Best One Note Endings/Orchestral or Otherwise

Started by Cato, September 29, 2008, 04:18:56 AM

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Joe_Campbell

Quote from: Ten thumbs on October 31, 2008, 03:02:26 AM
No.8 is indeed in G minor, the C# minor one is No.9. The confusion has arisen because the composer withdrew No.4 and republished it in Op.39. I think it best to stick to the original published numbers. However, I agree that the ending is not a single note. No.3 ends on a single C but with the pedal held down. No.6 ends with a solo phrase over a long bass pedal chord.
Ah...that clears things up. That's pretty cool, imperfection because I'll be learning that etude once I'm done my audition.

Archaic Torso of Apollo

#61
How about the Mahler 6th with that single plucked A?

Also some individual Mahler movements: 5/ii (single timpani thud); and I think 2/i, 6/ii, 9/i and 7/iii, though I don't have the scores handy to check.
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

bassio

Liszt Piano Sonata

At first Liszt intended to end with a flashy forte .. but altered the ending and decided to keep the current version, which ends on the same note the piece starts - which theoretically can make the whole work go through a loop of endless thematic transformations (of course if you were to start from the beginning  ;))

Dancing Divertimentian

There is a sublime one note ending to Bartok's second violin sonata.

No more gripping ending could be concocted if the full tuttis of every living orchestra blasted away in unison.


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Dax


Cato

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