What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Karl Henning

Maiden-Listen Mondays! (This recording.)

“Papa”
Kyrie from Missa Sancti Bernardi de Offida, Hob.XXII:10


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Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Maiden-Listen Mondays!

“Papa”
Te Deum for the Empress Marie Therese, Hob.XXIIIc:2


[asin]B001TQ1KBW[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Papy Oli

G. Gershwin - Rhapsody in Blue

Charles Dutoit - Montreal SO
Louis Lortie (piano) - Robert Crawley (clarinet)

Olivier

Karl Henning

Maiden-Listen Mondays! (This recording.)

“Papa”
Kyrie from Missa in tempore belli, Hob.XXII:9


[asin]B001TQ1KBW[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sadko

Mahler

Symphony No. 6

St. Petersburg Philharmonic Orchestra
Thomas Sanderling



madaboutmahler

Now:

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I just love this music so much! :)
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

Lisztianwagner

Before going to bed:

Neujahrskonzert 2012
Disc 2


I incredibly love this concert, one of the best of the last 20 years! :D
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

madaboutmahler

Now:

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Rhapsody for Saxophone and Orchestra

Such a brilliant piece! It was so great to play this piece in our youth orchestra's concerto concert a few weeks ago! :) I love it so much! :)
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

classicalgeek

Up now:


A fine work - some nice woodwind writing in the slow movement.  Adequate performance, but it could be better.  Perhaps a label like cpo should take up the Malipiero symphonies...
So much great music, so little time...

classicalgeek

And now, some early Mozart.  Symphony no. 8 in D, K 48:
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Charming performance that has aged well.  Reminds me of Beecham's Haydn for some reason.  I like Mackerras best in the early Mozart symphonies, but there's a lot to like about Leinsdorf.
So much great music, so little time...

Bogey

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

kishnevi

Starting finally to  go through the Big Hanssler Bach Box systematically for the quasi-birthday boy. (as opposed to randomly dipping in and out)

"Vol 87: Ohrdruf, Luneburg, Arnstadt"   Andrea Marcon, on the "Schott Orgel Klosterkirch Muri (CH)".

classicalgeek

Up now: Bruckner 8, Haitink, Concertgebouw

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The Adagio playing at the moment.  One of the great slow movements in the entire symphonic literature (up there with Bruckner 7's Adagio!)  Just beautiful...
So much great music, so little time...

Bogey

Quote from: James on April 02, 2012, 06:00:27 PM
Trio in D Major op.70, No. 1 "Ghost" (25:57)
Trio in B Flat Major, op.97 "Archduke" (31:03)


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Your take on the performances when you get the chance, James.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Sadko

#105595
Rachmaninov

Songs

Elisabeth Söderström
Vladimir Ashkenazy

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I'm listening to CD 1 of this interesting set. Although Söderström's vibrato sometimes is a bit strong, I like her, in general, and here too. And I like Ashkenazy's accompaniment too.

EDIT: But the famous Vocalise is not convincing, even a bit unpleasant.


Bogey

Quote from: James on April 02, 2012, 06:18:17 PM
Big thumbs up. They're in the zone all the way ..

Thanks.  Just added to my wish list.  Always looking for another worthy "ghost" to add to the collection.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

listener

BEETHOVEN   String Quartets op. 18/3 in D  op. 18/4 in c
Fine Arts Quartet
I haven't heard this in decades, I have a notation on the cover that it is out-of-phase, reverse one channel, a bummer with my çurrent set-up.  There used to be a phase reverse switch on amplifiers, but I've not noticed one for several years.
the inspired  by the ROTA (not Rott) surge yesterday
piano music: 2 Waltzes on the name BACH, Variations on the name BACH, 7 pieces for children, Ippolito Gioca, 15 preludes
Danielle Laval, piano
Concerto Soirée for Piano and Orch.,, Balli per piccola orchestra, Fantasia on 12 Notes from "Don Giovanni" for piano and orchestra, Sonata for Chamber Orchestra
+ Orchestra Città di Ferrara, Giuseppe Grazioli, cond.
another annoying issue: notes have to be found on line, if the website stll exists.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

TheGSMoeller



My rare Wagner listen...starting at Siegfried's funeral march.

Antoine Marchand

Bach: Matthäus-Passion BWV 244
Nikolaus Harnoncourt

Boy Soprano Voices of Regensburger Domspatzen (Chorus Master: Christoph Lickleder) & Men's Voices of the King's College Choir Cambridge (Chorus Master: David Willcocks) / Concentus Musicus Wien

Tenor [Evangelist, Arias - Chorus One]: Kurt Equiluz; Bass [Jesus]: Karl Ridderbusch; Sopranos [Arias - Chorus One and Chorus Two]: Two anonymous boy soloists of the Wiener Sängerknaben (Chorus Master: Hans Gillesberger); Alto [Arias - Chorus One]: Paul Esswood; Alto [Arias - Chorus Two: Nos. 33, 77]: Tom Sutcliffe; Alto [Arias - Chorus Two]: James Bowman; Tenor [Arias - Chorus Two]: Nigel Rogers; Bass [Arias - Chorus One]: Max van Egmond; Bass [Arias - Chorus Two]: Michael Schopper

Teldec

1970, 3-CD / TT: 174:27

Recorded at Casino Zögernitz, Vienna, Austria.


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