What are you currently reading?

Started by facehugger, April 07, 2007, 12:36:10 AM

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Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

ComposerOfAvantGarde

Recently read Goethe's Faust, Peter Sculthorpe's autobiography Sun Music, Absolutely on Music by Murakami with Ozawa and now on The Coming of the Third Reich by Richard J. Evans.

Brian

Quote from: jessop on January 15, 2018, 03:05:08 PMAbsolutely on Music by Murakami with Ozawa
How did you like this? Any comments? I have been tempted by it in bookstores, but have also seen a critic or two say that it is light on substance.

ComposerOfAvantGarde

Quote from: Brian on January 16, 2018, 08:09:13 AM
How did you like this? Any comments? I have been tempted by it in bookstores, but have also seen a critic or two say that it is light on substance.

I read the book whilst on holiday and it isn't really a book which you would need to think too much about to enjoy it. But light on substance? Strange remark to make. The whole premise of the book is that it is anecdotal rather than anything really substantial about music history or anything like that. I enjoyed it for what it was: a conversation between music lovers about stuff they enjoy and, of course, Ozawa's anecdotes about his experience conducting. Murakami even says the book is intended to be enjoyed by people who might not even understand much about music at all.

SimonNZ

I was surprised by what an attentive long-time classical listener Murakami obviously was, and how he was able to highlight and articulate differences in specific sections of various recordings of the same works.

Alek Hidell

For me, just some light reading:



(That's The Destruction of the European Jews, by Raul Hilberg. Just started volume one. That's what my set looks like, but that's not my photo.)
"When I give food to the poor, they call me a saint. When I ask why they are poor, they call me a communist." - Hélder Pessoa Câmara

Brian

Thanks, Jessop! Will probably buy, then. :)
Quote from: SimonNZ on January 16, 2018, 01:53:39 PM
I was surprised by what an attentive long-time classical listener Murakami obviously was, and how he was able to highlight and articulate differences in specific sections of various recordings of the same works.
I'm not surprised after 1Q84 began with a whole page of description about Janacek's Sinfonietta!

Karl Henning

Quote from: k a rl h e nn i ng on November 09, 2017, 04:44:46 AM
Exactly what I was hoping, Poe was one my earliest literary loves . . . and a sane bio has been wanted for a long time, it seems.

(. . . and then, to be sure, I wandered to the University of Virginia, which maintains a kind of Poe shrine adjacent to The Lawn.)

This is excellent, and everything I had hoped for, and more. Thanks again, David.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

milk

Quote from: Alek Hidell on January 16, 2018, 06:40:53 PM
For me, just some light reading:



(That's The Destruction of the European Jews, by Raul Hilberg. Just started volume one. That's what my set looks like, but that's not my photo.)
I think I read this but I don't remember it being so long! 3 volumes?

Jaakko Keskinen

1/3 through "No name" already. Collins did it again, he sucked me in with The Moonstone last winter and now with this. Collins, though 12 years younger than Dickens, learned very early one vital lesson which apart from an exception here or there took Dickens until his very latest novels to learn. Namely, that having characters with depth in them is more interesting than unceasing flow of well-made but in large doses tiresome caricatures. Plus the fact that having too much painted in black and white reduces suspense between the characters. And oh boy, I love it how even though in many cases I anticipate the plot twists Collins prepares, he still manages to pull them off convincingly. I think you could even argue that creating predictable plot twists that work in spite of being predictable, shows even greater skill in plotting than having completely unpredictable ones work.
"Javert, though frightful, had nothing ignoble about him. Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand."

- Victor Hugo

bwv 1080

Quote from: bwv 1080 on December 22, 2017, 11:42:35 AM
Kotkin convincingly portrays Stalin as a rational (and ruthless) ideologue rather than some sort of deranged psychopath.  All he did was obstinately apply Leninist ideology, refusing any concessions or compromise.



Now into the Great Terror.  Kotkin refrains from speculating on Stalin's psychology, but does state that it went well beyond  a cold, calculated effort to preemptively eliminate any potential rivals. 

One tidbit- one purge list of 'Trotskyite Fascists' that Stalin had drawn up included Mao Zedong, but for some reason this list was never acted upon.

Jaakko Keskinen

More British literature - started The Hound of the Baskervilles.
"Javert, though frightful, had nothing ignoble about him. Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand."

- Victor Hugo

milk


Alek Hidell

Quote from: milk on January 21, 2018, 12:30:09 AM
I think I read this but I don't remember it being so long! 3 volumes?

Well, there's an abridged version that's much more readily available (I think it's all you can find on Amazon, for example). Maybe you read that?

Anyway, I found my copy of this unabridged version on AbeBooks.
"When I give food to the poor, they call me a saint. When I ask why they are poor, they call me a communist." - Hélder Pessoa Câmara

ComposerOfAvantGarde

Quote from: milk on January 26, 2018, 05:42:59 PM


I should really read some of her science fiction work. Sad to hear of her recent passing, but she left a good amount of stuff for us all to read!

milk

Quote from: jessop on January 26, 2018, 09:31:30 PM
I should really read some of her science fiction work. Sad to hear of her recent passing, but she left a good amount of stuff for us all to read!
I can't find anyone quite like her. I do recommend her "Hainish" books. They're not continual or chronological. You can read any one of them (the first novella isn't great but after that they're all interesting and fun too). She really wrote a kind of imaginary sociology and presented problems that shine a mirror on our assumptions about the self and human culture. Le Guin was very economical. She didn't "waste words," unlike most contemporary sci-fi writers. Her language is often beautiful but never extravagantly so. I don't find her peer, really.

ComposerOfAvantGarde

Quote from: milk on January 26, 2018, 09:40:55 PM
I can't find anyone quite like her. I do recommend her "Hainish" books. They're not continual or chronological. You can read any one of them (the first novella isn't great but after that they're all interesting and fun too). She really wrote a kind of imaginary sociology and presented problems that shine a mirror on our assumptions about the self and human culture. Le Guin was very economical. She didn't "waste words," unlike most contemporary sci-fi writers. Her language is often beautiful but never extravagantly so. I don't find her peer, really.
Thanks for that overview! I have wanted to read the Hainish cycle for a while but never got around to it. Now, I plan to read them after I finish a couple of books I gotta read first................

ritter

#8537
A selection of the prose by Victoria Ocampo (extracts from her autobiography and sketches about other people):

[asin]8492543795[/asin]

Ocampo was a member of an extremely wealthy Argentinian family, but had intellectual inclinations that led her to frequent the company of many renowned figures of her time (e.g., Ernest Ansermet and Pierre Drieu La Rochelle). At the behest of José Ortega y Gasset, she founded Sur (one of the most influential literary reviews in the Spanish-speaking world during the middle years of the 20th century).

Perfectly fluent in French (as was the custom among the aristocracy in South America in the early to mid 1900s), she performed the title rôles in Stravinky's Perséphone—under the composer—and Honegger's Le Roi David—under Ansermet—in Buenos Aires  (even if she was never a professional actress).

Victoria's younger sister Silvina Ocampo (also a writer) was married to Adolfo Bioy Casares (and they were all close to Jorge Luis Borges).

So far, the book has covered the childhood and adolescence of a rich girl, in rather undistinguished prose, but it is a good portrait of the Argentinian beau monde of the time. I suppose it'll get more interesting as her passion for literature and the arts comes into full blossom.






Ken B

This.
[asin]B071XN75S1[/asin]

A somewhat odd book. The name comes from a huge apartment block in which lived many Old Bolsheviks and high officials in Russia in 1931. The book is about them, their fate, their mindset. Parts of it drift off into theory, but mostly it's a convincing portrait of a community of True Believers. He likens bolshevism to other millenerian cults, like early Christianity.
It does assume a basic familiarity with the history. The NEP is not explained for example, not even the acronym, and the details of Stalin's rise are assumed, etc.   Overall an outstanding book so far, a little over half way through.

Recommended for Andrei

Ten thumbs

Quote from: Ten thumbs on January 10, 2018, 01:28:18 PM
Off the Skelligs
by Jean Ingelow

Ingelow is not everybody's cup of tea (frequently enters into moral and religious argument), but at least she's original. I'm nearly halfway through and I've no idea what's going to happen yet.

This is actually a very good novel and contains some powerful scenes. Ingelow is not a Romantic, which makes a change and she is definitely not sentimental. Ought not to be forgotten.
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.