Film (movie) Music

Started by vandermolen, August 12, 2008, 12:33:38 AM

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TheGSMoeller

One of my favorite pieces of music, Camille 's theme from JLG's film, Le Mepris (Contempt). Music by Georges Delerue.

https://www.youtube.com/v/arX8xf_p1vk

Generique...

https://www.youtube.com/v/kNL-Sh9sGno

Bogey

Cool if you have a set....Walker (I believe she passed away) put together some wonderful dark themes here along with a splash of Elfman.  However, his influence his throughout.  Pricey goomer:$50 for two cds.  Guess after they sold out the first run they thought they could up the price.  The volume two is twice as much, but 4 discs.  This set is plenty for me.

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

vandermolen

#902
The recent death of the composer made me search out this CD which I had in my collection but never properly listened to before ( ::)). It was something of a revelation, hauntingly atmospheric (no pun intended) music, which I played through from beginning to end with much pleasure. Not only is the Dracula score gripping but all the other extracts, especially 'Death and the Maiden' were equally captivating - a great discovery for me which encouraged me to explore Kilar's non-movie scores on Naxos.
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This and Max Richter's beautiful score for 'Sarah's Key' (see above) have been great recent discoveries for me.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

NJ Joe

Quote from: vandermolen on January 19, 2014, 06:05:42 AM
The recent death of the composer made me search out this CD which I had in my collection but never properly listened to before ( ::)). It was something of a revelation, hauntingly atmospheric (no pun intended) music, which I played through from beginning to end with much pleasure. Not only is the Dracula score gripping but all the other extracts, especially 'Death and the Maiden' were equally captivating - a great discovery for me which encouraged me to explore Kilar's non-movie scores on Naxos.
[asin]B00007FKQ8[/asin]
This and Max Richter's beautiful score for 'Sarah's Key' (see above) have been great recent discoveries for me.

Agree about the Dracula score.  A few years ago I heard it being played on a classical radio program without knowing what it was, and really enjoyed it.
"Music can inspire love, religious ecstasy, cathartic release, social bonding, and a glimpse of another dimension. A sense that there is another time, another space and another, better universe."
-David Byrne

vandermolen

Quote from: NJ Joe on January 19, 2014, 06:15:10 AM
Agree about the Dracula score.  A few years ago I heard it being played on a classical radio program without knowing what it was, and really enjoyed it.

Thanks - and it is now on Naxos too.
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"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

NJ Joe

Quote from: vandermolen on January 19, 2014, 06:16:59 AM
Thanks - and it is now on Naxos too.
[asin]B0007ACVKU[/asin]

Thank you.
"Music can inspire love, religious ecstasy, cathartic release, social bonding, and a glimpse of another dimension. A sense that there is another time, another space and another, better universe."
-David Byrne

Bogey

In the mood for a bit of Bernstein....Elmer that is.

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Mookalafalas

This is my fave for film music.
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It's all good...

Bogey

Quote from: Baklavaboy on March 03, 2014, 05:08:59 AM
This is my fave for film music.
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Good one.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

TheGSMoeller

#909
A few tracks from Steven Price's now Oscar winning score to GRAVITY. I'm posting two tracks that I believe to be the two most crucial moments of the film, and Price's music hit the mark perfectly.

DEBRIS
http://www.youtube.com/v/-m43yB4yZg0

SHENZOU
http://www.youtube.com/v/MOm3MLT03eY

TheGSMoeller

#910
The track Shenzou from Gravity reminded me of a track from The Fountain, scored by Darren Aronofsky's longtime collaborator Clint Mansell. Here is the track Death is the Road to Awe that took place in the final minutes of the film. I'm hoping for a similar musical experience from Mansell in the upcoming film, Noah.

DEATH IS THE ROAD TO AWE
http://www.youtube.com/v/ihF_aXi-Huk

TheGSMoeller

#911
Hans Zimmer seems to get type casted into the big-budgeted action films these days, but his best music can be found elsewhere. Best example is from Malick's 1997 film The Thin Red Line. Best track is the serenely beautiful Light. Another highlight comes from the track titled Journey To The Line, a piece that builds to an incredible intensity then returns to a similar blissfulness heard in Light.  You might notice the middle section of Journey as it has been used in many film trailers.

LIGHT
http://www.youtube.com/v/qpz0WEEFR-I

JOURNEY TO THE LINE
http://www.youtube.com/v/HOFZSnz9J3s

TheGSMoeller

I'll close with one of my favorites from film scores, or from anything for that matter.  ;D I would like to think of this as my own theme music, if I had one, following me around as I walked about...


http://www.youtube.com/v/nWqC6kRCLjI


Goodnight!!   8)

Mookalafalas

Quote from: TheGSMoeller on March 04, 2014, 07:13:48 PM
I'll close with one of my favorites from film scores, or from anything for that matter.  ;D I would like to think of this as my own theme music, if I had one, following me around as I walked about...


http://www.youtube.com/v/nWqC6kRCLjI


Goodnight!!   8)

  I don't have any Rota, but I know that track well, from seeing the movie so many times.  I may have to find myself a copy :)
It's all good...

Bogey

Two soundtracks this afternoon.  The first is from one of my favorite movies .  The cover is from the tv series, but I believe all the music is from the film.




and consists of Anton Karas playing his zither throughout


Theme from the Third Man Anton Karas, zither - YouTube

and this



Not only do you get that Quincy Jones' sound along with some Ray Charles, but you have a couple vocal runs which include one from Glenn Campbell.  All in all, two excellent soundtracks with the first being one that may surprise you.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Bogey

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

HIPster

Quote from: TheGSMoeller on March 04, 2014, 07:04:14 PM
Hans Zimmer seems to get type casted into the big-budgeted action films these days, but his best music can be found elsewhere. Best example is from Malick's 1997 film The Thin Red Line. Best track is the serenely beautiful Light. Another highlight comes from the track titled Journey To The Line, a piece that builds to an incredible intensity then returns to a similar blissfulness heard in Light.  You might notice the middle section of Journey as it has been used in many film trailers.

LIGHT
http://www.youtube.com/v/qpz0WEEFR-I

JOURNEY TO THE LINE
http://www.youtube.com/v/HOFZSnz9J3s

Wonderful post, Greg!

Among my favorite soundtracks.  Zimmer's best work imo, though I tend to like him more than most here it seems.  Also, I really like the Malick film quite a lot (what a cast!).

Currently enjoying the Suite For Richard by Howard Shore:
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From amazon:

The music for a docudrama about actors portraying Richard III could be slavishly historical or irreverently high-camp. Here, Howard Shore joins the London Philharmonic Orchestra in taking the former route. There is a mixture of authentic Elizabethan strains with a general angst-ridden mood to capture the tension involved in Shakespeare's tragedy about the struggle for power and the death of a tyrant. Among the noteworthy features: The London Voices supplying a mixed chorus with phrases translated from the play and the film into Latin. There is also a cathedral organ recorded under the high vaulted ceilings of England's All Saints Church. This "medieval sound," while not action-specific, depends too much on the movie's visual reinforcement to be anything other than academic mush for initiated musicologists. --Joseph Lanza
Wise words from Que:

Never waste a good reason for a purchase....  ;)

ralfy


torut

I love Badalamenti's music. In this album, there are some changes of arrangement from the originals, and 3 pieces not available in other soundtrack albums are included.

Music for Film and Television
Brussels Philharmonic - The Orchestra of Flanders, conducted by  Dirk Brossé
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gutstrings

Recently re-discovered Mancini's  "Baby Elephant Walk" from the movie Hatari! One of those pop tunes everyone seems to recognize... really a brilliant composition.