Villa-Lobos Anyone?

Started by bvy, March 01, 2008, 03:33:40 PM

Previous topic - Next topic

0 Members and 2 Guests are viewing this topic.

Maestro267

It looks like the MTT disc isn't the complete Bachianas. I'd absolutely recommend getting a complete set (at least one version of all nine works on what usually amounts to a 3-CD set). Schermerhorn (Naxos) and Batiz (EMI) are both excellent complete sets. With the Batiz set, you get the extras of Momoprecoce (a 23-minute work for piano and orchestra) and the Guitar Concerto (which I find alright personally, contrary to 71 db above). It's not as exciting or colourful as other VL works, but it does what it sets out to do quite alright.

Christo

#301
Quote from: 71 dB on November 29, 2019, 09:08:53 AM
I listened to the rest of the Bachinas Brasileiras.  I had not listened to these works for years (15 maybe)! Revisiting these was exciting! It was discovering music long lost. My favorites of these are 3, 4 and 7. Then 5, 2 and 1 and finally 6, 8 and 9 are the weakest, as if Villa-Lobos lost his touch with the later ones. The Guitar Concerto on the Batiz set is boring...

It seems most Villa-Lobos isn't really my thing, but those few compositions that are are wonderful. No wonder I have lost interest when exploring outside Bachinas Brasileiras and even out of those it's really 3, 4 and 7... ...i think Villa-Lobos is a brilliant emotional composer, but not a great intellectual composer.
Didn't listen to them during the last couple of years, but the Schermerhorn/Naxos set used to be my favourite (own the Villa-Lobos himself conducting, Bátiz/EMI and Minczuk/BIS also).
Unlike you - but I discovered that it really depends on the different recording one listens to - I also prefer Nos. 4, 5, 6, 7 and 8, even 9 above the other ones (2, 3, 6, but even then No. 6 more than No. 1) :-)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Mirror Image

Quote from: Maestro267 on November 29, 2019, 11:49:30 AM
It looks like the MTT disc isn't the complete Bachianas. I'd absolutely recommend getting a complete set (at least one version of all nine works on what usually amounts to a 3-CD set). Schermerhorn (Naxos) and Batiz (EMI) are both excellent complete sets. With the Batiz set, you get the extras of Momoprecoce (a 23-minute work for piano and orchestra) and the Guitar Concerto (which I find alright personally, contrary to 71 db above). It's not as exciting or colourful as other VL works, but it does what it sets out to do quite alright.

Ah, but if you buy the BIS set you get not only the Bachianas Brasileiras but the Chôros and the complete solo guitar music. Definitely value added I would say.

Maestro267

Yes, but if you can't afford to get all of that in one go...

Anyway, my disc arrived today. Looking forward to enjoying it this evening.

71 dB

I revisited Discovery of Brazil, Suites 1-4 today (Roberto Duarte/Marco Polo).

Some nice moments here and there but as a whole these are not particularly impressive works.

Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

ritter

Quote from: 71 dB on November 30, 2019, 10:46:10 AM
I revisited Discovery of Brazil, Suites 1-4 today (Roberto Duarte/Marco Polo).

Some nice moments here and there but as a whole these are not particularly impressive works.
I enjoy quite a few of Villa-Lobos's works, but IIRC found Discovery of Brazil downright awful when I listened to it some years ago, in the composer's recording included in this set:

[asin]B000002SBL[/asin]

71 dB

Now I revisited Floresta do Amazonas (Neschling/BIS). It's somewhat good work, but imho overlong (almost 80 minutes!).
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Maestro267

Ooh! More V-L choral/orchestral music to explore! 78 whole minutes of it too!

Mirror Image

Quote from: 71 dB on December 01, 2019, 08:19:05 AM
Now I revisited Floresta do Amazonas (Neschling/BIS). It's somewhat good work, but imho overlong (almost 80 minutes!).

I'm not too fond of this work. Like you, I found it too long and there wasn't enough variety in the writing for me to give a high mark.

71 dB

Listening to Sinfonía N°10 "Amerindia" (Orquestra Sinfónica de Tenerife/Victor Pablo Peréz/Harmonia Mundi)

This oratorio-symphony is nice and the recording is good. About time to revisit the disc!  ;D
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Christo

Quote from: Mirror Image on December 01, 2019, 07:15:26 PM
I'm not too fond of this work.
Sure you didn't post an opposite opinion about it one or two years ago? #confused  :-[
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Mirror Image

Quote from: Christo on December 07, 2019, 02:59:57 PM
Sure you didn't post an opposite opinion about it one or two years ago? #confused  :-[

I did enjoy upon my first exposure to it, but upon re-listening my opinion has changed. I think there some good ideas in the work, but this isn't enough for me give a total satisfactory opinion.

71 dB

I revisited Piano Concertos 1-5 (Christina Ortiz/Miguel Gomez-Martinez/Decca).

These works don't make me excited. No wonder I haven't listened to them much.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Maestro267

Yeah, I do revisit a piano concerto of his every so often, and I enjoy them, but they're far from my favourites of his work. It does seem to be the case that his "less interesting" music tends to be that written in the traditional classical forms. I love many of the symphonies, but I'll be first to admit the Bachianas Brasileiras are more interesting, and perhaps more "him".

71 dB

Quote from: Maestro267 on December 13, 2019, 12:15:18 PM
I'll be first to admit the Bachianas Brasileiras are more interesting, and perhaps more "him".

I also feel this way. Exploring Villa-Lobos beyond Bachianas Brasileiras has been mostly disappointing.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Symphonic Addict

Yes, the Concertos don't belong to his strong output, but his chamber music and tone poems do.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mirror Image

#316
Quote from: 71 dB on December 13, 2019, 11:58:05 AM
I revisited Piano Concertos 1-5 (Christina Ortiz/Miguel Gomez-Martinez/Decca).

These works don't make me excited. No wonder I haven't listened to them much.

As another member pointed out, Villa-Lobos' strong points was not in the concerto form, although I do like his Guitar Concerto and Harp Concerto. I'm still on the fence about his symphonies --- I think the 4th and 6th are quite good, but I don't think this is him at his best. It does seem he's at his best in freer forms a la the Bachianas Brasileiras and Chôros, but also in works like Gênesis, Erosão, Uirapuru, and Amazonas. He also wrote some fantastic chamber music, which is worth looking into. Villa-Lobos is a favorite composer of mine and I've loved his music for many years, but I do understand his weaknesses, but, thankfully, more often than not, he played to his strengths and it's those works that make him one of the most individual composers of his time.

Daverz

I remember liking the Piano Concertos well enough (the Ortiz recordings).  I also really enjoy some of the symphonies.  I do agree with MI about the tone poems he mentions.  An oddly neglected part of VL's output

[asin] B0000045WS[/asin] [asin] B000024OGD[/asin] [asin] B000024OGE[/asin]

As good as those old Marco Polo discs were, imagine what Chandos could do with that music.

Maestro267

I did not even know those discs existed. Fantastic!

Christo

Quote from: Daverz on December 13, 2019, 09:35:58 PM
  I do agree with MI about the tone poems he mentions.  An oddly neglected part of VL's output
Agreed, one of the finest IMHO an unknown gem called O Papagaio do Moleque (Episódio Sinfônico) (1932), here on Youtube:  https://www.youtube.com/watch?v=RXmOXC3KkTU

Also on this disc, directed by Villa-Lobos himself:
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948