Quote from: Mandryka on Today at 02:36:00 AM
I'm listening to Debargue playing Fauré's op 103 preludes, and I'm enjoying the lightness of touch, and the changing colours very much.
Quote from: AnotherSpin on May 04, 2024, 11:59:25 PMI don't see contradiction in turning to the same piece and reaching something higher every day.
Quote from: Que on May 04, 2024, 10:00:56 PM
I probably shouldn't buy any discs any more, but occasionally I still do. And as it happens to fully grasp the concept behind this 2CD issue (with combined playing time and price of a single disc) you need the booklet with pictures of the landscapes in presentday Belgium and northern France, or the book by Van Nevel from 2018 in which he illustrates his theory that these physical landscapes influenced the mental landscapes of the composers who grew up and lived in it and by consequence their musical landscapes.
Breathtakingly beautiful performances of music by Johannes Symonis Hasprois, Antoine Busnois, Johannes Ockeghem, Josquin Desprez, Antoine de Févin, Jean Mouton, Nicolle des Celliers de Hesdin, Jean l'Héritier, Josquin Baston, Pierre de Manchicourt and Nicolas Gombert. Van Nevel is now in his late 70s but hasn't lost his magical touch. I wish he would a complete Busnois recording or all the Desprez masses, but all his recent recordings are multiple composers recitals, often taken from concerts.. ..
Quote from: AnotherSpin on May 04, 2024, 11:59:25 PMI don't see contradiction in turning to the same piece and reaching something higher every day. One could say that constant skipping from one piece to another expresses a shallow sliding from one side to the other without allowing one to grasp the heights. Or the depths, if you wish
Quote from: Pohjolas Daughter on May 04, 2024, 02:31:21 PMWhat was the Glazunov work?Of the Kalevala - Kalevalasta - Ur Kalevla (Finnish Sketches)
PD
Quote from: AnotherSpin on May 04, 2024, 12:46:40 AMWhat kind of animal is this, a "free thinker"?
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