Harnoncourt 1963 was my first encounter with the music. And my first encounter with historical instruments For some reason my parents had these LPs in a collection that was otherwise dominated by rather popular anthologies (like great opera choruses, some opera highlights, popular ouvertures etc.). I found the sound utterly strange. A year or two later in eleventh grade I gave a school presentation on the Concerti together with a friend. I think the school had the Richter recording, that friend had the then (ca. 1988 or early 1989) fairly recent Musica Antiqua, all still on LP. Harnoncourt was the slowest of all of them, MAK was shockingly fast and aggressive. I still have the DAS ALTE WERK LP-Box, but I haven't heard it in years as I am not set up anymore for playing LPs. As far as I recall the first two concerti are too flawed in the brass/wind department to be acceptable for more than a curiosity. The string concerti might still hold up well enough with 4 and 5 somewhere in between (I think the 4th is also very slow compared to most other recordings).
I don't know any others from premonts list. On CD I have Harnoncourt 1980s, MAK, Akademie f. Alte Musik and Giardino Armonico, on modern instruments Busch, Britten, Leppard and a couple of single concerti as fillers or on historical anthologies (like Edwin Fischer).