What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Lethevich

#64100


Rubbra is really cool. I should rate him up there with Bax and Arnold as worthy symphonists, but his music can be so self-effacing or evasive that it can easily be missed in the clamour for attention. The violin concerto's first movement is so there with his style - the lilting, skittish theme wafting around the lengthy opening movement always feeling far more effortless than the allegro tempo marking would suggest. This effortless feeling is to be found everywhere in Rubbra's music - especially in how he contrasts probing, flowing music with lively dance-like sections into a very tight and organic whole. There's a certain economy of emotional range  unfolding in his usual measured manner. It is as if it portrays the feelings of a steady, emotionally secure person, rather than a questing type of figure - rather inward, occasionally Elgarian in its desire for transcendence. Despite this relative absence of struggle, the style is not "minimal", or anything else quotation-markable. The music side-steps easy description by not roaming far from the style of many of its contemporaries, meaning that the symphonies can be easy to listen to, following quite a familiar template, but may feel a little thematically and developmentally bland unless you become smitten by Rubbra's covert strangeness.

Edit:

(No.1)

The Slatkin is not a great success. Like Previn's Telarc account of the same symphony, the 5th is somewhat skimmed over. Plenty of effort is made to gush over the string writing, but meh. I may be hasty on this one though. In the case of the 6th, I am not, as this recording of it has disappointed me twice. The recorded sound is quite crappy. It buried parts I expect to hear and generally blunts the edge, which is a shame as in the first movement the cartwheeling strings sounded modern to me in a way I had not heard before (but then, I haven't heard this work for a while). The rest of the movement is fine, but it doesn't have that vicious drive all the way through which coheres every section into a vital whole. The recording is finally killed by the sound quality turning the moderato movement into a damp squib, and as much as the scherzo sounds impressive, it's note-playing - there doesn't feel like any great interpretive effort is being made. The finale is bizarrely loud, although so much so that I feel this rip may have been tampered with (I'm not listening from a CD).
Peanut butter, flour and sugar do not make cookies. They make FIRE.

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

mc ukrneal

I needed some cheery music today. Must be an Offenbach day - guarenteed to banish the blues!
Be kind to your fellow posters!!

karlhenning

Quote from: listener on March 24, 2010, 05:22:56 PM
ALKAN  not piano music    Sonate de concert for cello and piano  op. 47

Fine, fine, super-fine piece.

karlhenning

Quote from: Dancing Divertimentian on March 24, 2010, 08:09:27 PM
Well, that's sad to hear that your War and Peace experience isn't panning out. Personally I love the piece and find it one of Prokofiev's greatest achievements.

FWIW, I like that DVD (i.e., and that production) very well.

karlhenning

Quote from: ukrneal on March 25, 2010, 04:22:48 AM
I needed some cheery music today. Must be an Offenbach day - guarenteed to banish the blues!

Now why, when I regard that cover, does the phrase banned in Boston come to mind? . . .

karlhenning

Thread duty (first listen!):

Dallapiccola
Frammenti sinfonici dal balletto « Marsia » (1942-43; 1947)
Variazioni per orchestra (1953-54)
BBC Phil
Noseda






Dallapiccola – Tartiniana; Due Pezzi; Variazioni per orchestra;
Piccola musica notturna; Frammenti sinfonici dal balle


Todd




I picked up the newest Volodos disc and have spun it twice, and I must say it is probably the best thing he has recorded to date, bettering even his superb Schubert disc.  Perhaps the most intriguing thing about this recital is how resolutely unvirtuosic it is for the most part.  Volodos only really lets loose in Liszt's Dante sonata – and it's amazing to hear.  The rest of the recital is more about nuance and color and finesse.  The Scriabin selections are tonally gorgeous and evoke just enough mystery.  Perhaps the Seventh Sonata could have been more fiery, but then maybe it would not have worked.  Ravel's Valses nobles et sentimentales is ravishing, if perhaps more limpid than some.  It doesn't make me forget Abbey Simon or Robert Casadesus, but it offers an equally compelling take.  Likewise, Schumann's Waldszenen is tonally gorgeous and perhaps a bit lower wattage than some, but it's superb.  The three encores are all extremely fine, and once again they are not barn burners.  Excellent sound overall for a concert recording.  It opens up the possibilities of what I'd like to hear Volodos play.  Some Debussy, Faure, and Chopin would certainly be good. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Keemun

#64108
Langgaard
Symphony No. 3 "Ungdomsbrus" ("La melodia")

Ilya Stupel
Artur Rubinstein Philharmonic Orchestra



This seems to be more of a piano concerto than a symphony.  Either way, it is delightful. :)

EDIT:  Now that I am in the middle of the work it definitely sounds more symphonic.
Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

karlhenning

First Listen!

