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#1
Op. 106

#2
Composer Discussion / Re: Mozart
Last post by Florestan - Today at 11:43:41 AM
Quote from: San Antone on Today at 11:41:18 AMAnd the audience came to the concert in horse and buggy, which we also do not replicate.  Your "point" is silly

To you, and only because you missed it entirely.
#3
Quote from: Wanderer on Today at 09:25:28 AMKudos if you enjoy what you hear. However, first you post this, asking for recommendations...

...and then you're being rudely dismissive, in multiple posts, when people are trying to help you and recommendations are given to you.

(How does the adage go? No good deed goes unpunished.)  ;D


Jurowski is not my own idea. It was recommended to me.
#4
Composer Discussion / Re: Mozart
Last post by San Antone - Today at 11:41:18 AM
Quote from: Florestan on Today at 11:14:36 AMLooks like we're going in circles, my friend. Allow me to clarify my position once and for all.

@Spotted Horses said:

In response to that, I pointed out the well-documented, incontrovertible fact that most ensembles during the Classical Era, that is between roughly 1750 and 1830, were under-rehearsed and semi-professional, therefore they sounded under-rehearsed and semi-professional, ie completely and utterly unlike a HIP ensemble of today, which is comprised of over-rehearsed professionals, oftenly doubling as scholars --- ie, exactly and precisely what the Classical Era musicians were not.

I cannot and will not make my position any clearer than that.

And the audience came to the concert in horse and buggy, which we also do not replicate.  Your "point" is silly. 
#5


Both performance-wise and sonic-wise this series is excellent. I can't get enough of it.
#6
Huber: Symphony #1 (Tellsinfonie)

An attractive Romantic symphony. The 2nd movement reminded me a bit of Brahms. It's not as immediately memorable as his 2nd, but I still enjoyed listening to it.

#7
Quote from: DavidW on Today at 07:26:41 AMI love everything Tchaikovsky wrote, in pretty much any performance.

A-M-E-N-!!!

Actually, this is valid for all my favorite composers --- my favorite performance of any of their works is the one I'm currently listening to.

It'll be a cold day in hell long before I do any A/B/C comparison.


#8
Maybe just "water" will do?

Remus Platen is a strange, quite distrustful  guy (?) with a huge collection

Norbert Rosseau's H2O could do with a new recording...but he studied with Respighi.

https://youtu.be/IGynWKJy8xo?si=jJZSAlFguHjkl4to

#9
Composer Discussion / Re: Mozart
Last post by Florestan - Today at 11:22:37 AM
Quote from: Spotted Horses on Today at 06:38:49 AMI tend to think of the Trevor Pinnock recordings of baroque and classical orchestral music as having an excessively strict "sewing machine" articulation and I might be tempted to make such a comment, but then I come across people who love those recordings.

So what? If we were to refrain from making any negative comment about anything for fear that someone somewhere might like it and therefore feel offended by our comment, then we'd better shut down GMG altogether, nay, refrain from commenting on anything at all.








#10
Quote from: Harry on April 26, 2024, 02:06:44 AMGeorge Lloyd (1913-1998).

Disc 4.

Symphony No. 5 in B-flat (1947-8).
Recorded: Studio 7, New Broadcasting House, Manchester, 1989.

Symphony No. 6 (1956.
Recorded:Studio 7, New Broadcasting House, Manchester 1988.

BBC Philharmonic.


An ongoing pleasure, in music, performance and sound. The second movement of the 6th Symphony is absolutely devastating in its tonal beauty.

Couldn't agree more 🙂