Quote from: prémont on April 23, 2024, 09:41:49 AMNor have I. They probably released very little classical music - if anything at all.
Quote from: Spotted Horses on April 23, 2024, 09:29:10 AMRachmaninoff, Piano Sonata No 2, Ashkenazy
In find myself disappointed. I have trouble recognizing the musical themes that inhabit the sensuous musical texture. Can't complain about Ashkenazy, but Decca gives him surprisingly muddy, clangy sound. I was surprised to check the recording data and find that the reQuote from: Spotted Horses on April 23, 2024, 09:29:10 AMRachmaninoff, Piano Sonata No 2, Ashkenazycording was made in 1980.
In find myself disappointed. I have trouble recognizing the musical themes that inhabit the sensuous musical texture. Can't complain about Ashkenazy, but Decca gives him surprisingly muddy, clangy sound. I was surprised to check the recording data and find that the recording was made in 1980.
Did a spot check of Shelley, who I also have on my shelves. Did not make a strong impression. Which version do people like best? I've decided to try Ruth Laredo, based on my positive impression of her Scriabin recordings.
Did a spot check of Shelley, who I also have on my shelves. Did not make a strong impression. Which version do people like best? I've decided to try Ruth Laredo, based on my positive impression of her Scriabin recordings.
Quote from: Atriod on April 23, 2024, 09:33:54 AMGreat review, thanks Brian! I was most curious about these after the Transcendental Etudes. When I was doing my blind comparisons him and Cziffra were the two that starkly stood out among the others. Lim was bordering on unrelenting but then he got to the A flat major Ricordanza and it was almost as sensitively played as Claudio Arrau. In the end for a new recording to add to the collection Kirill Gerstein won out but I might add Lim at some point. Haochen Zhang fared the worst, not coming across all that well in the rather stiff competition.
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