Sviatoslav Richter

Started by George, August 31, 2007, 05:21:11 PM

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Dancing Divertimentian

Quote from: George on August 22, 2011, 09:43:45 AM
He's performed all of them?

Do you have one of these?

Klavierstücke, opus 119 no. 1 - 4
    (Milan, 25 March 1965) [ unpublished ]
    [ labelled 13 April 1965, possibly Bergamo 27 March 1965 ]
        EMI Italy 093 2538192 (CD) [ only available to customers of the Italian bank "CAB" ]
    (Duszniki-Zdroj, 10 Aug 1965)
        Rococo 2146 (LP)

I have his Op.119's from Leipzig, Locarno, and Kempten.


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Mandryka

#901
Here he is playing Tchaikowsky Op 72/5 -- wonderful performance. Quite special.

http://www.youtube.com/v/VXk50yqo4bs

It's not listed in trovar but it's on spotify here

http://open.spotify.com/track/3xXWiEh3tl9ye6fUYlKXHW

and I found a download of it on amazon here

http://www.amazon.co.uk/P-Tchaikovsky-Meditation-Op-72-5/dp/B00276FFZK/ref=sr_1_1?ie=UTF8&qid=1318968398&sr=8-1

I've no idea if they're all  the same performances. Does anyone?
Wovon man nicht sprechen kann, darüber muss man schweigen

ccar

Quote from: Mandryka on October 18, 2011, 12:09:57 PM
Here he is playing Tchaikowsky Op 72/5 -- wonderful performance. Quite special.

http://www.youtube.com/v/VXk50yqo4bs

It's not listed in trovar but it's on spotify here

http://open.spotify.com/track/3xXWiEh3tl9ye6fUYlKXHW

and I found a download of it on amazon here

http://www.amazon.co.uk/P-Tchaikovsky-Meditation-Op-72-5/dp/B00276FFZK/ref=sr_1_1?ie=UTF8&qid=1318968398&sr=8-1

I've no idea if they're all  the same performances. Does anyone?


In 1983 Richter played the Op.72 no.5 Meditation during a number of recitals. Some were privately recorded but are not commercially available. The one in YouTube is most probably from Munich April 1983, published by Melodiya through various labels – JVC, Olympia, CDK, Regis; there is another recording of the same piece, remarkably similar but from a different recital - Moscow June 1983 - also issued commercially by Melodiya (MEL 1001664).       



Mandryka

#903
Does anyone have Richter's recording of Mozart K491, the 24th Piano Concerto, with Muti? If so, could they upload it for me . . . pretty please  :-*.

Ccar, where are you?
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Outstandingly beautiful Ballade 4 (Chopin) from Milan in 1966. Does anyone have a record of the rest of the concert?


http://www.youtube.com/v/k45IKm9gxaM
Wovon man nicht sprechen kann, darüber muss man schweigen

Bogey

Quote from: Mandryka on February 26, 2012, 09:11:27 AM
Outstandingly beautiful Ballade 4 (Chopin) from Milan in 1966. Does anyone have a record of the rest of the concert?


http://www.youtube.com/v/k45IKm9gxaM

Cannot find it in his discography.  Is this the Ferrara concert of '66?

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

zauberharfe

No, I'm pretty sure it is a different one... I might have it, I"ll check!

Holden

This has to be the best recording of the 4th Ballade that I've ever heard. What makes it for me is the phrasing which is just perfectly exquisite.

When Richter auditioned for Neuhaus he played this piece - "his warhorse".
Cheers

Holden

Mandryka

Is this performance of the Kreisler-Rachmaninoff Liebesfreud on record? What do you think? It sounds so modern!

http://www.youtube.com/v/Ma4RQO5lkwQ
Wovon man nicht sprechen kann, darüber muss man schweigen

Dancing Divertimentian

Something new from, of all companies, Praga. Will the old issues resurface? The packaging does say "Richter Edition". Wonder what's coming in the future?



[asin]B007CMTNHA[/asin]





Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

George

Quote from: Dancing Divertimentian on May 01, 2012, 08:33:37 PM
Something new from, of all companies, Praga. Will the old issues resurface? The packaging does say "Richter Edition". Wonder what's coming in the future?



