What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Harry

Second listen



This CD is a mixed blessing, there are some very good things, and some not so good. Its not the quality of singing but rather the quality of compositions.


karlhenning

My experience with Tavener's work is similar, Harry.

Good day & happy listening to you!

karlhenning

Liszt
Rapsodie hongroise № 13 in a minor (S.244 № 13)
Rapsodie hongroise № 14 in F Major (S.244 № 14)
Rapsodie hongroise № 15 in a minor (S.244 № 15)
Jenő Jandó






Franz Liszt – Hungarian Rhapsodies, Vol. 2
Jenő Jandó


Franco

Ravel: String Quartet in F
Panocha Quartet


Franco

Babbitt: Soli e Duettini, for 2 guitars
William Anderson, Oren Fader



Lethevich



#8

So frigging smoothed out ;D It is particularly unfortunate in this piece with its miniature tempests of jubilant energy. The sound quality mostly makes up for it, though - so much heft.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

karlhenning

Hmm . . . but, Sara, that's a symphony, I don't know if I want its knees rouged . . . .

Sergeant Rock

Listening to classical-era violin concertos. Just finished Beethoven



and now listening to Linley the Younger




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Quote from: Lethe on April 22, 2010, 07:02:18 AM


#8

So frigging smoothed out ;D It is particularly unfortunate in this piece with its miniature tempests of jubilant energy. The sound quality mostly makes up for it, though - so much heft.

That's one of my favorite Eighths. I wrote extensively on the reasons why (probably in this thread but years ago). I'm too lazy to repeat myself now. If we had a better search engine I might be able to find those discussions (primarily with Jezetha and Christo, I believe) and copy and paste. Anyway, just wanted to put in a good word for poor, maligned Haitink.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Lethevich

He's super in the Fen Country and Rhapsody (and 2-5, 7, with varying degrees of win).
Peanut butter, flour and sugar do not make cookies. They make FIRE.

SonicMan46

Small package from BRO arrived which included the MDG disc below of a composer unknown to me:

Witt, Friedrich (1770-1836) - Symphonies Nos. 6 & 9 + Flute Concerto w/ Johannes Moesus-Hamburg SO; Susanne Barner on flute.  Excellent compositions & performances - even given a 10/10 rating by Hurwitz HERE:)


Sergeant Rock

Quote from: Lethe on April 22, 2010, 07:38:02 AM
He's super in the Fen Country and Rhapsody (and 2-5, 7, with varying degrees of win).

Happy to know you like some of it. I confess, my arguments for Haitink's RVW8 did not persuade either Dutchman  ;D

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

prémont

#65412
Quote from: Antoine Marchand on April 22, 2010, 05:32:14 AM


This would be beautiful without so much left hand in some sonatas.  :)

Right!

On the other hand I find the addition of the gamba/cello interesting.
Reality trumps our fantasy far beyond imagination.

Scarpia

Quote from: Sergeant Rock on April 22, 2010, 07:44:17 AM
Happy to know you like some of it. I confess, my arguments for Haitink's RVW8 did not persuade either Dutchman  ;D

The outline of the argument was the Haitink didn't realize how boring Vaughan Williams was supposed to be.   ;D  (runs away)

Que

Quote from: premont on April 22, 2010, 07:51:33 AM
Right!

On the other hand I find the addition of the gamba/cello interesting.

I wouldn't go there - definitely a dud. ::) Manze does a distorted Bach in hyperdrive and Egarr's twitchy contribution does not help either. :o

Q

Sergeant Rock

Quote from: Scarpia on April 22, 2010, 07:58:57 AM
The outline of the argument was the Haitink didn't realize how boring Vaughan Williams was supposed to be.   ;D  (runs away)

   Scarpia
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

springrite

Quote from: Scarpia on April 22, 2010, 07:58:57 AM
The outline of the argument was the Haitink didn't realize how boring Vaughan Williams was supposed to be.   ;D  (runs away)

Mr. Rock actually agrees with you but Mrs. Rock is pissed.






Now listening: Mahler 5 (Lenny, DG)
Do what I must do, and let what must happen happen.

Antoine Marchand

Quote from: Que on April 22, 2010, 08:00:41 AM
I wouldn't go there - definitely a dud. ::) Manze does a distorted Bach in hyperdrive and Egarr's twitchy contribution does not help either. :o

Q

I totally disagree, Q. I have some quibbles about this recording, but it's not a disaster at all. I also enjoy -and in this case I would add "very much"- the harpsichord concertos by Egarr/AAM/Manze.

Bulldog

Quote from: Que on April 22, 2010, 08:00:41 AM
I wouldn't go there - definitely a dud. ::) Manze does a distorted Bach in hyperdrive and Egarr's twitchy contribution does not help either. :o

Q

I also have little good to say about the Manze recording.  The use of the gamba distorts balance, and I find Manze to often display insufficient projection and attack.

Antoine Marchand

#65419
Quote from: Bulldog on April 22, 2010, 08:29:36 AM
I also have little good to say about the Manze recording.  The use of the gamba distorts balance, and I find Manze to often display insufficient projection and attack.

Yes, I recall your long review on the Bach-Cantatas site and your disfavorable opinion.

I don't share your point of view about Manze; but, as I said before, I agree about the use of the gamba/cello in those sonatas where those instruments are used.   

P.S.: BTW, as the liner notes recall, the earliest source for these works is titled Sei Suonate a Cembalo certato e Violino Solo, col Basso per Viola da Gamba accompagnato se piace (Six Sonatas for obbligato harpsichord and solo violin, with a bass accompanied by a viola da gamba if you like).