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#1
Great Recordings and Reviews / Re: Box Blather
Last post by Mookalafalas - Today at 04:25:05 AM
After "almost" getting it for years, I finally got a second hand edition of this--for about $45. I just played a few random disks today, but suspect it may be the greatest purchase, in CP terms, I've ever gotten.

#3
Quote from: prémont on Today at 03:28:29 AMYes, Sylvia Capova is real - and a pianist of distinction.

Angela Giulini has been declared a fictitious character by Discogs. Nevertheless, there is purportedly a picture of her on the internet. It's not surprising that some people make money by inventing fictional pianists in a world where we are constantly confronted with deceit.

Not pianists only. They create fictional galactic stars out of nothing, like Taylor Swift.
#5
Quote from: DavidW on April 22, 2024, 02:57:12 PMThe absolute best:

Quote from: Karl Henning on April 22, 2024, 02:29:08 PMThere are many good performances.

Thanks for these! Since I am to explore all the symphonies, the Jurowski looks good and "modern sound" is a plus (modern sound can be bad if the sound engineers did lousy job).
#6
William Walton.
Orchestral Works.
See for details front cover,
LPO, Bryden Thomson.
Recorded: 1991, at the St. Jude's Church, London, UK.


How beautiful are these recordings from yore. Well balanced recordings and performances. Listening to them is like discovering these works all over again. Everything is done with taste and respect for the composer. Not a step wrong with Thomson on this recording, plus the warm yet detailed resonance of St. Jude's.
#7
Quote from: Madiel on Today at 02:47:58 AMThe other names I saw attached were Sylvia Capova and Angela Giulini. The latter is fictitious. Capova might be real?

Creating fictional pianists is bizarre. Wasn't Joyce Hatto enough?

Yes, Sylvia Capova is real - and a pianist of distinction.

Angela Giulini has been declared a fictitious character by Discogs. Nevertheless, there is purportedly a picture of her on the internet. It's not surprising that some people make money by inventing fictional pianists in a world where we are constantly confronted with deceit.
#9
Quote from: Florestan on Today at 12:17:57 AMWell, I find Hanslick's comment particularly inept in view of the fact that the main theme of the finale has more than a vague resemblance to that of Mendelssohn's VC, and Felix certainly was not a vodka-drinking, unkempt, cursing muzhik.. I wonder what Hanslick may have said about Mussorgsky, who in his late years probably literally smelled like vodka.  ;D

There are known examples of alcoholism among composers of other cultures. But in Russia, more than anywhere else, heavy drinking is literally elevated to the rank of valor and national pride. Have you seen the movie Brother 2? The protagonist, a simple and kind Russian man Danila comes to America to the devil of hell, an American capitalist who embezzled other people's money. And before the showdown begins, he forces him at gunpoint to drink vodka in glasses. By the way, this is a very curious movie for understanding the modern Russian ideology (namely, the fierce hatred of all non-Russians, especially Anglo-Saxons), much more to the point than any of Dostoevsky's books.


#10
Great Recordings and Reviews / Re: Beethoven's Piano Sonatas
Last post by Madiel - Today at 02:47:58 AM
Quote from: prémont on Today at 02:18:38 AMDieter Goldmann is a fictitious name. I own one of these budget releases where all three sonatas are attributed to Tomsic. However, I question whether it is her playing the Appassionata Sonata. Indeed, she recorded the Appassionata Sonata for the Koch label, but that is a separate recording. Interestingly, the budget Appassionata is much superior to hers.

The other names I saw attached were Sylvia Capova and Angela Giulini. The latter is fictitious. Capova might be real?

Creating fictional pianists is bizarre. Wasn't Joyce Hatto enough?