[asin]B007CMTNHA[/asin]

Hey Don,

All previously released, right?
"It is a curious fact that people are never so trivial as when they take themselves seriously." –Oscar Wilde

not edward

Praga helpfully provides no recording dates online. One assumes the First concerto is the Moscow 18-Feb-1955 and the Second is the Leningrad 18-Feb-1959. It's a bit harder to track down a likely provenance for the four preludes, but it seems reasonable to assume that they're probably a grab bag from out of copyright commercial recordings.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

George

#912
Quote from: edward on May 02, 2012, 08:11:00 AM
Praga helpfully provides no recording dates online. One assumes the First concerto is the Moscow 18-Feb-1955 and the Second is the Leningrad 18-Feb-1959. It's a bit harder to track down a likely provenance for the four preludes, but it seems reasonable to assume that they're probably a grab bag from out of copyright commercial recordings.

This could be simply a reissue of the material on the Russian Revelation CD (RV 10064.) Except that that CD has the two concerto recordings you mention, along with 4 Etudes Tableaux, Op. 33 No. 6 and Op. 39 No. 3,4 and 9.   

I love that this new issue is on SACD, as if those extra bits will improve the sound, given the source material.  ::)
"It is a curious fact that people are never so trivial as when they take themselves seriously." –Oscar Wilde

Dancing Divertimentian

Quote from: George on May 01, 2012, 08:48:27 PM
Hey Don,

All previously released, right?

S'up, George.

Yeah, I think you and Edward have got it, at least for the concertos. Hard to say about those Preludes, though.





Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Dancing Divertimentian

Here's something new from a company I've never heard of, Divox. It's a repackaging of those old Memoria issues containing a host of Prokofiev from Tokyo. The ninth sonata is a wonderful reading.

It's here at ArkivMusic in the States.


Haven't seen it on Amazon US but here it is on Amazon UK (link seems to be defective):



[asin]B006CAXQ80[/asin]

Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

not edward

Divox are a Swiss indie label that may be getting better distribution now as they've moved under the Naxos unbrella.

I have a couple of CDs of theirs (Swiss string quartets and Castiglioni oboe music) and they are definitely aiming for a high-quality product. Good to see such a company picking up this sort of material.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Dancing Divertimentian

Thanks, Edward. Good to know.


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Mandryka

#917
According to the concert data in Monsaigngeon's book he played Haydn in the 1960s, 1980s and 1990s. If you listen to how his style developed you hear, I think, much more seriousness in the later performances, at least in the outer movements.  Those later recordings are fantastic, I've really undervalued them in the past. Someone (I think it was Tom Deacon but I'm not sure) once wrote that, after his heart trouble, when you went to a Richter concert, you felt you were faced with a musician determined to reveal every bit of music in the score.

Well that seems spot on for the late Haydn records -- the ones from Mantua on Decca for example. And I much much prefer them to the earlier ones. I like that intensity a lot.

I was prompted to think about this because I was comparing him in the last sonata -- a record from Milan in 1986 (unpublished) and a record from Mantua 20 years later. I've felt the same whenever I've listened to the same sonata from earlier and later recitals.

Wovon man nicht sprechen kann, darüber muss man schweigen

Brian

Now streamable/downloadable outside the USA via Naxos Music Library and ClassicsOnline:



Mark Obert-Thorn remasters the 1958 Sofia recital. I've never heard this recital recording before, though I'm sure George has! The Schubert impromptu D899/4 truly deserves the description "legendary." MO-T has retained a lot of applause between tracks.

Holden

#919
I have the Philips 50 version which is the best I have heard sonically. I'd be fascinated to see what MO-T has done with this recording as a member of NML I am going there now!

Edit: The Philips 50 version beats this hands down. The Naxos version sounds like Richter has put the piano in the Green Room and is playing from there. What's more, the Philips version I'm listening to is only in 224 kbps MP3. There is a slight swirl of sound (from the original LP?). MO-T has removed this swirl. I'd be interested in hearing from those of us who have the recording that I've got to see what you think.
Cheers

Holden