The Great American Symphony

Started by Heck148, April 22, 2016, 09:47:40 AM

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Mahlerian

Quote from: Cato on September 20, 2016, 09:36:15 AM
Am I mistaken in thinking that Alan Gilbert programs a good deal of contemporary music, or at least records it?

Not at all.  His tenure with the New York Philharmonic has brought with it a good deal of contemporary music, both on regular subscription programs and outside of them.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Cato

Quote from: Mahlerian on September 20, 2016, 09:39:53 AM
Not at all.  His tenure with the New York Philharmonic has brought with it a good deal of contemporary music, both on regular subscription programs and outside of them.

Good!  An example for the more timid conductors out there, although yes, I understand the pressures to stay with "safe programming."
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Sergeant Rock

Quote from: PerfectWagnerite on September 20, 2016, 08:21:15 AM
The article also fails to explain as to exactly WHY Brian's symphonies remain so under-performed.

It's not just Brian. Most British symphonists are under-performed even in the UK, and most, under-recorded: Moeran, Rubbra, Rawsthorne, Berkeley, Bantock, Frankel, Jones, Bate, Arnell, Butterworth, Lloyd, Bush to name just a very few.  I assume it's the same reason(s) most American symphonies are ignored in the USA. But Brian has the added problem of being a stylistic oddity, "both monumental and subversive".

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

PerfectWagnerite

Quote from: Sergeant Rock on September 20, 2016, 10:38:46 AM
It's not just Brian. Most British symphonists are under-performed even in the UK, and most, under-recorded: Moeran, Rubbra, Rawsthorne, Berkeley, Bantock, Frankel, Jones, Bate, Arnell, Butterworth, Lloyd, Bush to name just a very few.  I assume it's the same reason(s) most American symphonies are ignored in the USA. But Brian has the added problem of being a stylistic oddity, "both monumental and subversive".

Sarge
Not sure about the others but in the case of Butterworth he really didn't write that much orchestral music.

Sergeant Rock

#404
Quote from: PerfectWagnerite on September 20, 2016, 11:29:47 AM
Not sure about the others but in the case of Butterworth he really didn't write that much orchestral music.

I mean Arthur Butterworth (composed seven symphonies), not George "Banks of Green Willow" Butterworth.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

PerfectWagnerite

Quote from: Sergeant Rock on September 20, 2016, 12:54:17 PM
I mean Arthur Butterworth (composed seven symphonies), not George "Banks of Green Willows" Butterworth.

Sarge
Arthur Butterworth? Never heard of him. Huh huh.

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

I can see the motivation to give the laurel to the Ives Fourth, as (to use the word in its original sense) the masterpiece, the symphony which is the inaugural accomplishment signaling mastery.  But considering the work as a cycle (and you expect this of a later composer, Ives having broken the ground) I think it quite clear that Schuman (e.g.) is an arguably greater symphonist.

Which I suppose brings us to my traditional quarrel with any effort to "establish" The [One] Great[est] Anything in the musical world.  Like the Hungarian guy said, it ain't a horse race.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Monsieur Croche

#408
Quote from: k a rl h e nn i ng on September 21, 2016, 01:11:38 AM
I can see the motivation to give the laurel to the Ives Fourth, as (to use the word in its original sense) the masterpiece, the symphony which is the inaugural accomplishment signaling mastery.  But considering the work as a cycle (and you expect this of a later composer, Ives having broken the ground) I think it quite clear that Schuman (e.g.) is an arguably greater symphonist.

Which I suppose brings us to my traditional quarrel with any effort to "establish" The [One] Great[est] Anything in the musical world.  Like the Hungarian guy said, it ain't a horse race.
~ I'm all for personal expression; it just has to express something to me. ~

Karl Henning

Thanks for the corrigendum!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

PerfectWagnerite


Sergeant Rock

Quote from: PerfectWagnerite on September 21, 2016, 10:43:19 AM
Maybe most of Britain prefers George instead?

Probably. George does have a greatest hit; Arthur doesn't.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

relm1

John Adams' Harmonielehre is such a fantastic symphony.  I'm currently listening to Kent Nagano's Montreal Symphony recording and it might be my favorite, so powerful, dramatic, and lyrical.  The Mahler influence never felt as strong as it does here. 

vandermolen

Quote from: relm1 on March 23, 2021, 04:10:11 PM
John Adams' Harmonielehre is such a fantastic symphony.  I'm currently listening to Kent Nagano's Montreal Symphony recording and it might be my favorite, so powerful, dramatic, and lyrical.  The Mahler influence never felt as strong as it does here.
Need to re-hear it. Thanks for the recommendation.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

relm1

Quote from: vandermolen on March 24, 2021, 01:29:57 AM
Need to re-hear it. Thanks for the recommendation.

Listen how great this is:
https://youtu.be/r_vf_d6PNyA?t=494

and compare 8:37 of the Adams to this of Mahler here
https://youtu.be/2bWykCZXGDs?t=1098

foxandpeng

*reads entire thread*

*makes great big, honkin' list*

*leaves*
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

springrite

Quote from: relm1 on March 23, 2021, 04:10:11 PMJohn Adams' Harmonielehre is such a fantastic symphony.  I'm currently listening to Kent Nagano's Montreal Symphony recording and it might be my favorite, so powerful, dramatic, and lyrical.  The Mahler influence never felt as strong as it does here. 
It remain my favorite Adams' work.
Like with many contemporary composers (Philip Glass, Reich, Ades...), I seem to like their earlier works.
Do what I must do, and let what must happen happen.

relm1

Quote from: springrite on February 22, 2024, 11:26:21 PMIt remain my favorite Adams' work.
Like with many contemporary composers (Philip Glass, Reich, Ades...), I seem to like their earlier works.

LA Phil is performing Adams' City Noir in a month which I'm thinking of checking out but am not so familiar with it.