Andre Jolivet

Started by The new erato, September 27, 2008, 02:26:46 AM

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snyprrr


Monsieur Croche

#21
A few pieces with at least a few other facets than the brilliant, snappy and usually good-humored and ebullient Jolivet:

Missa Uxor tua This performance of this mass is remarkable for the clean intonation of both chorus and soloists.
(complete)https://www.youtube.com/v/hLC7-kYEmFU

Suite Delphique for twelve instruments, including Ondes Martenot.
...incidental music for the play Iphigenia at Delphi by Gerhart Hauptmann. 
The work is, to the requirement of the task at hand, evocative of place, moods (and hey, Greek Tragedy.)  If not a contradiction, in quick spot checking it after all these years, it still strikes me as listenable and 'fun.'
parts I - III https://www.youtube.com/v/WkLmPBYRUcM
parts IV - VI https://www.youtube.com/watch?v=QOF5vkMq1LA
parts VII & VIII https://www.youtube.com/watch?v=8Ni1Ceccku0


~ I'm all for personal expression; it just has to express something to me. ~

nathanb

Even if he wasn't a solid composer, he should be a household name for having an ondes martenot concerto anyway :)

The entire Erato set is amazing though... Haven't heard much else besides those four discs though, tbh.

snyprrr

Quote from: nathanb on September 08, 2016, 07:02:30 PM
Even if he wasn't a solid composer, he should be a household name for having an ondes martenot concerto anyway :)

The entire Erato set is amazing though... Haven't heard much else besides those four discs though, tbh.

All I have is the flute/harp ASV disc with Noakes, great, and the 'Heptade' for trumpet/perc., and a bassoon piece or two, very nice. I know he's got some rought stuff too, all these are very nice and French, bracing... oh, and the famous 'Chant de...??'...

I know that Erato set... maybe someday...

snyprrr

His FC has a streamlined, moden feel to it, like a race car riding through a haunted landscape. Best ending ever...


Almost getting the EratoBox...


Flute Sonata also one of my favs...

millionrainbows

Jolivet is fascinating as an artist. The connection to Varese is interesting; both were interested in 'dark' and irrational aspects of the human psyche, and our repressed, forgotten, primitive  impulses, called 'the unconscious.' Their music is incantatory, as if it were a tool or metaphysical technology which could help us tap in to these mysterious regions of the being.

From WIK, we read: [Jolivet's intent as a composer throughout his career was to "give back to music its original, ancient meaning, when it was the magical, incantatory expression of the religious beliefs of human groups."]

snyprrr

Quote from: millionrainbows on October 14, 2017, 10:11:55 AM
Jolivet is fascinating as an artist. The connection to Varese is interesting; both were interested in 'dark' and irrational aspects of the human psyche, and our repressed, forgotten, primitive  impulses, called 'the unconscious.' Their music is incantatory, as if it were a tool or metaphysical technology which could help us tap in to these mysterious regions of the being.

From WIK, we read: [Jolivet's intent as a composer throughout his career was to "give back to music its original, ancient meaning, when it was the magical, incantatory expression of the religious beliefs of human groups."]

did he know Crowley? hmm.....

millionrainbows

Quote from: snyprrr on October 16, 2017, 07:28:20 AM
did he know Crowley? hmm.....
To be fair to Varese, Jolivet, and the theories of the unconscious which started with Nietzsche and Schopenhauer, and developed through Carl Jung, Sigmund Freud, Surrealism, Dada, Mallarme, and Abstract Expressionism, my comments are not intended to imply Satanism. That's a distortion-and-a-half; I hope you are joking.

Symphonic Addict

A shame this remarkable composer has so few comments on his thread. Just heard his Cello Concerto No. 2 (1966) and what an incredibly stern piece this is. Astringent, severe, challenging, even I dare to say, nightmarish and harrowing. A work of this caliber needs several listens to grasp it better. A sensational creation.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Mirror Image

Quote from: Symphonic Addict on May 06, 2022, 06:08:02 PM
A shame this remarkable composer has so few comments on his thread. Just heard his Cello Concerto No. 2 (1966) and what an incredibly stern piece this is. Astringent, severe, challenging, even I dare to say, nightmarish and harrowing. A work of this caliber needs several listens to grasp it better. A sensational creation.



