I prefer the version of Gustav Leonhardt, with Poulenard and other soloists, above all because of its spiritual dimension.
The recent version of Rene Jacobs is very touching, not as severe as Leonhardt, more humble and human.
With modern instruments, the version of Jochum with Dresden has sublime moments (Crucifixus and, in general, all the Credo), but the Kyrie and the Gloria seem to heavy.
I don't like Herreweghe, too superficial, almost choreographic, for my taste.
Klemperer is impossible - but has the best soloists - and Corboz is always much better in concert that in his recordings.