What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

Previous topic - Next topic

0 Members and 5 Guests are viewing this topic.

George

Quote from: Coopmv on February 20, 2010, 07:18:32 PM
So you are disappointed with the performance?

Yes, I am disappointed with much of the disc. I am editing my prior post to include a few thoughts on each work included.

Coopmv

Quote from: George on February 20, 2010, 07:40:36 PM
Yes, I am disappointed with much of the disc. I am editing my prior post to include a few thoughts on each work included.

Was this the very first recording Martha Argerich made with DG, which DG has not released over all these years until recently?  I have this first EMI recording by her, which I found to be quite good ...


George

Quote from: Coopmv on February 20, 2010, 07:44:56 PM
Was this the very first recording Martha Argerich made with DG, which DG has not released over all these years until recently?

They are German broadcasts. I think that DG just licensed them.

Bulldog

Quote from: Coopmv on February 20, 2010, 07:35:34 PM
This does not sound too surprising since Haydn was 27 when Handel died in 1759, which officially marked the end of the baroque period.

Just how official is that end date? ::)

mc ukrneal

Quote from: listener on February 20, 2010, 07:06:23 PM
OFFENBACH: Die Rheinnixen   (Les Fées du Rhin)   - in German
      I've just begun, and had to double-check the pressing, which is okay after all.   The opening music to the Introduction is the same as the Barcarolle from "Tales of Hoffmann"  !
(This is the original.)
Live recording, Montpelier, 2002

Offenbach does recycle his music in various works. But this is an enjoyable piece despite that. The opening chorus is excellent...And there are some really great parts to it. Hope you enjoyed it.
Be kind to your fellow posters!!

Que


knight66

I hope you have a good soloist for that named cantata Rego.

Mike
DavidW: Yeah Mike doesn't get angry, he gets even.
I wasted time: and time wasted me.

Que

#62667


CPE Bach's Magnificat with Elly Ameling! :)

Quote from: knight on February 21, 2010, 12:57:28 AM
I hope you have a good soloist for that named cantata Rego.

Mike

Dominik Wörner... Well, actually the main weakness of this Bach cantatas series - my preference amongst the modern ones - are the rather mediocre soloists. I mean in comparison with giants of the past like Paul Esswood, Kurt Equiluz and Max van Egmond, most soloists here are dwarfs... ::)

Q

knight66

As we have such a high standard of both Mozart and Handel singing, it seems a bit surprising we are not in a golden age of Bach singing.

Mike
DavidW: Yeah Mike doesn't get angry, he gets even.
I wasted time: and time wasted me.

The new erato

#62669






I've been playing thorough this series lately, vol 2 twice in the last couple of days, and vol 3 now, and I have to say that this is a wonderful series of works and recordings. I particularly like vol 2 and 4, but there is so much wonderful stuff here that one might as well start anywhere.

Tom 1960

Carl Nielsen - Symphonies 4 - 6
San Francisco Symphony, Herbert Blomstedt conductor

Coopmv

Quote from: Bulldog on February 20, 2010, 09:39:23 PM
Just how official is that end date? ::)

I have seen it quoted in more places than you care to know. 

Que

Quote from: knight on February 21, 2010, 02:28:46 AM
As we have such a high standard of both Mozart and Handel singing, it seems a bit surprising we are not in a golden age of Bach singing.

Mike

It would be quite possible to assemble a dream line up for a Bach cantatas cycle! :)

But unfortunately the likes of Christophe Prégardien, Werner Güra, Matthias Goerne, Dorothea Röschmann, Christine Schäfer, Bernarda Fink or Thomas Quasthoff are nowhere to be found in the contemporary Bach cantatas projects, which are all run by smaller labels... :-\

Q

Papy Oli

Olivier

knight66

Rego, Yes, I have almost all those singers in Bach, but not working on any of the HIP cycles, a great pity. I have been slowly gathering the Gardiner live recordings. The solo work is usually very good, but not 'great'.

Mike
DavidW: Yeah Mike doesn't get angry, he gets even.
I wasted time: and time wasted me.

Coopmv

Quote from: Que on February 21, 2010, 01:37:16 AM


CPE Bach's Magnificat with Elly Ameling! :)

Dominik Wörner... Well, actually the main weakness of this Bach cantatas series - my preference amongst the modern ones - are the rather mediocre soloists. I mean in comparison with giants of the past like Paul Esswood, Kurt Equiluz and Max van Egmond, most soloists here are dwarfs... ::)

Q

Q,  I have many recordings by the great Elly Ameling but not this one.  This is now on my shopping list.

Que

Quote from: Coopmv on February 21, 2010, 04:47:27 AM
Q,  I have many recordings by the great Elly Ameling but not this one.  This is now on my shopping list.

You won't regret - one of my favourites, and budget price as well. :)

Q

Coopmv

Quote from: Que on February 21, 2010, 04:56:21 AM
You won't regret - one of my favourites, and budget price as well. :)

Q

I know, I have never heard any bad singing by Elly Ameling, even as the orchestral performance may be less than optimal ...
;D

Coopmv

#62678
Having spent some 2 hours listening to Mozart Symphonies by Hogwood and Pinnock last evening, I now go back to one of my early favorite conductors, Sir Neville, for CD1 from this set, which just arrived 2 days ago ...




mahler10th

Just the thing for a Sunday afternoon.
A great recording.