Jolivet is a fascinating composer, Cesar. All I own of his music is that 4-CD Erato set that probably everyone with an interest in this composer bought many years ago. He, at times, reminds me of Isang Yun actually or, at least, in the Cello Concerto No. 2 you mention. Something about those sustained tones over glissandos that brought Yun to mind.

Symphonic Addict

Quote from: Mirror Image on May 06, 2022, 07:10:21 PM
Jolivet is a fascinating composer, Cesar. All I own of his music is that 4-CD Erato set that probably everyone with an interest in this composer bought many years ago. He, at times, reminds me of Isang Yun actually or, at least, in the Cello Concerto No. 2 you mention. Something about those sustained tones over glissandos that brought Yun to mind.

Precisely, the association makes much sense when textures, effects and atmosphere converge and impress. Two remarkable musical figures.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Mirror Image

Quote from: Symphonic Addict on May 06, 2022, 07:20:25 PM
Precisely, the association makes much sense when textures, effects and atmosphere converge and impress. Two remarkable musical figures.

Whole-heartedly agree with you! 8)

kyjo

Quote from: Symphonic Addict on May 06, 2022, 06:08:02 PM
A shame this remarkable composer has so few comments on his thread. Just heard his Cello Concerto No. 2 (1966) and what an incredibly stern piece this is. Astringent, severe, challenging, even I dare to say, nightmarish and harrowing. A work of this caliber needs several listens to grasp it better. A sensational creation.



Interesting, Cesar. What I've heard by Jolivet so far (1st Symphony, Violin Concerto) has certainly been challenging to say the least. I can't say I enjoyed the music, but due to your enthusiasm I'll give that Cello Concerto a fair shot. :)
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Mirror Image

Quote from: kyjo on May 07, 2022, 08:17:43 AM
Interesting, Cesar. What I've heard by Jolivet so far (1st Symphony, Violin Concerto) has certainly been challenging to say the least. I can't say I enjoyed the music, but due to your enthusiasm I'll give that Cello Concerto a fair shot. :)

Give a listen to the Bassoon Concerto while you're at it.  8)

kyjo

Quote from: Mirror Image on May 07, 2022, 01:28:34 PM
Give a listen to the Bassoon Concerto while you're at it.  8)

Oh, I forgot - I love the Bassoon Concerto! In fact, it's my favorite concerto for the instrument (that I know) and is more accessible than Jolivet's other works that I've heard. It's jazzy, colorful, and totally unique!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Mirror Image

Quote from: kyjo on May 07, 2022, 08:52:44 PM
Oh, I forgot - I love the Bassoon Concerto! In fact, it's my favorite concerto for the instrument (that I know) and is more accessible than Jolivet's other works that I've heard. It's jazzy, colorful, and totally unique!

8) A cool work, indeed.

Symphonic Addict

Quote from: kyjo on May 07, 2022, 08:52:44 PM
Oh, I forgot - I love the Bassoon Concerto! In fact, it's my favorite concerto for the instrument (that I know) and is more accessible than Jolivet's other works that I've heard. It's jazzy, colorful, and totally unique!

Another of his alluring concertos is the one for Ondes Martenot and Orchestra. Quite a cool piece.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Symphonic Addict



Earlier I was giving the Trumpet Concerto No. 2 a spin from this splendid set, and quite a contrast it is regarding other of his more-modernist pieces. How fun and catchy it is, above all the 3rd mov. which is aptly marked Giocoso. It contains a rhythmic motif that will stick in your mind for awhile. All the piece is imbued with American rhythms and gestures, it's a complete delight.

BTW, this is the best Jolivet set out there hands down. Anyone interested in exploring this composer should start with it.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky


Symphonic Addict

Today I discovered his Serenade for oboe and piano and Suite Liturgique for chorus, oboe, cello and harp from these recordings respectively:



Very cool stuff, above all the singular Suite Liturgique. The chorus provides a mystic effect to the music and the result is quite beautiful. The Serenade for oboe and piano features more piquant gestures and it's a lot of fun, mostly for the movements Caprice and Marche burlesque.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky