What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Conor71

Quote from: ChamberNut on January 01, 2013, 06:04:44 PM
many GMGers cringe when mentioning either Perlman and Barenboim

Not me - love these Guys! :D

Conor71

Stockhausen: Wach


Continuing with the modern classical this evening - these works are probably at about the limits of my appreciation :)



dyn

#122482
Electroacoustic stuff.



It's good. will analyse when not so completely lost in it. >.>
(Rios del Sueno in particular simply drowns you in sound, to the point where it's almost impossible to think about anything else...)

Conor71

Ligeti: Aventures


Ive grown to like this work - very original and witty! :) Also on this Disc: Cello Concerto and Chamber Concerto.







Opus106

Quote from: dyn on January 02, 2013, 01:17:03 AM
Electroacoustic stuff.

Here we have dyn listening to din.

:D ;)

TD... sort off: Just finished listening to Berg's VC (van Keulen).
Regards,
Navneeth

Karl Henning

Quote from: Mirror Image on January 01, 2013, 07:05:24 PM
Listening to Falstaff. I'm still trying to grasp this work. Barbirolli is the man for the job.

Ah, so you grasp the work now, then? ; )
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Lisztianwagner

Franz Schubert
Symphony No.8


[asin]B000001GXE[/asin]
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

TheGSMoeller

Good morning, friends.

Elgar seems to a hot topic lately, I think I'll keep the debates running and bring these two on the road with me.


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

#122489
Happy New Year, all!

Elgar
Falstaff, Op.68

LSO
The composer conducting
Recorded in Nov 1931 & Feb 1932

[asin]B004MSRDK6[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

TheGSMoeller

Quote from: karlhenning on January 02, 2013, 04:29:00 AM
Happy New Year, all!

Elgar
Falstaff, Op.68

LSO
The composer conducting
Recorded in Nov 1931 & Feb 1932

[asin]B004MSRDK6[/asin]

Probably safe to take the string off that case now, Karl.  ;)
And Happy New Year, friend.

The new erato

Quote from: karlhenning on January 02, 2013, 04:08:42 AM
But is the din dyn's?
How about the moniker Gunga Dyn?

"It was "Din! Din! Din!     You limping lump o' brick-dust, Gunga Dyn!  "

listener

a pair of Louisville LP's just acquired:
mono - TANSMAN Capriccio   BOROWSKI The Mirror    DAHL The Tower of Saint Barbara
and newer, in stereo: SCULTHORPE Sun Music III  WIDDOES Morning Music
HOVHANESS Avak the Healer  for soprano, trumpet and strings
glad I paid so little for them.  The Hovhaness sounds like everything else he wrote (more of the same)
generic covers, only the sticker changes, so one illiustration will sufice
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Lisztianwagner

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

Дмитри Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Symphonic Movement, unfinished (1945)
Polish National Radio Symphony
Mark Fitz-Gerald


[asin]B0020LSWXE[/asin]

Cross-posted from the Shostakovich Symphony Month thread:

QuoteThe real find here is a portion of the original first movement to the Symphony No. 9. David Fanning located it--321 bars in an untitled manuscript--pressed within the autograph score of The Gamblers at Moscow's Shostakovich Archive. This, along with ink and handwriting similarities, made for a tentative identification. The clincher was Fanning's discovery of three duplicate pages in a folder of unarranged Shostakovich autographs at the Glinka Museum of Musical Culture, bearing a January 15, 1945, date. That matched to the month the point at which the composer began work on his Ninth. What we get is the full manuscript, lasting shy of seven minutes, with eight bars Fitz-Gerald provides for a final cadence.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

'Tis still the month!

Дмитри Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
String Quartet № 1 in C, Op.49
The Mandelring Quartet


[asin]B004OWN868[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Fëanor

Quote from: karlhenning on January 02, 2013, 07:02:15 AM
'Tis still the month!

Дмитри Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
String Quartet № 1 in C, Op.49
The Mandelring Quartet


[asin]B004OWN868[/asin]
I found the sound quality on the Manderlings irritating so I gave them away.  :(

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

I decided today would be well-spent surfing Naxos Music Library and finding music that I didn't even know existed! Like Englund's Concerto for 12 Cellos:



So far, it's awesome.

Mirror Image

Quote from: karlhenning on January 02, 2013, 02:38:26 AM
Ah, so you grasp the work now, then? ; )

I understand it a lot better than I did, but I'm still baffled by it. I don't think there's anything quite like it in Elgar's oeuvre.