What are you listening 3 now?

Started by Mapman, April 12, 2026, 05:20:45 AM

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Greendale, Cato, Madiel and 2 Guests are viewing this topic.

Harry

PHILIPPE GAUBERT. 1879-1941.
Orchestral works.
Volume I.
See back cover for details.
Orchestre Philharmonique du Luxembourg, Marc Soustrot.
Recorded, Luxembourg, Philharmonie, 2008.


Not many people will be familiar with the name of the flautist, conductor and composer Philippe Gaubert, because of his effective flute pieces, but as a composer of symphonic music he is probably only known to a few, even in his home country. That should change with this recording, because what is unearthed here  are outstanding works by a composer who can certainly be measured against the great composers of his time in terms of his wealth of ideas and orchestral colors and his masterful command of great forms. There is no doubt that this is a great musical discovery in every sense and well worth listening too. Excellent sound and performance, the Luxembourg musicians clearly enjoy themselves, as I did.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso


Madiel

Mozart: Serenade in D major, K.204 (with opening March too)



Composed in 1775. This one gets called "Serenade no.5", no helpful nickname. It's got a sort of mini violin concerto in it, same as the "Colloredo" serenade K.203 from the previous year.

Very enjoyable, as are all the Serenades from this era. Some of Mozart's best Salzburg work in my opinion.
Nobody has to apologise for using their brain.

Madiel

Mendelssohn: Psalm 115, "Nicht unserm Namen, Herr", op.31



Volume 6 (or disc 6 of the box set) focuses on works for chorus and orchestra. Though in op.31 (the only work here that Mendelssohn oversaw publication of) there's a fair bit of variety. The 2nd movement starts off as a duet for soprano and tenor before the chorus joins in, the 3rd movement is a bass aria, and the 4th movement starts off with an a capella choral section.
Nobody has to apologise for using their brain.

Harry

#744
Felix Woyrsch (1860-1944)
Symphony No.1 & 6.
Württembergische Philharmonie Reutlingen, Howard Griffiths.
Recorded 2013 Studio der Württembergischen Philharmonie Reutlingen, Germany.



At last! It has taken a long time to complete the cycle of the six Woyrsch symphonies. Now it's done! The orchestra and conductor were changed for the last installment. For whatever reason but not to the detriment! The high standard was maintained. Good things take time I guess. The orchestra from Reutlingen is certainly not first class, but under the proven baton of Howard Griffiths it finds remarkable form. There is a huge compositional gap between the first symphony and the last one he wrote,  and it is remarkable to hear how Woyrsch evolved. The sound is good, as is the performance, a worthy close.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

#745
Sergei Prokofiev: Violin sonata No.1 op.80; 5 Melodies op.35.
Arvo Pärt, Spiegel im Spiegel.
Alfred Schnittke: Gratulationsrondo.
Duo Gazzana. Violinist Natascia and Pianist Raffaella Gazzana.
Recorded, 2025, Reitstadel Neumarkt.


This disc is absolute bliss for me. The Violin sonata by Prokofiev gives me every time I hear it a energetic thrill which creates a huge amount of goosebumps. I like the vehement drive in this music. His melodies do the same albeit by a different route. Pärt "Spiegel im Spiegel" is a piece that gets under my skin, never mind how often I have heard it, it digs itself into the very fabric of my soul. Schnittke's Gratulationsrondo, is almost a strange item, for it is written in a different style as you expect, less acerbic and therefore more approachable. Duo Gazzana is a marvelous team,  their musical unity is perfectly balanced. Breathtakingly so. ECM made a stunning recording, SOTA with 5 stars.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Linz

Dmitri Shostakovich Symphony No.15 in A major, op.141
London Symphony Orchestra, Mstislav Rostropovich

Harry

#747
Les Sentiments. French Baroque Masterworks.
See back cover for details.
Francesca Torelli, Lute.
Recorded, Reggio Emilia, Italy 2024.


Well played and recorded. That concludes my journey through her recordings, as far they appeared on Qobuz. It's fiendishly difficult to get the covers from somewhat older recordings. I found a back cover of this CD, which with the older recordings is near impossible.

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Irons

Quote from: Cato on May 04, 2026, 04:18:15 AMThanks for this: can you explain the WARNING on the cover?  :o









PR gobbledygook.

You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Cato

Quote from: Irons on May 05, 2026, 08:12:16 AM
PR gobbledygook.





Yes, gobbledygook, for which somebody was paid!   :o  :laugh:
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Iota



Stravinsky: Threni
Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss


More spellbinding, ascetic late Stravinsky. I find these Cappella Amsterdam recordings very good.

Linz

Anton Bruckner symphony No. 4 in E Flat Major, 1874 First version - Ed. Leopold Nowak
Bayerisches Staatsorchester, Kent Nagano

Justice Roberts

Ibert: Le chevalier errant & Les amours de Jupiter.





Bachthoven


JBS

My Presto package landed today.  First into the CD player
.

Roge is pianist in the Cello Sonata, first pianist in the Sonata for Piano Four Hands, second pianist in the Sonata  for Two Pianos. Ms. Font, besides being the partner pianist in the two Sonatas, performs the solo works, which  are 3 Movements perpetuals, the Nocturne in C, and three of the Improvisations.
(She's also his partner in the performance of Dolly Suite that appears on his new Faure recording from Decca.)

Hollywood Beach Broadwalk

Brian



A streaming find: the only recording of Catalan-Cuban composer Joaquin Nin-Culmell's piano concerto. The outer movements have a bubbly, festive neoclassical vibrancy in C major, but the slow movement begins by taking a page from Ravel's concerto and then veers into a rather cheesy "feel good" territory. (You may know his older sister, Anaïs Nin.) It's all over in 18 modest, cheerful minutes.



The same pianist appears here in another Catalan short work, Joan Manén's Rapsodia. Lots of nationalistic fun with folk melodies.

I hope our resident Hans Rott Society reads the rest of the disc contents for a surprising work written by a composer born in 1993...

Moving on now to another streaming disc, and another first listen, that I would never find in the wild...


Linz

Joseph Haydn Symphonies CD 28
Symphony No.91 in E flat major
Symphony No.92 in G major "Oxford"
Sinfonia Concertante in B flat major
Austro-Hugarian Haydn Orchestra, Adam Fischer

Justice Roberts

J.S. Bach: Works for Cello & Harpsichord (Live).  János Starker & Zuzana Růžičková.








Lisztianwagner

Wolfgang Amadeus Mozart
Symphony No.36

Herbert von Karajan & Berliner Philharmoniker


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg