Shostakovich Symphonies, Cycles & Otherwise

Started by karlhenning, April 25, 2007, 12:02:09 PM

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Moonfish

Hmm, why are there two major threads for Shostakovich?
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Moonfish

#1381
Quote from: jlaurson on February 16, 2015, 07:25:11 AM

Does anyone have an image of the Rozhdestvensky DSCH 10 on Melodiya-EURODISC?


Not sure if you still need it..? (or if it is the correct one?) I presume that you are looking for the "head" series on Melodiya?



"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

jlaurson

Quote from: Moonfish on May 04, 2015, 03:07:58 PM
Not sure if you still need it..? (or if it is the correct one?) I presume that you are looking for the "head" series on Melodiya?





Thanks much; I have that disc now... so I could/should scan it. But I skipped it for my compendium-cover...  and it's too much work right now, to fit it back in.



Mirror Image

Quote from: Moonfish on May 04, 2015, 03:02:32 PM
Hmm, why are there two major threads for Shostakovich?

Because one is simply not enough! ;D

Moonfish

"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Moonfish

Quote from: jlaurson on May 04, 2015, 04:12:15 PM
Thanks much; I have that disc now... so I could/should scan it. But I skipped it for my compendium-cover...  and it's too much work right now, to fit it back in.



I like the album collages you made. They are inspiring!
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

kishnevi

Quote from: Moonfish on May 04, 2015, 03:02:32 PM
Hmm, why are there two major threads for Shostakovich?

There are actually three.... this one, the Dacha, and snypp's quest for the perfect SQ cycle.

Karl Henning

Quote from: Jeffrey Smith on May 04, 2015, 05:31:14 PM
There are actually three.... this one, the Dacha, and snypp's quest for the perfect SQ cycle.

He's on a mission from God ....
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Quote from: Moonfish on May 04, 2015, 03:02:32 PM
Hmm, why are there two major threads for Shostakovich?

Because this is a music-specific thread. One of many. Quite a few composers have managed a thread or two in one of the other sections of the forum as well as their one in Composer Discussion.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Madiel

Back again, still haven't bought a cycle, still thinking about doing so (heck, still haven't listened to everything else I bought, what with a Holmboe-fest in Denmark and all that...)

I had previously settled on Janssons, but I'm now also thinking about Barshai and Petrenko. I'll be doing some sampling online methinks.

The question I wanted to ask, though, was about Barshai's sound. In particular, I've come across a review that says the background noise is a bit intrusive in a couple of symphonies. The comments seemed to particularly apply to symphonies 4, 7 and 15.

Any views on this? I do a lot of listening on headphones so background noise is a little bit of a concern.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Moonfish

Just wanted to post the deal on the Kitajenko cycle (19 euros) here as well in case anybody missed it in the bargain thread:

http://www.amazon.fr/gp/product/B001GZ011Q

"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Karl Henning

Quote from: orfeo on June 23, 2015, 02:11:53 AM
Back again, still haven't bought a cycle, still thinking about doing so (heck, still haven't listened to everything else I bought, what with a Holmboe-fest in Denmark and all that...)

I had previously settled on Janssons, but I'm now also thinking about Barshai and Petrenko. I'll be doing some sampling online methinks.

The question I wanted to ask, though, was about Barshai's sound. In particular, I've come across a review that says the background noise is a bit intrusive in a couple of symphonies. The comments seemed to particularly apply to symphonies 4, 7 and 15.

Any views on this? I do a lot of listening on headphones so background noise is a little bit of a concern.
Personally, I find the Barshai set an overall disappointment compared to the Jansons, and I mean execution rather than sound quality.

I've not yet heard all of Petrenko's, but all that I have heard is excellent.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

The new erato

Quote from: Moonfish on June 23, 2015, 02:15:58 AM
Just wanted to post the deal on the Kitajenko cycle (19 euros) here as well in case anybody missed it in the bargain thread:


I din't miss it! It will join the Barshai, Kondrashin, Haitink and Janssons cycles on the shelf.

Moonfish

Quote from: The new erato on June 23, 2015, 02:43:52 AM
I din't miss it! It will join the Barshai, Kondrashin, Haitink and Janssons cycles on the shelf.

Ahh, the Kondrashin cycle is worth its weight in gold!  :'(     
Is the Rostropovich cycle any good compared to the Jansons or Barshai cycles?  :-\
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Madiel

#1394
I've been doing some sampling via iTunes.

Okay, Barshai is out of the running. Whether it's the recording or the performance, the other two sound far more atmospheric.

You're all just going to say I could always buy both... I must not cave to GMG philosophy!  ;) I even found a reviewer who said Jansons and Petrenko were the best two cycles in his opinion, and basically it was a toss-up between them.

It might just come down to availability and price. Really, both sound pretty good from these samples. I might do a more careful comparison on the weekend.

The very last thing I'm sampling is Petrenko's 14th, and it sounds fantastic.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Ken B

Quote from: karlhenning on June 23, 2015, 02:30:00 AM
Personally, I find the Barshai set an overall disappointment compared to the Jansons, and I mean execution rather than sound quality.

I thought I was the only one.

If I were buying I'd snap up that Kitaenko SDCB.

Karl Henning

Quote from: Moonfish on June 23, 2015, 02:15:58 AM
Just wanted to post the deal on the Kitajenko cycle (19 euros) here as well in case anybody missed it in the bargain thread:

http://www.amazon.fr/gp/product/B001GZ011Q



Thank you, I think  ;)  Just pulled the trigger on this;  for US$29, I really could not resist . . . though partly, the recent chat about the Barshai may have helped.  Long ago, 10-15 years probably, the Barshai set became available ridiculously cheap, $20 I think (might have been a BRO-specific deal).  Partly because I had never ordered anything online before, partly because (as one does at times) I doubted whether my own experience would necessarily match my friends' enthusiasm, I did not order the set . . . "It's not a bad price at all for the goods, but is it a set such that I will want to listen to it repeatedly?"

Anyway, as I remember holding back (and without regret, for I have had occasion to hear most of the set since) on the Barshai set at $20, I realize today that <$30 for the Kitaenko is a staggeringly good deal.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

kishnevi

Enough of us have ordered it that it is on back order.  Even for me, who first posted it! My copy is scheduled to ship the week of 7/6.

AboutBarshai...I thought it overall a very good set, albeit with one serious pratfall...the Eleventh managed to sound dull and boring.

My favorite is probably Kondrashin, even with the classic Melodiya sonics .

Karl Henning

Quote from: Jeffrey Smith on June 24, 2015, 08:32:26 AM
My favorite is probably Kondrashin, even with the classic Melodiya sonics .

Mine may well be (Minority Opinion Alert) the Maksim Dmitriyevich set.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Moonfish

Quote from: Jeffrey Smith on June 24, 2015, 08:32:26 AM
Enough of us have ordered it that it is on back order.  Even for me, who first posted it! My copy is scheduled to ship the week of 7/6.

AboutBarshai...I thought it overall a very good set, albeit with one serious pratfall...the Eleventh managed to sound dull and boring.

My favorite is probably Kondrashin, even with the classic Melodiya sonics .

I wish Kondrashin would be reissued....    :'(
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé