My string quartet

[greg]

See every negative thought that comes to mind as a positive.

luckily, mathematicians don't apply this rule to numbers.

[karlhenning]

*yawn*

[Rod Corkin]

luckily, mathematicians don't apply this rule to numbers.

Well there are those who seem confuse mathematics with art, fortunately I am not one of them.

[prémont]

*yawn*

I think a huge yawn would be even more well-placed.

[greg]

b

[(poco) Sforzando]

I think a huge yawn would be even more well-placed.

Just add a double forte to the B.

[Rod Corkin]

I think a huge yawn would be even more well-placed.

Don't encourage the spoilsport, Henning refers to himself as a 'composer' and he's just jealous. 

[prémont]

Don't encourage the spoilsport, Henning refers to himself as a 'composer' and he's just jealous. 

To be fair: I don´t think so.

[Rod Corkin]

To be fair: I don´t think so.

I DO think so, some people here don't like it when somebody else is getting all the attention. What's your problem Corporal? Normally I stay away form topics I find uninteresting or tedious, at GMG this notion doesn't seem to have sunk in, at least amongst the rather more unsavory element of its membership. 

[marvinbrown]

I DO think so, some people here don't like it when somebody else is getting all the attention. What's your problem Corporal? Normally I stay away form topics I find uninteresting or tedious, at GMG this notion doesn't seem to have sunk in, at least amongst the rather more unsavory element of its membership. 

  Rod given the popularity of your illustrious composition I am seriously considering writing/composing a variation on your string quartet! 

  marvin

[marvinbrown]

  Rod given the popularity of your illustrious composition I am seriously considering writing/composing a variation on your string quartet! 

  marvin

  ...and here it is b to be played one octave down from yours!

  marvin

[greg]

I have an idea for op.2:

b c

[Haffner]

I have an idea for op.2:

b c

Hey, let's be late-period Viennese:

b# C


_{^{laughing like a loon again, somebody please correct me!}}


I'm been spending to much time on the "Religion Thread". Getting so cuckoo my cuckoo is cuckoo.



YEAH-hoo-HOeeeeeeEEEEE!

[(poco) Sforzando]

  ...and here it is b to be played one octave down from yours!

  marvin

Better yet, take it three octaves down, have the cello tune its C string scordatura, and play it as a Bartok pizz. sforzando, while simultaneously having violin 1 play it pianissimo as a harmonic and violin 2 play it col legno in the original written register, while viola recites the opening of Hamlet's soliloquy.

[Kullervo]

Better yet, take it three octaves down, have the cello tune its C string scordatura, and play it as a Bartok pizz. sforzando, while simultaneously having violin 1 play it pianissimo as a harmonic and violin 2 play it col legno in the original written register, while viola recites the opening of Hamlet's soliloquy.

To B or not to B?

[Symphonien]

I really think you've got something there:



EDIT: Don't think it comes out too well in this forum. Here's a link to a better quality version if you're interested.

[Rod Corkin]

  Rod given the popularity of your illustrious composition I am seriously considering writing/composing a variation on your string quartet! 

  marvin

What a great idea. I'm working on my Op2, or at least as best I can until I fully get to grips with the software.

[Szykneij]

What a great idea. I'm working on my Op2, or at least as best I can until I fully get to grips with the software.

See every negative thought that comes to mind as a positive.

[Rod Corkin]

See every negative thought that comes to mind as a positive.

Bravo!

[(poco) Sforzando]

What a great idea. I'm working on my Op2, or at least as best I can until I fully get to grips with the software.

Hopefully that task will keep you challenged for a good while.