Beethoven's 4th Symphony

Started by Bogey, October 18, 2007, 06:47:40 PM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

rubio

Quote from: Que on October 20, 2007, 08:55:08 AM
So you like it?  :)
I'll refresh my memory of the 4th! ;D

Q

So which symphonies are the high points of this cycle? I think I would like to sample one or two CD's.
"One good thing about music, when it hits- you feel no pain" Bob Marley

Que

Quote from: rubio on October 22, 2007, 08:26:44 AM
So which symphonies are the high points of this cycle? I think I would like to sample one or two CD's.

They come in pairs (or in one Japanese box set): 1-3; 4-6; 7-9.
The last symphonies seem a good place to  start. :)

Q


RebLem

Quote from: Cato on October 19, 2007, 05:08:10 AM
As an Ohioan I am biased toward George Szell and the Cleveland Orchestra!

Stravinsky , in one of his books with Robert Craft, also chose the Fourth as his favorite Beethoven symphony.  Perhaps he liked its more "Olympian" qualities as opposed to the Sturm und Drang of its predecessor and successor.

I am from Chicago, and I have never been in Ohio.  But I must say a preference for George Szell & the Cleveland Orchestra in many things is not bias.  Its just good taste.

However, while Szell is good here, I still say that in the 4th, Klemperer & Monteux are best.  Szell is at his best in the last four Beethoven symphonies, IMO.
"Don't drink and drive; you might spill it."--J. Eugene Baker, aka my late father.

Franco

I just listened to the Paavo Jarvi recording of the 4th, 1st Movement - and I am amazed at how he is able to produce such a phenomonal ensemble at the quick tempo he takes in the first movement's Allegro.  The music jumps out at me and I find myself smiling as I am swept along with the pulse he creates. 

Very exciting recording, and very enjoyable!

Valentino

I love music. Sadly, I'm an audiophile too.
Audio-Technica | Bokrand | Thorens | Yamaha | MiniDSP | WiiM | Topping | Hypex | ICEpower | Mundorf | SEAS | Beyma

Superhorn

  Are you sure Ozawa recorded the 4th with the BSO?  I don't recall any such version.  Ozawa did record the 5th with them for Telarc, a pretty good but not transcendent one.
  Ozawa has yet to make an integral set of the Beethoven symphonies, and I don't recall him ever recording the fourth.

Leo K.


Xenophanes

#67
I have three that I think are terrific.

Ansermet, SRO--Ansermet's Beethoven symphonies are surprisingly good, and 3, 4, and 7 are standouts.  The recording is excellent, too.

Liebowitz, RPO--reissued on Chesky.  All his Beethoven symphonies are great, and the 4th is as good as it gets, I think. It's also very well recorded.

Suitner, Staatskapelle Berlin--a wonderful 4th, very well recorded, one of the highlights of his set.

DavidRoss

I see Franco's praise for P. Järvi's 4th has jump-started this moribund thread.  Good!  I like the 4th more and more as time goes on--partly perhaps due to overexposure to the 3rd, 5th, & 7th (& especially the 9th!).  And if I keep hearing good reports about Mr. Järvi's Beethoven I might just have to rush out an buy the damned cycle!  (Youtube vids of performances prior to the recordings sound as if the praise is well deserved--still, I already own several other cycles that please me greatly.)

Think I might try a bit of comparative listening to some, i.e. Abbado, Vänskä, Immerseel, Brüggen, Gardiner, Szell, Zinman, and maybe even Böhm if I get that far along before tiring of it and feel like firing up the turntable.  Hmmm, come to think of it, maybe Böhm would be a good place to start, since I've probably not heard that in years!
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

DarkAngel

#69
 

Two great performances of the 4th.......
It would be very good idea to get the Kleiber DVD with Beethoven 4,7 for almost same price as the Orfeo CD with only the 4th while easily available. Performances of these 4ths are only 1 year apart, DVD filmed 1983 at Concertgebouw Hall Amsterdam.

