Does anyone else know this extraordinary work (The Romance of the Mummy 1882-1883), which is so far ahead of its time? George Antheil described Fanelli as 'one of the greatest inventors and musical iconoclasts of our time' - others described him as the pre-cursor of impressionism in music. Certainly the third part of Part 1 of the 'Tableaux Symphoniques' 'Thebes' 'Rentree triomphale du Pharaon' seems to anticipate the Appian Way episode from Respighi's Pines of Rome written many years later - it is a very exciting and extraordinarily modern sounding piece that I strongly recommend:
I know it, though I'm afraid I can't say I like it terribly much. It's certainly interesting for its anticipation of many techniques we associate with Debussy and Ravel (Fanelli was a percussionist -- they're always writing stuff whose Time Has Not Yet Come :^) ...but I put him with with Hans Rott, who anticipated Mahler's characteristic sound but simply wasn't as talented a composer, to my ears anyway. Fanelli's name should certainly be known, but the 50-minute "Romance of the Mummy" only interests me about 30% of the time; the rest of the piece just makes me think of a '50s film score -- the MusicWeb review http://www.musicweb-international.com/classrev/2002/Nov02/Fanelli_marcopolo.htm (http://www.musicweb-international.com/classrev/2002/Nov02/Fanelli_marcopolo.htm) in fact specifically talks about the music's resemblance to Bernard Hermann.
-J
On your recommendation, Jeffrey, I have ordered the cd :)
Postcript: And now I have cancelled the order because-believe it or not-on belatedly checked my database I do have the cd already ::) I shall listen to it again ;D In the meantime....don't tell Christo ;D After admonishing him for not having a cd database I am looking exceptionally silly for not even checking mine :-[
Quote from: Dundonnell on June 21, 2009, 04:25:28 PM
On your recommendation, Jeffrey, I have ordered the cd :)
Postcript: And now I have cancelled the order because-believe it or not-on belatedly checked my database I do have the cd already ::) I shall listen to it again ;D In the meantime....don't tell Christo ;D After admonishing him for not having a cd database I am looking exceptionally silly for not even checking mine :-[
Hilarious posting Colin - made me laugh out loud. But don't worry about Christo - your secret is safe with me :-X
Quote from: jimmosk on June 21, 2009, 04:23:51 PM
I know it, though I'm afraid I can't say I like it terribly much. It's certainly interesting for its anticipation of many techniques we associate with Debussy and Ravel (Fanelli was a percussionist -- they're always writing stuff whose Time Has Not Yet Come :^) ...but I put him with with Hans Rott, who anticipated Mahler's characteristic sound but simply wasn't as talented a composer, to my ears anyway. Fanelli's name should certainly be known, but the 50-minute "Romance of the Mummy" only interests me about 30% of the time; the rest of the piece just makes me think of a '50s film score -- the MusicWeb review http://www.musicweb-international.com/classrev/2002/Nov02/Fanelli_marcopolo.htm (http://www.musicweb-international.com/classrev/2002/Nov02/Fanelli_marcopolo.htm) in fact specifically talks about the music's resemblance to Bernard Hermann.
-J
Thank you very much for the response and the link.
Quote...but I put him with with Hans Rott, who anticipated Mahler's characteristic sound but simply wasn't as talented a composer, to my ears anyway...
:(
Well jimmosk, Rott did not anticipate anything, it was he who created that soundworld BEFORE Mahler. As for the 'talented composer' bit, there is not a large enough body of work available to contrast with Mahler to say he wasn't as talented. Mahler knew Rott was talented, perhaps more so than he, and in fact positively admired him.
:D
However, your grouping of Fanelli in the same breath as Rott has made me interested to find out more, so that's another composer new to me that I'll have to look up.