
Having got to know Weichenberger through Toyohiko Satoh, this new release from Joachim Held represents a very different approach to the composer.
Here’s my initial reaction.
Held thinks that Weichenberger wrote dances for the feet, you kind of feel that you should clear the furniture away, open a bottle of Sekt and boogie.
Satoh, on the other hand, thinks that Weichenberger wrote dances for the soul. You feel that you should retreat into a contemplation of the nature of truth, invention and the meaning of life.