Sergei Rachmaninov (1873-1943)

Started by Chaszz, December 10, 2009, 04:35:52 PM

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Roasted Swan

Quote from: Der lächelnde Schatten on April 23, 2025, 06:00:46 PMNow, I want to revisit Rachmaninov's 1st! To be fair, I haven't listened to this symphony in ages or so it seems.

Now I just need to figure out what performance of it I want to listen to: Rozhdestvensky, Ashkenazy, Ormandy, Svetlanov or Previn.

Avoid Previn - I love nearly everything he ever recorded but his LSO/Rach 1 must go down as just about his most disappointing recording.  Disappointing because you'd think it was the sort of work he would absolutely nail (and his Nos.2&3 are very good as well).  For me Ashkenazy & Svetlanov are the classic versions.  The only Rozhdestvensky version I know is;



which is classic Slavic gloom but live and not a great technical recording.  Is there another studio version by him?

A couple of less 'popular' versions are;



The Kocsis is very unexpected - a live concert and him conducting but it has real bite and is very well played.

I see John Wilson has just released a new version with his Sinfonia of London but I'm avoiding that as I'm sure it'll be super slick and fast and "impressive" but without a fraction of the emotional power of any of the versions I've mentioned above

vandermolen

Quote from: Roasted Swan on April 23, 2025, 11:13:39 PMAvoid Previn - I love nearly everything he ever recorded but his LSO/Rach 1 must go down as just about his most disappointing recording.  Disappointing because you'd think it was the sort of work he would absolutely nail (and his Nos.2&3 are very good as well).  For me Ashkenazy & Svetlanov are the classic versions.  The only Rozhdestvensky version I know is;



which is classic Slavic gloom but live and not a great technical recording.  Is there another studio version by him?

A couple of less 'popular' versions are;



The Kocsis is very unexpected - a live concert and him conducting but it has real bite and is very well played.

I see John Wilson has just released a new version with his Sinfonia of London but I'm avoiding that as I'm sure it'll be super slick and fast and "impressive" but without a fraction of the emotional power of any of the versions I've mentioned above
There's a lot of hype about John Wilson but I have been underwhelmed by the recordings I have heard. I much prefer Previn's version of the Korngold Symphony and Rachmaninov's 3rd Symphony for example. I liked Slatkin's old recording of Rachmaninov's 1st Symphony + Ashkenazy.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Florestan

Quote from: Roasted Swan on April 23, 2025, 11:13:39 PMAvoid Previn - I love nearly everything he ever recorded but his LSO/Rach 1 must go down as just about his most disappointing recording.  Disappointing because you'd think it was the sort of work he would absolutely nail (and his Nos.2&3 are very good as well). 

I concur, avoid Previn like plague. It's dull, lifeless, boring --- probably the closest we'll ever get to actually hearing what Glazunov did with it at the premiere.  ;D
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Cato

Quote from: Der lächelnde Schatten on April 23, 2025, 06:00:46 PMNow, I want to revisit Rachmaninov's 1st! To be fair, I haven't listened to this symphony in ages or so it seems.

Now I just need to figure out what performance of it I want to listen to: Rozhdestvensky, Ashkenazy, Ormandy, Svetlanov or Previn.


I would say Ashkenazy first, then try the others!   ;D
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

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LKB

Quote from: Cato on April 24, 2025, 04:41:23 AMI would say Ashkenazy first, then try the others!   ;D

+1...

Decades ago, I used to use the final coda in Ashkenazy's recording to impress visitors unfamiliar with the piece or, for that matter, with orchestral music in general. At least a couple of jaws found the floor...
Mit Flügeln, die ich mir errungen...

Madiel

I mean somehow Rachmaninov is Ashkenazy's best composer. Whether as pianist or as conductor, you don't often see such a consistent level of praise.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Der lächelnde Schatten

Quote from: Madiel on April 24, 2025, 05:48:09 AMI mean somehow Rachmaninov is Ashkenazy's best composer. Whether as pianist or as conductor, you don't often see such a consistent level of praise.

I generally like Ashkenazy's conducting. I found his Sibelius cycle on Decca, for example, to be excellent.
"Even the darkest night will end and the sun will rise." ― Victor Hugo

Der lächelnde Schatten

Quote from: Roasted Swan on April 23, 2025, 11:13:39 PMAvoid Previn - I love nearly everything he ever recorded but his LSO/Rach 1 must go down as just about his most disappointing recording.  Disappointing because you'd think it was the sort of work he would absolutely nail (and his Nos.2&3 are very good as well).  For me Ashkenazy & Svetlanov are the classic versions.  The only Rozhdestvensky version I know is;



which is classic Slavic gloom but live and not a great technical recording.  Is there another studio version by him?

