What concerts are you looking forward to? (Part II)

Started by Siedler, April 20, 2007, 05:34:10 PM

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brewski

Wigmore Hall is streaming the International String Quartet Competition over the next six days, with a pretty heady lineup of ensembles and pieces. Here is the preliminary round through April 4, with all ensembles playing Judith Weir's String Quartet No. 2, "The Spaniard" (which I've never heard).

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

ultralinear

Tonight:

Prokofiev  Semyon Kotko Suite Op.81a
Mussorgsky  Songs and dances of death (orch.Denisov)
Lyatoshynsky  Symphony No.3

London Philharmonic Orchestra
Vladimir Jurowski  conductor
Matthew Rose  bass

Radio broadcast available for 30 days.

ultralinear

Tonight, Igor Levit and his pupil Lukas Sternath perform (separately and together)  :

Prokofiev  Piano Sonatas Nos. 7 & 9
Shostakovich  Symphony No.10  (arranged by the composer for piano 4 hands)

brewski

Quote from: ultralinear on April 04, 2025, 03:54:56 AMTonight, Igor Levit and his pupil Lukas Sternath perform (separately and together)  :

Prokofiev  Piano Sonatas Nos. 7 & 9
Shostakovich  Symphony No.10  (arranged by the composer for piano 4 hands)


What an interesting recital. Levit is fascinating, and I can only imagine his protege will be, as well. On a related note, a pianist friend will soon perform Shostakovich's arrangement of his Fifteenth Symphony, for two pianos. I had no idea these arrangements existed.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Christo

Monday, April 7, as a part of the Mahler Fest, Amsterdam Concertgebouw: Mahler 2, Auferstehung (Resurrection):
Het Orkest, Groot Concertkoor Amsterdam, Jacob Slagter conductor, Aylin Sezer soprano
& with Brian connaisseur and old musical friend & GMG member Johan Herrenberg (formerly 'Jezetha')
See: https://www.concertgebouw.nl/en/concerts/7408730-mahlers-monumental-symphony-no.-2
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

ultralinear

#7345
Quote from: brewski on April 04, 2025, 04:37:48 AMWhat an interesting recital. Levit is fascinating, and I can only imagine his protege will be, as well. On a related note, a pianist friend will soon perform Shostakovich's arrangement of his Fifteenth Symphony, for two pianos. I had no idea these arrangements existed.
I haven't heard that version of the 15th, but I'm not surprised to learn of its existence - I suspect Shostakovich may have made arrangements of most of his symphonies.  In some cases that's the only way they were performed - in private - at a time when public performance would have been risky, if allowed at all.  Nikolaeva claimed to have heard of the 10th in 1951, 2 years before it was officially composed, and then performed publicly, after Stalin's death.

The only recording I have is the one that Shostakovich and Weinberg made in 1954, which as you might expect is pretty stunning, in OK-for-the-era mono sound:


I'm a big fan of Levit, ever since I heard him about 12 years ago give one of the most interesting performances I've heard of Beethoven opp.109/110/111.  I know that offends some people, but at least you got the sense he was doing something with it. :)

brewski

Quote from: Christo on April 04, 2025, 04:49:23 AMMonday, April 7, as a part of the Mahler Fest, Amsterdam Concertgebouw: Mahler 2, Auferstehung (Resurrection):
Het Orkest, Groot Concertkoor Amsterdam, Jacob Slagter conductor, Aylin Sezer soprano
& with Brian connaisseur and old musical friend & GMG member Johan Herrenberg (formerly 'Jezetha')
See: https://www.concertgebouw.nl/en/concerts/7408730-mahlers-monumental-symphony-no.-2

Hope it's fabulous. Some 20 years ago I heard the Mahler 2 in that hall — one of my favorite-ever concert experiences.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

brewski

Quote from: ultralinear on April 04, 2025, 05:29:02 AMI haven't heard that version of the 15th, but I'm not surprised to learn of its existence - I suspect Shostakovich may have made arrangements of most of his symphonies.  In some cases that's the only way they were performed - in private - at a time when public performance would have been risky, if allowed at all. Nikolaeva claimed to have heard of the 10th in 1951, 2 years before it was officially composed, and then performed publicly, after Stalin's death.

The only recording I have is the one that Shostakovich and Weinberg made in 1954, which as you might expect is pretty stunning, in OK-for-the-era mono sound:


I'm a big fan of Levit, ever since I heard him about 12 years ago give one of the most interesting performances I've heard of Beethoven opp.109/110/111.  I know that offends some people, but at least you got the sense he was doing something with it. :)


Yes to the bolded text, very likely true. And thanks for that link.

Levit is so good that his idiosyncracies become persuasive — perhaps in the same vein as Gould (not that they are similar in most other ways). He definitely has a point of view and the chops to back up his ideas.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Mapman

Quote from: brewski on April 01, 2025, 04:08:05 AMWigmore Hall is streaming the International String Quartet Competition over the next six days, with a pretty heady lineup of ensembles and pieces. Here is the preliminary round through April 4, with all ensembles playing Judith Weir's String Quartet No. 2, "The Spaniard" (which I've never heard).



I might check out the final tomorrow!

I'm also excited about tonight's livestream from Detroit (8PM Eastern), which features Bruch's Concerto for Clarinet and Viola!

https://www.dso.org/events-and-tickets/events/24-25-spring/beethoven-and-schumann

Wanderer

Tomorrow at the Musikverein:

Brahms: Concerto for Violin and Violoncello, Op. 102
Brahms: Symphony No. 4, Op. 98

Wiener Philharmoniker
Christian Thielemann
Augustin Hadelich
Gautier Capuçon

Iota

Quote from: ultralinear on April 04, 2025, 05:29:02 AMI haven't heard that version of the 15th, but I'm not surprised to learn of its existence - I suspect Shostakovich may have made arrangements of most of his symphonies.  In some cases that's the only way they were performed - in private - at a time when public performance would have been risky, if allowed at all.  Nikolaeva claimed to have heard of the 10th in 1951, 2 years before it was officially composed, and then performed publicly, after Stalin's death.

The only recording I have is the one that Shostakovich and Weinberg made in 1954, which as you might expect is pretty stunning, in OK-for-the-era mono sound:



Very interesting hearing it in that form. It feels a little like seeing a familiar object at a different wavelength on the light spectrum, and finding a new clarity about it.

Judith

Wonderful concert yesterday evening from Sinfonia of Leeds

performing

Andrew Downes Towards A New Age
Elgar Cello Concerto
Sibelius Symphony no 3

Soloist Jessica Burroughs
Conductor Anthony Kraus

brewski

Tomorrow night, amid the seemingly endless flood of string quartets, the Doric Quartet (new to me) in this program.

Beethoven: Quartet in F Major, Op. 135
Haydn: Quartet in D Major, Op. 20, No. 4
Beethoven: Quartet in A Minor, Op. 132
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

T. D.

#7353
Steve Beck (piano solo) this Saturday at a local public library.

This library (Olive Free Library, NY State) runs an excellent "Piano Plus" series each year, hosted by composer George Tsontakis.

Next month (May) Marilyn Crispell!

And on Sunday a local Indian music concert: Abhisek Mallick (sitar) with Pt. Subrata Bhattacharya (tabla).

brewski

Celebrating its 10th anniversary, the TIME:SPANS Festival gets underway in NYC in August. Thirteen concerts this year, including these artists:

Ensemble Dal Niente
JACK Quartet
Miranda Cuckson
Shadow Axe
Ensemble Nikel and Noa Frenkel
Sixtrum Percussion
Bozzini Quartet
Talea Ensemble and Claire Chase
Endlings and Yarn/Wire
International Contemporary Ensemble
NO HAY BANDA
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

T. D.

Quote from: brewski on April 08, 2025, 08:16:08 AMCelebrating its 10th anniversary, the TIME:SPANS Festival gets underway in NYC in August. Thirteen concerts this year, including these artists:

Ensemble Dal Niente
JACK Quartet
Miranda Cuckson
Shadow Axe
Ensemble Nikel and Noa Frenkel
Sixtrum Percussion
Bozzini Quartet
Talea Ensemble and Claire Chase
Endlings and Yarn/Wire
International Contemporary Ensemble
NO HAY BANDA

That is an outstanding lineup!

New Yorkers should also consider the Bang on a Can Long Play Festival in Brooklyn, May 2-4.
I don't have time to post highlights, but the website deserves attention: https://bangonacan.org/long-play-2025/

Wanderer

#7356
Tomorrow at the Megaron in Athens - amid a general strike!


Johann Sebastian Bach: Chromatic Fantasia and Fugue in D minor, BWV 903
Johannes Brahms: Four Ballades, Op. 10
Ludwig van Beethoven/Franz Liszt: Symphony No. 3 in E-flat major, Op. 55, "Eroica" - transcription for piano

Igor Levit, piano

ultralinear

Tonight:

Schubert  Die Zauberharfe – Overture, 'Rosamunde'
Prokofiev  Symphony No.2

London Symphony Orchestra
Gianandrea Noseda  conductor

One of the "Half Six Fix" events introduced by Simon Rattle when he took over the LSO, where for half the normal ticket price you get an early evening performance, usually of the main work from an upcoming program preceded by an introductory talk from the conductor.  Rattle's own presentation of Shostakovich's 4th Symphony proved to be a revelation in a number of ways, and already this year we had Antonio Pappano with Vaughan Williams' A Sea Symphony, so I have high expectations of this one.  Noseda may not have the starriest profile but everything I've heard from him has been excellent. :)

Brian

Heads up for anyone who can make it to Scotland for the Edinburgh Festival this August: Piotr Anderszewski will be doing Brahms Opp. 116-119 and Bartok's Bagatelles in one program, the Sitkovetsky Trio will be doing Beethoven's Ghost and Shostakovich No. 2 with a premiere from an Iranian composer, Pavel Kolesnikov will be duetting it up for Messiaen's Visions of Amen, and the LSO/Pappano are pairing Beethoven's Fifth and Shostakovich's Tenth together.

brewski

Tonight, this live broadcast on WCRB at 8:00 pm EDT:

Boston Symphony Orchestra
Andris Nelsons, conductor
Yo-Yo Ma, cello

Shostakovich: Cello Concerto No. 1
Shostakovich: Symphony No. 11, The Year 1905
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)