What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Lilas Pastia

Quote from: erato on September 21, 2008, 06:35:10 AM
JÓN LEIFS BALDR, Op. 34

A Musical and Choreographic Drama Without Words


No neighbours around, I assume? ;)

A kinder, gentler fare: Mozart piano concertos by Walter Klien: 14, 18 and 21. Plus various minor solo pieces. In a hugely competitive field, and despite thinnish strings and dated sound, these remain my top picks for these concertos (esp. 14 and 18).

Slowly proceeding through the complete Scarlatti sonatas (Belder on Brilliant - first three discs). Useful as a stop gap. I was missing about half the sonatas, but most of the other harpsichordists I've heard make more of the music than Belder.

The new erato

Quote from: Lilas Pastia on September 21, 2008, 07:13:01 AM
No neighbours around, I assume? ;)


Very noisy stuff indeed. Luckily I have a detached house with separate music room.

Que

Quote from: Lilas Pastia on September 21, 2008, 07:13:01 AM
Slowly proceeding through the complete Scarlatti sonatas (Belder on Brilliant - first three discs). Useful as a stop gap. I was missing about half the sonatas, but most of the other harpsichordists I've heard make more of the music than Belder.

My own impression as well (though I only tried a 3CD volume, not the entire set).
I just got a fantastic Scarlatti disc by Enrico Baiano (Symphonia), will post about it (maybe also some samples) on the Scarlatti thread shortly. :)

Q

Lilas Pastia

Please do!

I'll be curious to hear if you post samples.

Peregrine

Yes, we have no bananas

PaulR

Elgar: Symphony #2 Davis/LSO

Still trying to like this....

Que


PaulR

Couldn't get passed the half way point of the 2nd movement of the Elgar before I stopped (So maybe there is hope for me yet).

So now it's:
Britten: Sinfonia da Requim Previn/LSO

rubio

"One good thing about music, when it hits- you feel no pain" Bob Marley

Que

Quote from: rubio on September 21, 2008, 09:30:49 AM
What do you think about this set, Que?

This is just the very first run, so only first impressions. This my 9th Brahms cycle and I suspect it will take a prominent place amongst the collection. On first hearing certainly the most elegant, crystal clear, and refined Brahms I've ever heard. The orchestral sound is luxurious, with an sensual feel to it, as I've become used to with Kubelik. Playing is slow, but it's hardly noticeable. A special treat.

Q

Drasko


Que

Quote from: Drasko on September 21, 2008, 09:42:10 AM
Me wants that! How is it? I have none of those three motets.



Ah, but you have the Lorraine motets on K617! :)
I want those! ;D (And will order them shortly...)

These motets are much more earlier (15 years) than the Lorraine ones. But they nevertheless made a favourable impressions. I like Desmarest's airy freshness. Niquet's approach is, as always, characterful but elegantly mellow. Suits this music fine.

I'm very much looking forward to get acquainted with the more mature Lorraine Motets.
(And definitely need to unwrap that Vénus et Adonis I recently got.... ::)  8))

Q

Drasko

Quote from: Que on September 21, 2008, 09:52:37 AM
Ah, but you have the Lorraine motets on K617! :)
I want those! ;D (And will order them shortly...)

I have two sets of Lorraine motets, K617 and Christie ;D

but you have Lully Grands motets on K617 and I want those (And will order them shortly...)

Quote(And definitely need to unwrap that Vénus et Adonis I recently got....   )

Don't go there ::) I just started going through Charpentier Warner box, bought months ago and that Rameau Zoroastre you asked me about is still in shrinkwrap on the shelf. :(

Too little time...

Catison

Quote from: Bogey on September 20, 2008, 12:15:48 PM
Does Catison have the Doddles recording?  This might be right up his alley.  The Doodles reminds me of some of Copland's work for some reason.  Any influence from that direction, Karl?

I've had it in my to play list for quite awhile.  I did listen to the first couple minutes, and I really liked what I heard.  I also loved the Mousetrap, which has a Feldman quality of quiet intensity.
-Brett

Maciek

About 30 minutes ago - finished listening to Roman Statkowski's Maria, which was quite a revelation. (And yes, some parts were very, very reminiscent of Tchaikovsky - and others yet of Moniuszko - but all in a good way.)


Timmyb


This live recording of the Shostakovich violin concerto no 1 is a real beauty.

Bogey

Quote from: Timmyb on September 21, 2008, 02:36:54 PM

This live recording of the Shostakovich violin concerto no 1 is a real beauty.

What's the date on that, Timmy?  Thanks.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Timmyb


Bogey

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz