What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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jlaurson

Quote from: Lethe Dmitriyevich Shostakovich on February 15, 2011, 01:35:11 AM
Quote from: jlaurson on February 14, 2011, 03:03:23 PM



A. Bax (1883 – 1953) & F. Bridge (1879 – 1940)
Piano Quintets
Ashley Weiss & Tippett Quartet
Naxos

Wish I had that one - what do you think of it?

For the first movement of the LONG Bax Quintet I thought: Oy... hmmm... it's not fair to Bax to have to share disc space with Bridge. But it was just that movement that I had qualms about; from mid-second movement on I was entrhalled (well, slight exaggeration, that) and bopped along very happily. Will give it another spin tonight.

Thread Duty:

Waker-Upper Music (of sorts)


W.G. Mozart (1756 – 1791)
Symphonies 38 & 41
R.Jacobs
HMU

mc ukrneal

This set may be the best purchase I have ever made - ever!! Fantastic music, wonderfully performed.
[asin]B000TT1QR8[/asin]
Be kind to your fellow posters!!

Antoine Marchand

Quote from: Pyotr IIyich Tchaikovsky on February 15, 2011, 12:26:40 AM
No, Antoine, I bought them when they were released, which was years ago, and I agree they are most wonderful

Excellent, Harry! It's wonderful to know someone else has and love these discs. They seriously deserve a lot of advertising.

Now I am listening to another two highly recommendable Naxos discs by Les Voix Humaines:


Antoine Marchand

Schubert - Piano Sonatas (Complete)
Malcolm Bilson, pianoforte



Disc 5:

Piano Sonata No. 21 in B flat major, D. 960

Piano Sonata No. 15 in C major, D. 840, "Reliquie"

Pianoforte built by Gottlieb Hafner, Vienna, ca. 1830. Restored by Edwin Beunk and Johan Wennik in 1993.

Superb rendition by Bilson. Here Schubert is not a poor boy, tormented and finally destroyed by an indefinable tragic passion; but a great composer fighting for his place at the Parnassus, together with Beethoven. As usual Bilson takes full advantage from the beautiful and well chosen pianoforte what gives the recording an exciting exploratory feeling.   :) 

Drasko

Quote from: Brewski on February 14, 2011, 02:25:52 PM
This looks wonderful--comments?

--Bruce

I've listened it only once with libretto in hand, so can't offer that much insight at this moment but I did really like it. It's I believe Martinu's last piece and music is in his last rhapsodic period of Fresques and Parables and is very beautiful, atmospheric  and powerful. Libretto is in English, story interesting and holds well dramatically with particularly touching ending. Vocal writing is mostly parlando with some very strong choruses, even reminding me slightly of Mussorgsky. In two leading roles Tomlinson and Mitchinson are very good, rest of the cast is ok, Brno orchestra and Prague chorus are superb.

Probably Luke or someone more familiar with the opera could offer more insight.     

Sadko

CD 4 (Humoresques, Poetic Moods) of



Dvorak: Piano Works (Kvapil)

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Lethevich

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I don't know what to make of this composer much of the time, but I do really like these works.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

Mirror Image

#80788
Quote from: jlaurson on February 14, 2011, 03:03:23 PM
A bit of Valentine's Day Listening


S. Prokofiev (1891 – 1953),
Romeo & Juliet
V.Gergiev / LSO
LSO Live SACDs

Very lovely performance; one of the few Gergiev-LSO Live recordings I like without reservation.

Yes, that is a great recording. Gergiev is in such control in this performance. I enjoy this recording a lot more than his Kirov recording whose audio quality and overall performance were disappointing to me.

bhodges

Quote from: Drasko on February 15, 2011, 05:04:57 AM
I've listened it only once with libretto in hand, so can't offer that much insight at this moment but I did really like it. It's I believe Martinu's last piece and music is in his last rhapsodic period of Fresques and Parables and is very beautiful, atmospheric  and powerful. Libretto is in English, story interesting and holds well dramatically with particularly touching ending. Vocal writing is mostly parlando with some very strong choruses, even reminding me slightly of Mussorgsky. In two leading roles Tomlinson and Mitchinson are very good, rest of the cast is ok, Brno orchestra and Prague chorus are superb.

Probably Luke or someone more familiar with the opera could offer more insight.   

Thanks so much. Sounds like I need to check this out sooner, rather than later. And I think you're right--it's his final piece (from 1959)--which I didn't realize.

--Bruce

mc ukrneal

Quote from: Mirror Image on February 15, 2011, 06:51:06 AM
Yes, that is a great recording. Gergiev is in such control in this performance. I enjoy this recording a lot more than his Kirov recording whose audio quality and overall performance were disappointing to me.
Romeo and Juliet, in general, seems to have led quite a charmed life on disc though. Many good versions out there...
Be kind to your fellow posters!!

Harry

Quote from: Carver (AKA Ἐπίκτητος) on February 15, 2011, 03:44:28 AM
Excellent, Harry! It's wonderful to know someone else has and love these discs. They seriously deserve a lot of advertising.

Now I am listening to another two highly recommendable Naxos discs by Les Voix Humaines:



Yep, also have them, and again praise worthy!

Harry

Destination London.
Music for the Earl of Abingdon.
Chamber music for Flutes, Viola and Cello.

Carl Philipp Stamitz.
Trio in G major.

Johann Christian Bach.
Quartet in C major, opus XIX, No. 1.

Carl Friedrich Abel.
Trio in G major, opus XVI, No. 4.
Quartet in G major, opus XIX, No. 2.

Joseph Haydn.
Trio in C major, HOB IV, No. 1.
Trio in G major, HOB IV, No. 2.

Willoughby, earl of Abingdon.
Country Dances.



Lovingly played, well recorded, and eminently interesting music.


MishaK

Listening to the only currently commercially available recording of the original version of the Glagolitic Mass:

[asin]B000000AVF[/asin]

Luke

Quote from: Drasko on February 15, 2011, 05:04:57 AM
I've listened it only once with libretto in hand, so can't offer that much insight at this moment but I did really like it. It's I believe Martinu's last piece and music is in his last rhapsodic period of Fresques and Parables and is very beautiful, atmospheric  and powerful. Libretto is in English, story interesting and holds well dramatically with particularly touching ending. Vocal writing is mostly parlando with some very strong choruses, even reminding me slightly of Mussorgsky. In two leading roles Tomlinson and Mitchinson are very good, rest of the cast is ok, Brno orchestra and Prague chorus are superb.

Probably Luke or someone more familiar with the opera could offer more insight.   

I can't really add much - all I know is the piece itself and what I've read about it in Safranek's biography. But it isn't his last piece - that is The Prophecy of Isaiah. Another very late piece is a little work for organ called Vigilie, which he left complete but without the registration filled out (the registration is the work of its dedicatee, an organist.composer called Janacek - but not THAT one!). It's an adorable little work, and very poignant.


DavidRoss

Heeding Luke's praise for the 2nd 4tet:

[asin]B0000030SB[/asin]
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

Luke

 ;D Nice! How are the Lindsays in this one? It's the kind of piece I can imagine them excelling in, but I don't know that recording.

greg

Beethoven- op.96 Violin Sonata 10 (Perlman, Ashkenazy)
Listened yesterday and listening again right now. Nice piece!  :)

Lethevich

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The dreadfully un-promisingly titled "Dance [or ballad] of the Gnomes" turns out to be a rather fine tone poem, deserving a position as one of his better orchestral pieces.
Peanut butter, flour and sugar do not make cookies. They make FIRE.