bavarian orchestra to a different level and to admirable degrees of refinement, but that rather adds to the disappointment if it ultimately results in botched interpretations.

[I'm thinking of K.Petrenko & C.Thielemann, mostly.]

Speaking of Thielemann, I caught parts of his Frau ohne Schatten in Vienna last time I was there in June, at the screen outside; we went for dinner and came back for the finale. Such a fine evening. I agree he’s better in opera than in orchestral music, but, because of the tendencies I mentioned, I think the opposite of Petrenko.

To get a repertoire opera orchestra to perform as the Staatsorchester has performed...

Speaking of repertoire opera houses, it did cross my mind that the night’s  - I don’t want to say fiasco because it wasn’t all bad, let’s say gross tonal inconsistencies – might have been aggravated by the fact that they were performing Wozzeck the previous night and God knows what else between the performance I saw (the second one) and the premiere, almost half a month ago.

Also, he's so introverted, I genuinely and seriously doubt Petrenko does anything in order to live up to some perceived notion of him as a conductor known for this or that.

You’d be surprised how insidiously these things can be internalized by any disposition.

[SurprisedByBeauty]

Speaking of Thielemann, I caught parts of his Frau ohne Schatten in Vienna last time I was there in June, at the screen outside; we went for dinner and came back for the finale. Such a fine evening. I agree he’s better in opera than in orchestral music, but, because of the tendencies I mentioned, I think the opposite of Petrenko.

I missed the CT FrOSch this time, but I saw it in Salzburg... and then a year later in Munich with KP. The two performances (I believe I wrote about both) could not have been any different. But both were superlative. Although I'm a sucker for the lusher approach of CT's than the diaphanous ways of KP in that particular Strauss opera. (Then again, I've also heard Kent Nagano conduct an absolutely splendid Schweigsame Frau -- so you never know. And with the latter you could never know whether he was inspired or whether the musicians were winging it, because he'd lost them totally.)

Speaking of repertoire opera houses, it did cross my mind that the night’s  - I don’t want to say fiasco because it wasn’t all bad, let’s say gross tonal inconsistencies – might have been aggravated by the fact that they were performing Wozzeck the previous night and God knows what else between the performance I saw (the second one) and the premiere, almost half a month ago.

You should hear the dreck that the Vienna State Opera Orchestra puts out, except on the rarest of occasions. Come to think of it, you probably do. Compared to that, the Bavarian StOp is an isle of bliss.

[Wanderer]

You should hear the dreck that the Vienna State Opera Orchestra puts out, except on the rarest of occasions. Come to think of it, you probably do. Compared to that, the Bavarian StOp is an isle of bliss.

They seem to be under the same predicament - I do remember, for instance, it took them several minutes to settle to Janáček's idiom at the beginning of Jenůfa (but what a splendour the rest of that evening was). So far I've been lucky with them.

[AlberichUndHagen]

I saw Die Tote Stadt in Finnish National Opera last October (if I remember correctly)! I enjoyed it greatly, The singer of Marietta was absolutely phenomenal, I have almost never heard as inspired female singing as that night. She also received also most of the applause, deservedly.