Kleiber is very energetic and animated on the podium, the Concertgebouw has almost surround seating..........looks unusual to see people sitting behind the orchestra

Renfield

Quote from: DarkAngel on February 27, 2010, 05:14:13 AM
the Concertgebouw has almost surround seating..........looks unusual to see people sitting behind the orchestra

Certainly the Berlin Philharmonie does, to quite an effect. :)

Herman

Quote from: DarkAngel on February 27, 2010, 05:14:13 AM


Kleiber is very energetic and animated on the podium, the Concertgebouw has almost surround seating..........looks unusual to see people sitting behind the orchestra

Many concert halls have seats under the organ. They're cheaper and some people claim to enjoy watching the conductor's face etc.

Scarpia

Quote from: Renfield on February 27, 2010, 06:03:25 AM
Certainly the Berlin Philharmonie does, to quite an effect. :)

As does the San Francisco Symphony in Davies Hall.

DavidRoss

#73
Quote from: DavidRoss on February 26, 2010, 06:28:14 AMThink I might try a bit of comparative listening to some, i.e. Abbado, Vänskä, Immerseel, Brüggen, Gardiner, Szell, Zinman, and maybe even Böhm if I get that far along before tiring of it and feel like firing up the turntable.  Hmmm, come to think of it, maybe Böhm would be a good place to start, since I've probably not heard that in years!

Well, I listened to several recordings of the 4th yesterday.  Tops, for me, were Brüggen, Immerseel, Harnoncourt, Gardiner, and Zinman.  Abbado/BP/Rome and Vänskä didn't measure up, not brisk and agile and rough enough to suit me.  (Didn't spin Szell or Böhm or anyone else.)

The big surprise for me was not that I liked Brüggen best, but that both Immerseel and Harnoncourt measured up so well in comparison...and that despite the comparative briskness of Zinman's opening, he still managed to convey much of that sense of slow mysteriousness that Brüggen & Harnoncourt excelled at. 

edit:  BTW, does anyone else feel a kinship between this symphony and Mendelssohn's sunny 4th?
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

Archaic Torso of Apollo

Quote from: Scarpia on February 27, 2010, 07:31:48 AM
As does the San Francisco Symphony in Davies Hall.

As does Orchestra Hall in Chicago. It was my favorite place to sit there, mainly because of the "inside view" and the more visceral thump of the percussion.

Quote from: DavidRoss on February 27, 2010, 08:37:29 AM
and that despite the comparative briskness of Zinman's opening, he still managed to convey much of that sense of slow mysteriousness that Brüggen & Harnoncourt excelled at. 

Haven't heard many versions of this piece, but I've enjoyed that Zinman version for years (and the Eroica on the same disc ain't bad either).
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

Bogey

Time to give this 4th another spin:


There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

DavidRoss

Hey, Bill--just listened to Hogwood's 4th, and though the opening is a bit sluggish for my tastes, otherwise it shares the general virtues of clarity and liveliness that I enjoy so much in most HIP performances. 
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

Bogey

Quote from: DavidRoss on February 27, 2010, 03:42:08 PM
Hey, Bill--just listened to Hogwood's 4th, and though the opening is a bit sluggish for my tastes, otherwise it shares the general virtues of clarity and liveliness that I enjoy so much in most HIP performances.

I also think he gets the job done, David.  However, the Harnoncourt set once again rises to the top....might just have to add it to the shelf down the road here, but trying to stay with stuff I do not have of composers I do not have.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

DavidRoss

Later I spun Szell/CO--excellent!  The only big band 4th I've heard that competes with the smaller HIP orchestras in nimbleness and grace and infectious joie de vivre.  Followed up with Barenboim--couldn't take it.  The orchestra's playing was lovely, but the pacing was so sluggish and ponderous that instead of recalling Schumann's "slender Greek maiden" it brought to mind Disney's tutu-wearing hippos!
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

Bogey


Live recording: Berlin, 27.06.1943/BPO

Giving the above 4th a spin...great ride so far!
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz