Plagal Modes?

Started by c#minor, January 17, 2008, 01:11:15 PM

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c#minor

Do they have any point outside of Renissance Theory.

To phrase the question otherwise-

Is there any point to study "plagal modes" to implement in current compostions?

Cato

Quote from: c#minor on January 17, 2008, 01:11:15 PM
Do they have any point outside of Renissance Theory.

To phrase the question otherwise-

Is there any point to study "plagal modes" to implement in current compostions?

Yes, but it all depends on your source of inspiration!

When I was composing, I often used the Boethian modes as a starting point: sometimes I would use them polymodally, especially for piano sonatas.

Sometimes very old things are so old they have become new again!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

lukeottevanger

Similarly, I find modes, and familes of relating modes, are absolutely central to the way I compose now, though not necessarily (in fact, in practice, never) these particular modes (no reason why not, but I prefer working with different ones). No time to go into detail now, though there's a lot about this on 'my' thread.

karlhenning

Anything that you can turn to artistic account, that artistic result is (hopefully) the point.