Bach: Well-Tempered Clavier

Started by Bogey, May 06, 2007, 01:26:30 PM

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Mandryka

Quote from: prémont on Today at 08:46:55 AMPurchased and listened to. Yes, this is a very special interpretation. Heidsieck's exquisite contrapuntal understanding results in a remarkable "inner life" in the fugues. He also has got the ability to make the piano sing so it sometimes sounds almost like an organ.
Thanks @Mandryka for the recommendation.



Do be sure to try his Haendel too. It's a long time since I last heard it, but I remember thinking he made a lot of music with those scores. And he doesn't limit himself to the great eight.
Wovon man nicht sprechen kann, darüber muss man schweigen

prémont

Quote from: Mandryka on Today at 08:56:05 AMDo be sure to try his Haendel too. It's a long time since I last heard it, but I remember thinking he made a lot of music with those scores. And he doesn't limit himself to the great eight.

I'll see if I can.
Regarding his later recordings of the LvB sonatas, I've been a bit disappointed. The enchantment from the early complete set is gone.
Reality trumps our fantasy far beyond imagination.

Mandryka

Quote from: prémont on Today at 09:05:42 AMI'll see if I can.
Regarding his later recordings of the LvB sonatas, I've been a bit disappointed. The enchantment from the early complete set is gone.

I can let you have the Haendel of course, though I must say I just want back to one of them (suite 11 -- chosen randomly) and didn't enjoy at all. The touch is slightly Gouldian.)

I can't recall much about the Beethoven, early or late!
Wovon man nicht sprechen kann, darüber muss man schweigen

prémont

Interesting because I just associated to Gould when I heard Heidsieck's preludes in c-minor and e-minor from WTC II - but not the others, and certainly not at all the fugues where I think he far surpasses Gould as to musical insight. But of course I would love to hear his Händel.
Reality trumps our fantasy far beyond imagination.