What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Sergeant Rock

Quote from: mc ukrneal on June 19, 2012, 06:14:39 AM
So sorry! Don't worry, it will be over soon! :)

Only twelve more to go!  :D

Thanks for the link to the Abbado. Despite hating the final bars of the last movement--too fast, sounds congested compared to the others I've listened to this afternoon (although that could be the fault of youtube)--I ordered it.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

Quote from: Sergeant Rock on June 19, 2012, 06:18:42 AM
Only twelve more to go!  :D

Thanks for the link to the Abbado. Despite hating the final bars of the last movement--too fast, sounds congested compared to the others I've listened to this afternoon (although that could be the fault of youtube)--I ordered it.

Sarge

On the audio file we were sent it was one of the least congested accounts, I think. I could hear the flutes!

You should have binged on La mer with the rest of us, Sarge. I think I listened six times last weekend. :)

Gurn Blanston

Quote from: karlhenning on June 19, 2012, 05:48:02 AM
Wanted to do this yesterday, for Maiden-Listen Mondays!:

Saint-Saëns
String Quartet № 1 in e minor Op.112
Quatuor Viotti


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Don't have that disk, Karl, but I have all that music. Amply illustrates why Saint-Saëns is so high on my list of Late Romantic composers. And French composers in general. I particularly like his violin sonatas. :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Karl Henning

Dvořák
Symphony № 8 in G, Op.88
Cz Phil
Václav Neumann


[asin]B0077DDWEE[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Gurnatron5500 on June 19, 2012, 06:25:47 AM
Don't have that disk, Karl, but I have all that music. Amply illustrates why Saint-Saëns is so high on my list of Late Romantic composers. And French composers in general. I particularly like his violin sonatas. :)

8)

Splendid, Gurn! And good morning!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: karlhenning on June 19, 2012, 05:48:02 AM
Wanted to do this yesterday, for Maiden-Listen Mondays!:

Saint-Saëns
String Quartet № 1 in e minor Op.112
Quatuor Viotti


Well, you know I approve of that one  :)

Quote from: karlhenning on June 19, 2012, 06:28:36 AM
Dvořák
Symphony № 8 in G, Op.88
Cz Phil
Václav Neumann



That Neumann Eighth really impressed me. I do believe it qualifies for my desert island.

Sarge

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

And now, the one GMG really hates  ;D

Debussy La Mer, Giulini conducting the LA Phil



Debussy Brucknerized....I like it  8)


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

not edward

Ancerl's Romeo and Juliet extracts, which I somehow didn't get around to acquiring till very recently.

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I don't like the 'bleeding chunks' approach to large works such as this one, but the performance here is so remarkable as to render that objection irrelevant. The playing is as outstanding as you'd expect from the 1959 Czech Philharmonic, with wonderfully characterful winds and superbly rendered soft string vibrati, and Ancerl's trademark phrasing and attention to detail as impressive as ever.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

mc ukrneal

Quote from: Sergeant Rock on June 19, 2012, 06:18:42 AM
Only twelve more to go!  :D

Thanks for the link to the Abbado. Despite hating the final bars of the last movement--too fast, sounds congested compared to the others I've listened to this afternoon (although that could be the fault of youtube)--I ordered it.

Sarge
Gives you another M2 as well. That's never a bad thing.  ;)
Be kind to your fellow posters!!

Sergeant Rock

#110729
Quote from: Brian on June 19, 2012, 06:23:10 AM
On the audio file we were sent it was one of the least congested accounts, I think. I could hear the flutes!

You should have binged on La mer with the rest of us, Sarge.

I probably should have. I love La Mer. But...I have a weird aversion to this kind of comparison, with time limits. It feel too much like work. It reeks of homework  ;D  I wasn't going to join the Mahler 6 comparison either, but Daniel talked me into it. I'm still procrastinating on the final listen. I'll probably get my vote in at the last second  :D

Anyway, glad to hear the actual recording is better than what I heard on youtube. It is an extremely interesting interpretation.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Quote from: mc ukrneal on June 19, 2012, 06:42:03 AM
Gives you another M2 as well. That's never a bad thing.  ;)

Maybe yes, maybe no  ;D  I'm wary of Abbado in Mahler.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Opus106

Ooh, I actually have some Schiff in Beethoven. A 2009 recital at LA. Now I remember not liking these so much back then. Let's see, um, hear... Op. 109.

Regards,
Navneeth

Opus106

Quote from: Opus106 on June 19, 2012, 07:15:05 AM
Ooh, I actually have some Schiff in Beethoven. A 2009 recital at LA. Now I remember not liking these so much back then. Let's see, um, hear... Op. 109.

Mixed feelings. :-\ Quite relaxed. He plays many of the sections in a manner that is similar to those in the lectures, but I thought he was doing that just for clarity in a demonstration!
Regards,
Navneeth

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Lisztianwagner

Alban Berg
Violin Concerto


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"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

pi2000

Bach- André Navarra
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:-*

Willoughby earl of Itacarius

Mozart. Complete Symphonies.

CD I, from 19 ;D

Symphonies KV 16/19/19a/Anh 223/22/32/81-K731/97-K 73m


I am pleasantly surprised by the high standard Hogwood and his band is displaying. Well articulated, details impeccably observed, excellent playing, including the soli in K 32, third movement "Menuetto & Trio". Tempi are good. I am going to enjoy this box. You cannot compare this to Pinnock, Hogwood is in a totally different league.  I thought I would not need this set, but I am proven wrong. The sound is less polished, and that's a good thing. All Italian this box, but what the heck, its the music that counts. Good sound!


listener

#110737
Enrique Fernández ARBÓS   Chamber music:
Tres piezas originales en estilo español  op. 1
----Trio Bellas Artes
Tango op. 2     vn/piano     Pieza de concurso     cello/piano
Seis rimas de Gustavo Adolfo Bécquer  op. 3    Cuatro canciones para la marquesa de Bolaños, op. 4
'''-- Emilio Sanchez, ten.,  Fernanda Turina, piano
Pieces written before becoming concertmaster of the Madrid Symphony (except for the cello one).  He's bettter known for his orchestration of Albeniz' Iberia.
BRUCH   Violin Concerto no. 2 in d, op. 44      BUSONI Violin Concerto in D op. 35a
R.STRAUSS   Violin Concerto in d, op. 8
Ingolf Turban, violin            Bamberg Symphony     Lior Shambadal, cond.
The Busoni comes off best in this collection of neglected concertos.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Conor71

Liszt: Consolations


Listening to some Piano music - first up the Liszt Disc by Barenboim, really beautiful recording! I will follow-up this Disc with the Satie by Roge.



Mirror Image

Now:

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Listening to Symphony No. 7. Great performance!