What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Fafner

Quote from: Jeffrey Smith on February 13, 2013, 08:01:10 AM
I have the feeling that Anton would have gotten a hearty laugh out of Fafner's description.

I didn't do it. I swear.  0:)
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Fafner

Now:

Martinů - Piano Concertos Nos. 2 and 4 / Les fresques de Piero della Francesca / Overture
Robert Kolinsky
Basel Symphony Orchestra, Vladimir Ashkenazy

[asin]B002QEXC8U[/asin]
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Mirror Image

Now:



Listening to Eventyr. My understanding of this complex work is much better thanks to Bo Holten/Aarhus Symphony Orch., so now I'm revisiting the Handley performance.

kishnevi


Lisztianwagner

Quote from: Opus106 on February 13, 2013, 07:17:13 AM
http://www.youtube.com/v/JKG8ZxEOdwE

Just because I read something about the prelude over here... and to mention the fact that that 'video' is nearly four-and-a-half hours long. Nothing else, really. 0:)

Karajan's recording.....absolutely beautiful!! :)
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mirror Image


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: Fafner on February 13, 2013, 08:18:52 AM
Now:

Martinů - Piano Concertos Nos. 2 and 4 / Les fresques de Piero della Francesca / Overture
Robert Kolinsky
Basel Symphony Orchestra, Vladimir Ashkenazy

[asin]B002QEXC8U[/asin]

I wasn't too impressed with this recording. Mackerras' Les fresques de Piereo della Francesca is the one to beat for me. The PCs are still Emil Leichner territory that has yet to be surpassed IMHO. I found Askenazy's conducting here a little drab, but the recording has fine audio quality.

Fafner

This is an interesting disc, with Bach's Brandenburg Concertos juxtaposed with pieces by Adams and Reich:

[asin]B0009UBXPC[/asin]
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Fafner

Quote from: Mirror Image on February 13, 2013, 09:41:47 AM
I wasn't too impressed with this recording. Mackerras' Les fresques de Piereo della Francesca is the one to beat for me. The PCs are still Emil Leichner territory that has yet to be surpassed IMHO. I found Askenazy's conducting here a little drab, but the recording has fine audio quality.

I am not particularly fond of Ashkenazy as a conductor, but I rather liked this one. I have heard neither Leichner's PCs nor the Mackerras yet.
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Karl Henning

Quote from: Fafner on February 13, 2013, 09:59:14 AM
I am not particularly fond of Ashkenazy as a conductor, but I rather liked this one. I have heard neither Leichner's PCs nor the Mackerras yet.

For Les fresques... permit me to suggest: Ancerl.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Fafner

Quote from: karlhenning on February 13, 2013, 10:02:47 AM
For Les fresques... permit me to suggest: Ancerl.

Thanks for the tip. I may get it from Supraphon's digital store as part of the Ančerl Gold Edition, together with Parables and Janáček's Sinfonietta.
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Karl Henning

Aye, that is one scorching account of the Sinfonietta.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

listener

continuing a week of lps
Spanish Organ music   FREIXANET, VINYALS, SOLER and ELIES
Montserrat Torrent, Santa-Maria de Mahon (Mao) organ
This was a splendid Erato series (EDO ----) with good recordings and annotation.
BATTEN and DERING    More Tudor Church Music
Choir of Peterborough Cathedral   Stanley Vann, cond.
CONSTANT: 24 Preludes for Orchestra    NIGG: Violin Concerto
Christian Ferras, violin     ORTF Philharmonic Orch.    Charles Bruck, cond.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Willoughby earl of Itacarius

CD 13 from this set of 15.

Jacobus Gallus.

Opus musicum
Missa Super "Sancta Maria".



Mirror Image

Quote from: Mirror Image on February 13, 2013, 08:21:51 AM
Now:



Listening to Hassan again. Love this work with each successive listen.

Willoughby earl of Itacarius

From this set CD 10.

Cello Sonata No 1 in E minor, opus 38.
Cello Sonata No 2 in F major, opus 99.

Steven Isserlis, Cello.
Peter Evans, Piano.

Clarinet Sonata in E flat major, opus 120.

Thea King Clarinet.
Clifford Benson, Piano.



Lisztianwagner

Richard Wagner
Götterdämmerung, act 3^


[asin]B0000254V8[/asin]
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

The new erato



Superb. And with a long and extremely interesting DVD as well.

Fafner

#125579
Puccini - Tosca
MET, 2009



I finally mustered the courage to watch the new production that got so massively booed on the opening night. Indeed, the production is rubbish, and especially the entire second act is ridiculous. I was having a "WTF?" moment every five minutes or so.

The singing is decent, but not great. As much as I like Karita Mattila, Tosca was not a good fit for her and she is starting to get a bit matronly. George Gagnidze is a fine baritone, but he sounded rather weak although that may be the stage director's fault. Marcello Alvarez as Cavaradossi was actually pretty good.

Anyway, I guess I'll go happily back to my trusted Callas/Gobbi or Kabaivanska/Domingo/Milnes.
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell