Liszt's Symphonic Poems. Cast your Vote for your fave!

Started by Solitary Wanderer, July 08, 2008, 06:11:47 PM

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Which Symphonic Poem by Liszt do you consider his Masterpiece...and why.

Ce qu'on Entend sur la Montagne'
0 (0%)
Tasso, Lamento e Trionfo'
0 (0%)
Les Préludes
5 (38.5%)
Orpheus
1 (7.7%)
Prometheus
0 (0%)
Mazeppa
2 (15.4%)
Festklange
0 (0%)
Héroïde funèbre
1 (7.7%)
Hungaria
2 (15.4%)
Hamlet
0 (0%)
Hunnenslacht
0 (0%)
Die Ideale
0 (0%)
Von der Wiege bis zum Frabe
2 (15.4%)

Total Members Voted: 11

Solitary Wanderer

I'm enjoying discovering these at the moment.

So far I'm familiar with;

Les Préludes
Orpheus
Hamlet

I'll be interested to see what the consensus of opinion is here  :)

'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

Bonehelm


J.Z. Herrenberg

Ce qu'on Entend sur la Montagne
Tasso, Lamento e Trionfo
Les Préludes   
Orpheus   
Prometheus
Mazeppa
Festklänge

These are the ones I like most. But Orpheus is my favourite - it's the most moving and poetic, IMO. Whether it is, in a strict sense, his masterpiece, I don't know. All these pieces are masterly in very different ways.
Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything. -- Plato

val

My choice is "Heroide Funebre". One of the most impressive and strong among Liszt's compositions.

After that, my preference goes to "Orpheus" very poetic, and Les Preludes, in special played by Fricsay.

karlhenning

Quote from: Bonehelm on July 08, 2008, 09:45:14 PM
Les Preludes under Karajan.

That's right, folks! Liszt would not have a masterpiece, were it not for The Sainted von Karajan!

karlhenning

What will not be news to anyone:  I cannot designate one single favorite.

Some of those which I like best:

Tasso
Orpheus
Von der Wiege bis zum Grabe

Hector

I'll tell you the ones I do not like: Festklange and Hungaria as both cause me to lose interest way before the end.

Hunnenschlacht is thoroughly enjoyable rubbish.

The greatest is supposed to be From the Cradle to the Grave but I have a particular liking for Die Ideale.

Humphrey Searle, a Liszt authority, wrote the original notes for the Haitink LPs but they were not on the CD issue that I bought some time back, which was a pity.

Solitary Wanderer

I have this boxset:



I enjoyed his first two last night especially Tasso.

How many composers did a musical interpretation of a Byron poem??

Berlioz ~ Harold in Italy
Tchaikovsky ~ Mannfred
Liszt ~ Tasso
?
'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

J.Z. Herrenberg

Schumann - Manfred Overture
Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything. -- Plato

Lethevich

Quote from: Solitary Wanderer on July 09, 2008, 02:43:53 PM
How many composers did a musical interpretation of a Byron poem??

Berlioz ~ Harold in Italy
Tchaikovsky ~ Mannfred
Liszt ~ Tasso
?

Berlioz - Le corsaire, Verdi - Il corsaro. There must be a ton of lieder too.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

J.Z. Herrenberg

Hector Berlioz—Harold en Italie (1834) Symphony in four movements for viola and orchestra
Giuseppe Verdi—Il corsaro (1848) Opera in three acts
Giuseppe Verdi—I due Foscari (1844) Opera in three acts
Robert Schumann—Overture and incidental music to Manfred (1849)
Pyotr Ilyich Tchaikovsky—Manfred Symphony in B minor, Op.58 (1885)
Hugo Wolf—"Vier Gedichte nach Heine, Shakespeare und Lord Byron" (1896) for voice and piano: 3. Sonne der Schlummerlosen 4. Keine gleicht von allen Schönen
Pietro Mascagni, "Parisina" (1916) Opera in four acts
Germaine Tailleferre—"Two Poems of Lord Byron"(1934) 1. Sometimes in moments... 2. 'Tis Done I heard it in my dreams... for Voice and Piano (Tailleferre's only setting of English language texts)
Arnold Schoenberg—"Ode to Napoleon" (1942) for reciter, string quartet and piano

Long live Wikipedia!
Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything. -- Plato

Solitary Wanderer

Quote from: Jezetha on July 10, 2008, 06:26:43 AM
Hector Berlioz—Harold en Italie (1834) Symphony in four movements for viola and orchestra
Giuseppe Verdi—Il corsaro (1848) Opera in three acts
Giuseppe Verdi—I due Foscari (1844) Opera in three acts
Robert Schumann—Overture and incidental music to Manfred (1849)
Pyotr Ilyich Tchaikovsky—Manfred Symphony in B minor, Op.58 (1885)
Hugo Wolf—"Vier Gedichte nach Heine, Shakespeare und Lord Byron" (1896) for voice and piano: 3. Sonne der Schlummerlosen 4. Keine gleicht von allen Schönen
Pietro Mascagni, "Parisina" (1916) Opera in four acts
Germaine Tailleferre—"Two Poems of Lord Byron"(1934) 1. Sometimes in moments... 2. 'Tis Done I heard it in my dreams... for Voice and Piano (Tailleferre's only setting of English language texts)
Arnold Schoenberg—"Ode to Napoleon" (1942) for reciter, string quartet and piano

Long live Wikipedia!

Bravo! Thanks for that. Theres several there that I will investigate further.

Back On Topic:

I see Mazeppa and Von der Wiege bis zum Grabe are getting several votes and positive comments; I look forward to discovering those.
'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

Mark G. Simon


quintett op.57

Hungaria.
Then, Tasso.



Only 12 answers after 6 days.
I'm always surprised so much people ignore these works.

There are fabulous pieces in this cycle, especially because of the variousness of the orchestration.