What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Florestan

Quote from: Harry on March 14, 2008, 12:56:19 AM
When I could not sleep last night, and had to wake and help, due to illness befalling my wife, the Stabat Mater from Josquin Desprez, gave me some hope and consolation in the middle of the night, with voices that float almost through the air, like images from the past, brittle as my wives health, but also luminous, and almost from another plain of existence, well...

Good morning, my friend! Saddening yet beautiful review...
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Harry

Quote from: Florestan on March 14, 2008, 01:13:15 AM
Good morning, my friend! Saddening yet beautiful review...

Goodmorning to you too Andrei, the sun is out here, and that is a wonder altogether after all that rain in these parts. I am very sleepy, but I rather stay awake now, for the rays are warming my face....

Harry

Handel
Opera Arias, volume I.
From: Almira, Rodrigo, Rinaldo, Silla, Amadigi di Gaula, Giulio Cesare in Egitto, Tamerlano,Rodelinda, Scipione.
Emma Kirkby, Soprano.
The Brandenburg Consort/Roy Goodman.


This box is a highlight of Emma Kirkby's art, for she uncovers the beauty of Handel operas for me most effectively, and has done more to sway me over to those operas as any other recording I heard sofar.
The performance and recordings are topnotch.

val

CORELLI:        12 Sonate opus 5              / Gatti, Nasillo, Morini  (ARCANA)

Perhaps Corelli's masterpiece, in a splendid version of Enrico Gatti.

Since the 6 first sonatas are "sonate da chiesa", and the sonate 7 to 11 more like suites with dance movements (allemande, sarabanda, gavotte), Gatti presents a sonata da chiesa followed by a sonata/suite, to create more diversity, instead of presenting the works from 1 to 12.

It seems to me a good option and the interpretation is very beautiful.

Harry

Sophie Daneman, Patricia Petibon, & Adele Eikenes, are fine sopranos, on this beautiful disc. Well performed and recorded, considering that the writing for the females is written very high in the register, and they notably have a few difficulties with it, not serious mind but still. The instrumental part is done to utmost refinement.

Harry

Symphony no. 1, opus 75.

Martucci is a real find for me. I find his Orchestral compositions very much to my liking, and the performance on this former ASV disc is marvelous, and recorded in a good way. The thick texture of this work is coming out well, and the concentrated playing D'Avalos commands is respectable.

ChamberNut

Beethoven - String Quartet No. 13 in B flat, Op. 130 with Grosse Fugue.

Quartetto Italiano
Philips

*Josh, I'm excited for you getting your ABQ set anytime now.  :)

J.Z. Herrenberg

Brahms, Symphony No. 4 (Carlos Kleiber/Staatskapelle Dresden)

An inspired performance! And on the the same disc there is a really breathtaking Unvollendete.
Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything. -- Plato

Harry

Novelletta opus 82.
Notturno opus 70, No. 1.
Tarantella opus 44.


Well orchestrated and performed.
I love this music.....

Keemun

Quote from: Perfect FIFTH on March 13, 2008, 08:26:34 PM
Hey Keemun, what's your thought on Mehta's 1st movement? I say the beginning is too fast...but then the finale was incredible...

His first movement is definitely faster than most, although it's two minutes slower than Klemperer/Philharmonia.  I don't know that I'd say it is too fast, but that's a matter of preference.  After hearing Mehta's first movement, other performances seem to drag.  I think I like both approaches.  Mehta's finale is definitely incredible.  :o
Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

ChamberNut

Schubert - Piano Quintet in A major, D.667 Trout

Kodaly Quartet
Istvan Toth, Double-bass
Jeno Jando, piano
Naxos

Mmmmmm, can anyone pass the tartar sauce?  :D

bhodges

Helmut Lachenmann: Salut für Caudwell (1977) and String Quartet No. 3, "Grido" (2001) - Heard these last night by Either/Or, a new music group here, performing at the Goethe Institut.  Totally amazing works, and ditto the performances.  Salut für Caudwell, for two speaking guitarists, is about 25 minutes long, and uses the instruments in just about every way possible, and ditto the quartet.  The quartet has players bowing not only the strings, but the sides, bridge, scroll and fingerboard of their instruments.

The place only seats about 100 people, and there were easily another 100 standing in the back and in the adjacent hall outside--quite a crowd, and very exciting.  Plus, I got to meet Lachenmann afterward.

--Bruce

Harry

The second time around I played this disc, and can confirm again its excellence in all parts of the process.

Sergeant Rock

Quote from: mahler10th on March 13, 2008, 11:22:49 AM
"It's called Blumine or something...which is something to do with flowers."
Eugene Ormandy

;D :D ;D

I love Ormandy quotes.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"


BachQ


Ephemerid

Quote from: James on March 14, 2008, 05:36:20 AM


Concerti grossi op. 6
nos. 1-6 HWV 319-324 (77'23)

I just added that to my Amazon wish list (the recent Vivaldi/Handel thread promting my attention)

Ephemerid

Quote from: ChamberNut on March 14, 2008, 04:42:17 AM
Beethoven - String Quartet No. 13 in B flat, Op. 130 with Grosse Fugue.

Quartetto Italiano
Philips

*Josh, I'm excited for you getting your ABQ set anytime now.  :)

Me too!  Should be any HOUR now that I'll be getting it!!  ;D

Brian

RACHMANINOV | Polka de W.R.
The composer at the piano

Oh my goodness! I am falling in love!

This piece is filling my heart ... and giving me this extraordinary feeling of bliss ...


Brian

Quote from: Brian on March 14, 2008, 08:43:48 AM
RACHMANINOV | Polka de W.R.
The composer at the piano

Listening a second time, and did you notice that he quotes Moszkowski? Kind of funny given the relative greatness of the two composers.