Which works excite you from their opening notes?

Started by Mark, October 27, 2007, 04:36:04 AM

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Mark

Some works, no matter how many times you hear them, grab you and thrill you from the moment you hear the first few bars. So I thought perhaps we could share those which do this for each of us.

My shortlist (for it's really a long, long list) would include:

Saint-Saens' Third Symphony
Beethoven's Third Symphony
Sibelius' Violin Concerto
Saint-Saens' Second Piano Concerto
Finzi's Cello Concerto
Elgar's Cello Concerto

Each of these just has that certain ... something that makes my spine tingle; those shimmering or haunting strings at the start of the Saint-Saens Third Symphony and Sibelius Violin Concerto (respectively); the hammering two opening chords of Beethoven's 'Eroica'; the ingenious use of that sad, sad theme for piano only at the start of the Saint-Saens Second Piano Concerto; the maelstrom of emotion whipped up out of nowhere as the Finzi Cello Concerto begins; and that deeply tragic opening theme from the the Elgar Cello Concerto.

Of course, don't restrict your answers to orchestral works: there are a great many chamber and vocal works that give that same 'tingle factor'. To name an example from each genre, Faure's Piano Quartet No. 1, and the opening of Rachmaninov's All-night Vigil.

So, care to share?

val

BEETHOVEN, 5th Symphony

BEETHOVEN: String Quartet opus 95

BEETHOVEN: Piano Sonata opus 106

BEETHOVEN: 9th Symphony

BRUCKNER: 3rd Symphony

BRAHMS: 4th Symphony

val

BEETHOVEN, 5th Symphony

BEETHOVEN: String Quartet opus 95

BEETHOVEN: Piano Sonata opus 106

BEETHOVEN: 9th Symphony

BRUCKNER: 3rd Symphony

BRAHMS: 4th Symphony

greg

here's a few

Bruckner 4th
Xenakis Ata, Jonchaies
Mahler 7, 9
Schoenberg Book of Hanging Gardens

Anne

The begining of Wagner's Das Rheingold.  Those vibrating low notes represent the moments of existence just starting.  I always imagine my excitement of being at the Met as The Ring commences.

BachQ

Brahms PC 1
Tchaik PC 1
Liszt PC 1
Prokofiev PC 1
Schumann PC 1
Grieg PC 1

greg

Quote from: D Minor on October 27, 2007, 07:53:38 AM
Brahms PC 1
Tchaik PC 1
Liszt PC 1
Prokofiev PC 1
Schumann PC 1
Grieg PC 1


lol

QuoteBrahms PC 1
Prokofiev PC 1

of course i can add these to my list

Mark

Quote from: Anne on October 27, 2007, 07:51:59 AM
The begining of Wagner's Das Rheingold.  Those vibrating low notes represent the moments of existence just starting.  I always imagine my excitement of being at the Met as The Ring commences.

Yeah, I'll go with that one, too, Anne. :)

The openings of Smetana's First String Quartet and Dvorak's Serenade for Strings do it for me, as well.

Lethevich

Bruckner's 7th - while it starts quiet as with all his works, these first few notes I listen out for with much greater concentration than any of his other symphonies, they are ghostly and beautiful.
Peanut butter, flour and sugar do not make cookies. They make FIRE.


mahlertitan

pretty much all of bruckner's symphonies, but that's too obvious..

Schumann's 4th symphony, i always liked the way it opened.

Norbeone

-Bach's D Minor keyboard concerto
-Tchaikovsky's 4th and 5th Symphonies, and 1st now that i think if it.......and 6th!
-Stravinsky's Le Sacre
-Beethoven's 5th Symphony
-Schoenberg's Verklaerte Nacht
-Ligeti's Chaconne for Harpsichord


There's definately a lot more but I just can't think.

;)

Mystery

Bach (almost everything). Mainly B Minor Mass, Matthew Passion, Double Violin Concerto. They are all so divine!

Novi

Quote from: Mystery on October 27, 2007, 09:46:36 AM
Bach (almost everything). Mainly B Minor Mass, Matthew Passion, Double Violin Concerto. They are all so divine!

Another vote for Matthäus 0:).

Also the Johannes-Passion as well: I love the sense of urgency with the strings, and then the choir's entry, wow! I recently heard for the first time the 1725 version with the 'O Mensch, bewein' dein' Sünde groß' opening that was later used in the Matthäus-Passion; the 'Herr, Unser Herrscher' is so much better and a lot more dramatic as an opening IMO.

Mahler 6: the 'boom, boom, boom, boom' from the lower strings :).
Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den der heimlich lauschet.


not edward

To me, the two most haunting openings in the symphonic repertoire are Sibelius 6 and Lutoslawski 4.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

hornteacher

Dvorak Serenade for Winds
Dvorak Violin Concerto
Dvorak Cello Concerto
Dvorak 9th

Mozart Marriage of Figaro Overture
Mozart Don Giovanni Overture
Mozart Magic Flute Overture
Mozart Clarinet Concerto
Mozart Clarinet Quintet

Beethoven Symphony 1, 3, 5, 6, 9
Beethoven Piano Concerto 4 and 5

Tchaikovsky Symphony 4

Schubert's Trout Quintet

Mendelssohn's Violin Concerto

Strauss' Horn Concerto #1

some guy

Short answer is, um, practically all of them.

But a few in particular are Michele Bokanowski's L'Etoile d'Absinthe, Schnittke's Concerto Grosso #1, and Jonathan Berger's Meteora.

And of course, the suck you right in immediately opening of Poulenc's piano concerto.


Mark

Quote from: some guy on October 27, 2007, 03:06:10 PM
And of course, the suck you right in immediately opening of Poulenc's piano concerto.

Not heard this in a while. Need to reacquaint myself with it. Thanks. :)

Drasko

Scriabin's 5th Sonata
Stravinski's Rite of Spring
Rachmaninov 3rd Concerto