Recent posts

#1
The Diner / Re: The AFL / Aussie Rules Thr...
Last post by Papy Oli - Today at 03:46:36 AM
This is atrocious...

And it's only Q3...

Even heavier sigh...


Also, why the fudge did we have to travel all the way to Darwin...??

#2
The Diner / Re: What are you currently rea...
Last post by pjme - Today at 03:32:42 AM
You could try Jan Caeyers biography



"This biography of a musician, written by a musician, becomes music itself. It literally resonates. And it is enjoyable and moving to listen to--as informative as it is entertaining."--Gerhard Stadelmaier, Frankfurter Allgemeine Zeitung

"In a pleasantly analytical way, Caeyers questions many of the clichés of the commercial literature on Beethoven."--Wolfram Goertz, Die Zeit

"An extremely readable study, composed in the present for the present . . . . It is amazing how in a much-grazed field like Beethoven, a biography can come along and bring completely new insights into its topic through clarity, lack of prejudice, and rigor."--Kai Luehrs-Kaiser, Die Welt

"Jan Caeyers has written a major book on Beethoven . . . that doesn't require any specialist historical or musical knowledge. In addition, the author, a highly regarded performer of Beethoven, is able to create a particular closeness with his subject. He achieves a vibrant portrait of the composer, his contemporaries, and society in provincial Bonn and the metropolis of Vienna."--Tobias Schwartz, Märkische Allgemeine

"With both profound knowledge and a lively narrative, Caeyers has achieved a comprehensive biography that captivates emotionally."--A. Gerth, Operapoint

"Caeyers's command of the vast scholarship on this iconic composer is impressive."--Stephen Hinton, Stanford University

#3
The Diner / Re: The AFL / Aussie Rules Thr...
Last post by Papy Oli - Today at 03:02:43 AM
Having a good evening @Holden ?

HT Suns 71 - 38 Cats

Sigh.

Might change back my avatar.... ::)
#4
Quote from: SonicMan46 on March 09, 2024, 04:05:17 PMHas anyone seen this recent book as a physical copy? Published by Cambridge in the last few years and expensive - listed on Amazon as over 500 pages - MY INTEREST are the illustrations which I cannot determine from Amazon or the Cambridge website - in my mind a book of this type would require a LOT of great pics - can anyone help me decide on a purchase (now $36 paperback on Amazon but if I had $20 credit then a BUY!).  Thanks - Dave






I found this for you: it seems to have at least c. 100 photographs taken by the author "unless otherwise noted" according to the List of Figures:

https://www.google.com/books/edition/A_History_of_Stringed_Keyboard_Instrumen/60pgEAAAQBAJ?hl=en&gbpv=1&printsec=frontcover
#5
Quote from: Brian on March 10, 2024, 11:11:31 AM@Mookalafalas curious about two of the conductor memoirs you have read recently and how they handle more "dramatic"/sordid sides of things. Does Schwarz discuss his ejection from Seattle and the bitterness there? And does Brusilow discuss the unceremonious end of the Dallas Symphony on his watch? My understanding is that the orchestra brought him over from Philly as a bright young future star, but the orchestra went into the ground, donations dried up, and half a season was cancelled for lack of cash. The DSO then went into "dark ages" until being rescued by some super rich locals and Eduardo Mata. I'm curious if this is yet another incident where Brusilow says he is the good guy done wrong...

  Sorry, Brian, I just saw this. It's been a while since I read them...I don't think Schwarz mentioned any unpleasantness in Seattle. The second half of the book is how he built it up from rubble, and got a huge beautiful hall built. He did say his NEW MUSIC choices were sometimes unpopular. I vaguely remember wondering why he was moving on--if it was age or what.  And Brusilow never acknowledged any personal failings, whatsoever. I recall his "creatively" getting popular music recording contracts, to give the orchestra extra money. And he talked a lot about how Ormandy vengefully threatened to have any soloist who played with Dallas blackballed from the classical world, and scared them all away--except for Van Cliburn, who continued to play for him. I think he also talked about a music critic who had it in for him, although that comes up in a lot of the bios, and I could be mixing them up.
 
#7
Composer Discussion / Re: CPE Bach (Carl Philipp Ema...
Last post by Mandryka - Today at 01:29:25 AM
Quote from: Brian on May 14, 2024, 02:32:03 PMI listened to a piano recording (by Dejan Lazic) of the fascinatingly bizarre miniature "La Böhmer" and it reminded me of an even more manic, eccentric Scarlatti. Does anyone have any favorite modern piano or pianoforte CPE keyboard collections? I have the recent Marc-Andre Hamelin two-disc set but cannot remember the contents immediately, and of course the Pletnev DG recital is notorious.

Just started listening to the YouTube video above of the harpsichord-piano concerto and can't stop. The dialogue and timbral variety is so engrossing!

I can let you have a transfer of Nina Milkina's LP is you want. She understood the manic eccentric Scarlatti side of the music. She made a Scarlatti recording too.  Milkina was a pupil of Leon Conus, Tobias Matthay, and Harold Craxton.



If you're open to tangent pianos check Lubimov's ECM - his recording Der Bote on modern piano too.
#8
Op. 106

#9
The Diner / Re: What TV series are you cur...
Last post by Pohjolas Daughter - May 15, 2024, 08:20:59 PM
Just started watching this one -- and yes, it's a hard one to watch.

#10
Quote from: Symphonic Addict on May 15, 2024, 07:08:51 PMDutilleux: Piano Sonata

Phenomenal work. As far as 20th-century piano sonatas go, this runs to the fore IMO.



...and Queffelec is a major talent.