A couple of less 'popular' versions are;



The Kocsis is very unexpected - a live concert and him conducting but it has real bite and is very well played.

I see John Wilson has just released a new version with his Sinfonia of London but I'm avoiding that as I'm sure it'll be super slick and fast and "impressive" but without a fraction of the emotional power of any of the versions I've mentioned above
Quote from: vandermolen on April 24, 2025, 12:45:57 AMThere's a lot of hype about John Wilson but I have been underwhelmed by the recordings I have heard. I much prefer Previn's version of the Korngold Symphony and Rachmaninov's 3rd Symphony for example. I liked Slatkin's old recording of Rachmaninov's 1st Symphony + Ashkenazy.
Quote from: Florestan on April 24, 2025, 01:01:20 AMI concur, avoid Previn like plague. It's dull, lifeless, boring --- probably the closest we'll ever get to actually hearing what Glazunov did with it at the premiere.  ;D

Quote from: Cato on April 24, 2025, 04:41:23 AMI would say Ashkenazy first, then try the others!   ;D
Quote from: LKB on April 24, 2025, 04:59:37 AM+1...

Decades ago, I used to use the final coda in Ashkenazy's recording to impress visitors unfamiliar with the piece or, for that matter, with orchestral music in general. At least a couple of jaws found the floor...

Thanks for the feedback, gents. 8)

@Roasted Swan the recording of Rozhdestvensky's performance of the 1st that I own is found in this Melodiya set I bought whenever it came out:



I'm not sure whether it is live or studio, but I'll have to dig out the box set and let you know.
"Even the darkest night will end and the sun will rise." ― Victor Hugo

Madiel

Quote from: Der lächelnde Schatten on April 24, 2025, 06:25:39 AMI generally like Ashkenazy's conducting. I found his Sibelius cycle on Decca, for example, to be excellent.

Oh yes, that's the Sibelius cycle that I own and I like it a lot. In fact I've seen at least a couple of Sibelius surveys that end up saying "hang on a minute... this is good stuff". For one thing, he gets the brass to really blaze.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Lisztianwagner

Quote from: Cato on April 24, 2025, 04:41:23 AMI would say Ashkenazy first, then try the others!  ;D
Quote from: LKB on April 24, 2025, 04:59:37 AM+1...

Decades ago, I used to use the final coda in Ashkenazy's recording to impress visitors unfamiliar with the piece or, for that matter, with orchestral music in general. At least a couple of jaws found the floor...
Quote from: Madiel on April 24, 2025, 05:48:09 AMI mean somehow Rachmaninov is Ashkenazy's best composer. Whether as pianist or as conductor, you don't often see such a consistent level of praise.
I completely agree, when it comes to Rachmaninov, there's no better interpreter than Ashkenazy.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Der lächelnde Schatten

Quote from: Madiel on April 24, 2025, 06:39:21 AMOh yes, that's the Sibelius cycle that I own and I like it a lot. In fact I've seen at least a couple of Sibelius surveys that end up saying "hang on a minute... this is good stuff". For one thing, he gets the brass to really blaze.

Absolutely. Nice to know you're a fan of this Sibelius cycle, too! I might have to revisit it at some point.
"Even the darkest night will end and the sun will rise." ― Victor Hugo

Der lächelnde Schatten

#651
@Roasted Swan I'm listening to the Rozhdestvensky recording from the box set I posted about and it's with the USSR Ministry of Culture Symphony Orchestra and not a live recording. So a completely different performance than the recording you posted earlier.

Oh and this recording sounds bloody FANTASTIC! Worth looking into for sure.
"Even the darkest night will end and the sun will rise." ― Victor Hugo

Roasted Swan

Quote from: Der lächelnde Schatten on April 24, 2025, 10:49:48 AM@Roasted Swan I'm listening to the Rozhdestvensky recording from the box set I posted about and it's with the USSR Ministry of Culture Symphony Orchestra and not a live recording. So a completely different performance than the recording you posted earlier.

Oh and this recording sounds bloody FANTASTIC! Worth looking into for sure.

Oooh er I'll have to try and track that down - Rozhdestvensky was such a fine conductor both live and in the studio.

Der lächelnde Schatten

Quote from: Roasted Swan on April 25, 2025, 08:02:50 AMOooh er I'll have to try and track that down - Rozhdestvensky was such a fine conductor both live and in the studio.

Yeah, I'm not sure where you will find it, but I'll do some digging and see if it's even available as separate CD issue.
"Even the darkest night will end and the sun will rise." ― Victor Hugo