What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Karl Henning

Quote from: Opus106 on November 09, 2011, 05:23:49 AM
Non-retaliatory listening

(* chortle *)

I've certainly been listening to a lot of the Olivier Baumont Couperin box these past few weeks.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

prémont

Quote from: jlaurson on November 09, 2011, 04:49:39 AM
BWV 173a (Durchlauchtster Leopold "Serenada"
(they snuck* a secular cantata into the set there)

May God forgive them, - it is Bach after all.  ;)

I agree with you about the quality of this set, which I also have enjoyed quite a lot.
Reality trumps our fantasy far beyond imagination.

prémont

Quote from: Antoine Marchand on November 08, 2011, 08:07:06 AM
It would be a great title for a review. A Fish Called Wanda is one of my all time favorite comedies.  :)

Interesting to know what kind of fish Landowska was.
Reality trumps our fantasy far beyond imagination.

Lisztianwagner

Richard Wagner
Die Meistersinger von Nürnberg
Staatskapelle Dresden
Herbert von Karajan

[asin]B00000K4GK[/asin]
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Brahmsian

Quote from: ChamberNut on November 09, 2011, 05:20:32 AM
Brahms

Clarinet Sonata in F minor, Op. 120/1
Clarinet Sonata in E flat major, Op. 120/2


Karl Henning Leister, clarinet
Ferenc Bognar, piano

Brilliant Classics

Interesting......I never noticed the tempo marking for the first movement of the 2nd Clarinet Sonata (Allegro Amabile).  I can't honestly say I've ever seen that particular marking, or ever noticed it anywhere else?

Karl Henning

I've not seen it anywhere else, Ray.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

jlaurson

Quote from: (: premont :) on November 09, 2011, 05:36:41 AM
Interesting to know what kind of fish Landowska was.

From what I hear, with Landowska it wasn't easy to get tail.

[apologies all-round]

Karl Henning

Mozart
Symphony № 32 in G, K.318
Academy of St Martin in the Fields
Marriner
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

DavidRoss

Although the singing falls just a bit short of the marvelous Böhm/Legge Cosi, Jacobs's spunky rendering never fails to make me grin:

[asin]B00004UIP1[/asin]
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher


kishnevi

#95850
Quote from: Harry on November 09, 2011, 12:12:34 AM
Right, so anyone on possession of this set by Zinman who really wants to get rid of it, let me be the receiver of it. ;D ;D ;D Jeffrey my friend, for me Inbal is also a highlight in the repertoire, no doubt about it, but I happen to like Zinman's take on the Mahler symphonies, in fact I am a Zinman admirer. Love his Beethoven and Schumann enormously.

Well, I'm certainly not going to get rid of my Zinman set!  I do however wish that he had recorded Das Lied von der Erde and the shorter song cycles.   I have his Schumann--which doesn't really appeal to me, but that goes for most recordings of the Schumann symphonies I've heard (Kubelik is the lone exception)--and the complete Beethoven series (or as I like to call it, the Zinman Zurich Zyklus), in which I prefer the concertos (especially the violin concerto),  but it's his Strauss set I really like.

Thread duty:  First listen.  Vivaldi.  Farnace.  Savall et al.



Currently on Act II.  Perhaps my standards in Baroque opera are too low, but I'm not hearing the problems Antoine had referred to in connection with this recording (perhaps you can specify what you don't like about it).  The recording does have a somewhat recessed sound, but it is after all a live recording.

ETA:
BTW,  alwayes keepe in thy remembrance that orthografical standardisation was among ye many inovationnes acheeved in the XVIIIth centurie, as the diverse spellinges found in sixeteenthe and seveneteenth century textes can be called upon to teftify.  Therefore never let badde orthografie undulie distrefs thyself.

DavidRoss

Quote from: Jeffrey Smith on November 09, 2011, 06:49:58 AM
it's his Strauss set I really like.
Hmmmm....  I may have to give that a chance!
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

jlaurson

Ah, good stuff! For years--seven, at least--I've lustily circled the Thorofon box of Rheinberger's complete chamber music...
now it's arrived. Too good to pass up -- and bound to be very unavailable very soon.


J. Rheinberger
Complete Chamber Music
6 CDs, Thorofon
[/font]

Includes:
Nonet in E-flat (for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, and double bass)
Sextet in F-major (for piano, flute, oboe, clarinet, bassoon, and horn)
Piano Quintet in C major
String Quintet in A minor
Piano Quartet in E-flat major
String Quartet No.1, C minor
String Quartet No.2, F major
Theme & Variations for String Quartet
Piano Trio No.1, D minor
Piano Trio No.2, A major
Piano Trio No.3, B-flat major
Violin Sonata No.1, E-flat major
Violin Sonata No.2, E-flat minor
Cello Sonata, C major


Disc 1, String Quintet & Piano Quintet

Brahmsian

Quote from: TheGSMoeller on November 09, 2011, 06:36:49 AM
http://www.youtube.com/v/pxgZcMGmkkI

My favorite part of the movie, Amadeus.  I fell in love with the Gran Partita upon first hearing the opening of the Adagio movement. 

Karl Henning

It's there in Shaffer's script; in fact, that was a scene I prepared in auditioning for the play.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Willoughby earl of Itacarius

Quote from: karlhenning on November 09, 2011, 05:09:24 AM
'Tis my mother language, and I've long since reached a place where the several ways in which we can spell nearly any sound in English is more amusing than anything vexatious. But I do appreciate how the orthographic snares can cause a non-native speaker to throw up his hands in despair . . . .

Next time I write in correct Dutch, that way everybody is happy. ;D

Karl Henning

You've written nought to impede my happiness, mijn vriend ; )
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Thread duty:

Mozart
Violin Concerto № 4 in D, K.218
Gidon Kremer
Kremerata Baltica
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Robert

Halvor Haug

Symphony No. 3 "The Inscrutable Life"

An old favorite, that I never tire....

Karl Henning

A change of pace, a first listen:

Haydn
Symphony № 88 in G, Oxford
Cleveland Orchestra
Szell

Recorded 9.iv.1954


[asin]B003TUG3UO[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot