What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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SonicMan46

Quote from: karlhenning link=topic=9.msg222909#msg222909 date=1220316881
Listened again:

b]The Mousetrap  Karl Henning, cl  Peter Cama-Lekx, va[/b]

. . . this time with Maria;  she likes the piece. Life is good.

Karl - I'm jealous!  :'(  I've edited nearly a dozen books & written over 200 medical articles - my wife, Susan, has never expressed that much enthusiasm for my output!  ;) ;D   Dave  (BTW - have relistened to that piece - it is infectious, not a physician pun!  :))

M forever

Quote from: karlhenning on September 01, 2008, 04:54:41 PM
. . . this time with Maria;  she likes the piece.

Would she tell you if she didn't?


Dancing Divertimentian

Not all of it but a good ninety minutes' worth.

I really like the way Knappertsbusch handles the chorus here, particularly the ladies chorus. After ingesting long stretches of male-dominated vocals the ladies chorus almost seems to 'float' into existence, adding luminescent contrasts against the predominantly dark (due to the men) backdrop. What a balancing act by Wagner!






Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

mozartsneighbor



Vaughan Williams, Phantasy Quintet & Quartets, Naxos

karlhenning

Quote from: M forever on September 01, 2008, 06:03:45 PM
Would she tell you if she didn't?

She certainly would, however diplomatically.  She did not care at all for the MIDI 'version' of the piece (some MIDI-oid snapshots she can endure better than others).  I made her promise to hold off on hating the piece, until she had heard it played by actual musicians.  Our listening last night vindicated me.

Haffner

Quote from: James on September 02, 2008, 02:57:38 AM
Tristan und Isolde Prelude to Act 1 & to Act 3 (18'13)
Some of the most profoundest orchestral music ever written.



Hey, that looks like a good recording, James!




I really love this Bruckner 7th interpretation:

Haffner

Quote from: karlhenning on September 02, 2008, 03:14:08 AM
She certainly would, however diplomatically.  She did not care at all for the MIDI 'version' of the piece (some MIDI-oid snapshots she can endure better than others).  I made her promise to hold off on hating the piece, until she had heard it played by actual musicians.  Our listening last night vindicated me.



I love this post! My girl does the same thing. In fact, the only time I really start to worry about her feelings on one of my pieces is when she says nothing and/or avoids the issue with admirable aplomb.

Haffner

Quote from: donwyn on September 01, 2008, 09:42:22 PM
Not all of it but a good ninety minutes' worth.

I really like the way Knappertsbusch handles the chorus here, particularly the ladies chorus. After ingesting long stretches of male-dominated vocals the ladies chorus almost seems to 'float' into existence, adding luminescent contrasts against the predominantly dark (due to the men) backdrop. What a balancing act by Wagner!









Good 'un! The sound of thiat recording is as good as could be expected, for the time, but the winner for me is the whole "not-afraid-to-get-the-hands-dirty" conducting. What I mean is, Knap isn't overly polite at the wrong places on this recording; he doesn't make the same mistakes that, say, Herr Karajan does in his own, classic recording of Parsifal. (It's not that I don't like the Karajan...it is Karajan, after all  ;). I just didn't feel the emotional connection as powerfully as in either of the Knap recordings.)

karlhenning

Vaughan Williams
A Pastoral Symphony
London Phil
Haitink

ChamberNut

Wagner

Die Walkure - Prelude and Act I

Levine
Metropolitan Opera Orchestra and Chorus
DG

Harry

Good day to you all, in between my ongoing hardships I still find some room to play some music, and this time as last time, the featured cd gives me much comfort. If you are a lover of Lute Music, this might well be a great discovery for you, as it was for me.
No complains whatsoever. 

Kullervo

Quote from: James on September 02, 2008, 04:46:05 AM
[...] with shifting colours that reflect the composer's intense interest in Debussy's music.

Really? Is there documentation for this?

Listening: Sibelius - Pohjola's Daughter, Swan of Tuonela, etc. (Rozhdestvensky/London SO)


karlhenning



karlhenning

Vaughan Williams
Symphony No. 4
London Phil
Haitink

ChamberNut

Another library check-out:

Bartok

Piano Concerto No. 3

Helene Grimaud
London Symphony Orchestra
Pierre Boulez

DG

mahler10th

 ;D

karlhenning

Vaughan Williams
Symphony No. 5
London Phil
Haitink

Kullervo

Going to listen to the Sea Symphony from that set today, Karl. :)