Beet's grosse fugue

Started by Mozart, November 20, 2007, 10:29:39 PM

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Mozart

Just curious, what do you people think of this piece?

FideLeo

gross?  ;)

(And dark and rich like fudge.)
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

71 dB

I have always loved Beethoven's music for string quartet. His musical style seems to fit perfectly for this set of instruments. So, Grosse Fugue is among my favorite Beethoven.
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Mozart

What in particular do you admire about it?

71 dB

Quote from: E..L..I..A..S.. =) on November 21, 2007, 12:37:52 AM
What in particular do you admire about it?

Timbral aspects. Beethoven is not a great orchestrator imo and I find his orchestral music often underorchestrated and timbrally clumsy (Missa Solemnis and the 6th symphony are exceptions). In his string quartets Beethoven has an amazing timbral balance and "maturity" 
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Mozart

QuoteBeethoven is not a great orchestrator imo
Can we stay on subject? This comment will obvious derail this topic so just ignore it  ;D

71 dB

Quote from: E..L..I..A..S.. =) on November 21, 2007, 01:57:10 AM
Can we stay on subject? This comment will obvious derail this topic so just ignore it  ;D

Whatever... ...I just find that Beethoven's music for string quartet works excellently in timbral sense. He has the timbral dimension in the music working together with other musical dimensions.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

The new erato

Quote from: 71 dB on November 21, 2007, 02:02:05 AM
Whatever... ...I just find that Beethoven's music for string quartet works excellently in timbral sense. He has the timbral dimension in the music working together with other musical dimensions.
Holy c..p!   Note to self: MUST stay on subject.

I find the Grosse Fuge admirable but not lovable. I think he tries to hard, and although late Beethoven usually strains at the traditional forms, here he really succeeds and produces something that is really hard to listen to. I tend to play this far less than the rest of his late quartet works.

71 dB

Quote from: erato on November 21, 2007, 02:06:21 AM
I find the Grosse Fuge admirable but not lovable. I think he tries to hard, and although late Beethoven usually strains at the traditional forms, here he really succeeds and produces something that is really hard to listen to. I tend to play this far less than the rest of his late quartet works.

I agree, it is one of my least favorite (it has a feel too much is said in 15 minutes) of Beethoven's late string quartet works but still great.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

BachQ

Quote from: 71 dB on November 21, 2007, 01:39:14 AM
Beethoven is not a great orchestrator imo and I find his orchestral music often underorchestrated and timbrally clumsy (Missa Solemnis and the 6th symphony are exceptions).  


Harry Collier


I admire the Grosse Fuga enormously, and listen to it often. But, I agree, it is not exactly enjoyable. It is also, in my opinion, one of the very few string quartet movements that is interesting when transcribed for full string orchestra (cf recordings by Klemperer, Weingartner, Furtwängler, Busch, Alsop). When played by massed strings, you lose the sense of struggle that is inherent in the music. But you are also better able to appreciate the fugal writing and the overall structure.

bwv 1080

Its a great work.  Stravinsky called it "this absolutely contemporary piece of music that will be contemporary forever ... it is pure interval music, this fugue, and I love it beyond any other" The quote is in the Joseph Kerman Beethoven Quartets book which goes on to say that there are records for only 14 performances of the piece up to 1875

O Delvig

<Insert Hyperbole Here>

All I can say is that few pieces of music impact me as strongly as the Grosse Fuge, though in my opinion it must be listened to as the finale of the Op 130 Quartet! I find it best not to try to constrain it to any classical forms (especially since I have very little detailed knowledge of classical form), and just let it go where Beethoven wanted it to. The late quartets are always so difficult to describe, as is my reaction to them! Perhaps I should settle for just enjoying them.  :)

Dancing Divertimentian

Quote from: bwv 1080 on November 21, 2007, 04:25:13 AM
Its a great work.  Stravinsky called it "this absolutely contemporary piece of music that will be contemporary forever ... it is pure interval music, this fugue, and I love it beyond any other" The quote is in the Joseph Kerman Beethoven Quartets book which goes on to say that there are records for only 14 performances of the piece up to 1875

Yes, it's so modern it's scary. But good scary...



Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

BachQ

Quote from: E..L..I..A..S.. =) on November 20, 2007, 10:29:39 PM
Just curious, what do you people think of this piece?

BTW, if spelling out the composer's complete name is too much effort, you might consider using "LvB" instead of "Beet" .........

Mozart

Quote from: D Minor on November 21, 2007, 06:27:38 PM
BTW, if spelling out the composer's complete name is too much effort, you might consider using "LvB" instead of "Beet" .........

I like Beet better dude.

BachQ


Stonemason

It's been my favourite piece of music for several months now.

I listen to it at least 3 times a day. Each time I pick up something new. I love listening to it in any state of mind, high, sedated, normal, manic, suicidal, hypomanic, and depressed.

Lilas Pastia

All you need to know about Beets, Harvard style:
http://www.cooks.com/rec/search/0,1-21,harvard_beets,FF.html

Besides, you might want to chexk your spellyng. It's Grosse Fuge, dude...