Quote from: San Antone on Today at 11:41:18 AMAnd the audience came to the concert in horse and buggy, which we also do not replicate. Your "point" is silly.
Quote from: Wanderer on Today at 09:25:28 AMKudos if you enjoy what you hear. However, first you post this, asking for recommendations...
...and then you're being rudely dismissive, in multiple posts, when people are trying to help you and recommendations are given to you.
(How does the adage go? No good deed goes unpunished.)
Quote from: Florestan on Today at 11:14:36 AMLooks like we're going in circles, my friend. Allow me to clarify my position once and for all.
@Spotted Horses said:
In response to that, I pointed out the well-documented, incontrovertible fact that most ensembles during the Classical Era, that is between roughly 1750 and 1830, were under-rehearsed and semi-professional, therefore they sounded under-rehearsed and semi-professional, ie completely and utterly unlike a HIP ensemble of today, which is comprised of over-rehearsed professionals, oftenly doubling as scholars --- ie, exactly and precisely what the Classical Era musicians were not.
I cannot and will not make my position any clearer than that.
Quote from: DavidW on Today at 07:26:41 AMI love everything Tchaikovsky wrote, in pretty much any performance.
Quote from: Spotted Horses on Today at 06:38:49 AMI tend to think of the Trevor Pinnock recordings of baroque and classical orchestral music as having an excessively strict "sewing machine" articulation and I might be tempted to make such a comment, but then I come across people who love those recordings.
Quote from: Harry on April 26, 2024, 02:06:44 AMGeorge Lloyd (1913-1998).
Disc 4.
Symphony No. 5 in B-flat (1947-8).
Recorded: Studio 7, New Broadcasting House, Manchester, 1989.
Symphony No. 6 (1956.
Recorded:Studio 7, New Broadcasting House, Manchester 1988.
BBC Philharmonic.
An ongoing pleasure, in music, performance and sound. The second movement of the 6th Symphony is absolutely devastating in its tonal beauty.
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