Александр Николаевич
Piano Sonata № 5, Opus 53 (1907)
Piano Sonata № 6, Opus 62 (1911/12)
Piano Sonata № 7, Opus 64 (1911/12)
Maria Lettberg






Skryabin – The Solo Piano Works
Maria Lettberg
8 CDs + DVD


Opus106

Quote from: k a rl h e nn i ng on March 25, 2010, 10:48:34 AM
Александр Николаевич

Google translates the second part to simply "N.". ??? Although Nikolayevich translates correctly to Russian.
Regards,
Navneeth

Keemun



These are four of the few Mozart works I consistently enjoy.  Perhaps the fact that I played horn in my younger years has something to do with it. ;)
Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

Keemun

More horn. . . .

Brahms
Trio for Piano, Violin & Horn

Borodin Trio - Luba Edlina, piano; Rostislav Dubinsky, violin; Michael Thompson, horn

Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

listener

fabulous organ disc  - Pierre Bardon at Saint-Maximin en Provence* playing the 2 Suites by CLERAMBAULT,    MARCHAND Grand jeu in C, D'ANDRIEU Variations on 'O Filii..", and RAISON: Le Vive-le Roy des Parisiens
The organ has sounds that might echo some of  Spanish organs with its very distinctive reeds.  The Basilica is near Aix-en-Provence on the road taken by Popes travelling from Rome to Avignon and pilgrims traveling on to Santiago di Compostella. These are lively works and the recording captures the resonance and a bit of the echo of the building without sacrificing clarity of line.
These are definitely not Lenten meditations!   Short notes on the pieces, and a history of the organ but no stop list, but Bardon has recorded other works on this organ and I think they would have that info.
info: http://www.sonusparadisi.cz/organs/Maximin/history.0.asp

And then the very different style and sound of SZYMANOWSKI's piano music:  4 Studies op. 4, Métopes op.29, Fantasy op.14 and the formidable-looking Masques, op. 34


* not accessible by rail, take a bus from Avignon
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

George

Chopin
Piano Sonatas 1 and 2
Cyprien Katsaris

abidoful

Quote from: George on March 25, 2010, 12:43:36 PM
Chopin
Piano Sonatas 1 and 2
Cyprien Katsaris

That must be amazing; I once heard a long time ago he's recording of the 1st Sonata, and it was great- I still remember it :)I'm thinking of buying it from amazon.com.u, but the price is too high ::)

George

Quote from: abidoful on March 25, 2010, 01:14:18 PM
That must be amazing; I once heard a long time ago he's recording of the 1st Sonata, and it was great- I still remember it :)I'm thinking of buying it from amazon.com.u, but the price is too high ::)

It was very good, with nice sound. I don't think it was the best I have heard though. Do you have Andsnes's set? That one is even better and can be had for budget price.

Drasko

Quote from: Soapy Molloy on March 25, 2010, 06:08:41 AM


I guess that one could probably go either way. I've heard Mandeal several times live: average Manfred, spectacular Poeme de l'Extase and Death & Transfiguration (made me almost like the piece, briefly) but also some terribly flabby Beethoven, 5th & 6th.

Moldyoldie

#64118
From...

Sibelius: Symphony No. 5
Vienna Philharmonic Orchestra
Leonard Bernstein, cond.
DEUTSCHE GRAMMOPHON


I've come to really love this expansive and expressive (often outré) rendition of the popular Fifth.  I can't say as I'm crazy about Lenny's Vienna Second, however - a bloated, belching affair I find hard to digest.
"I think the problem with technology is that people use it because it's around.  That is disgusting and stupid!  Please quote me."
- Steve Reich

Conor71

Bach: Cantata No. 140, BWV 140



Just recently purchased the Gardiner box set of Sacred Works including this work - looking forward to recieving it and getting to know more of Bach's Cantatas and the Passions :):