Alright! Welcome to the first thread of this project at GMG! In this case, we'll be doing the 136th tier because it has too many works and it's an easy one for us to get started on.
Anyone who wants to participate can select up to five works from the 136 tier to promote. If a work is chosen by two participants, we'll move it up two tiers, and so on up to four participants and four tiers.
I'll leave this open for at least seven days from the timestamp of this post. (If you are in the western hemisphere you might want to take note that the date in the title of the thread is Korea time!) If I'm late to close it, feel free to participate.
Let me know if you have any questions.
Here are the eligible works for this thread:
- Abrahamsen: Left, Alone (Piano Concerto) [2016]
- Adam: Si j'étais roi (If I Were King) [1852]
- Adès: Aquifer [2024]
- Adès: Traced Overhead, op. 15 [1996]
- Aguilera de Heredia: Tiento de Batalla on the eight tone for organ
- Aho: Symphony #4 [1973]
- Aho: Symphony #11 for 6 percussionists and orchestra [1998]
- Aho: Symphony #13 "Symphonic Characterizations" [2003]
- Alfonso X: Cantiga de Santa Maria 400 "Pero cantigas de loor" [13th cent.]
- Ammann: Piano Concerto 'Gran Toccata' [2016-19]
- Anderson, J.: American Choruses (4) [2004]
- Anonymous: Il Cant de la Sibila [The Song of the Sibyl], in the Cancionero de la Colombina [c. 1480]
- Arnesen: Magnificat [2010]
- Arnold: Cornish Dances, op. 91 [1966]
- Assandra: Duo Seraphim [1609]
- Auerbach: La Suite dels Ocells [Homage to Pablo Casals] [2015]
- Auerbach: Preludes for Violin and Piano [1999]
- Bacewicz: Musić for Strings, Trumpets and Percussion [1958]
- Bacri: Symphony #4, op. 49 "Sturm und drang" [1995]
- Badings: Symphony #12 "Symphonic Sound Figures" [1964]
- Bantock: Prometheus Unbound [1933]
- Barrett, R.: life-form [2012]
- Bax: Fantasy Sonata for Harp and Viola [1927]
- Beal: House of Cards Symphony [2016]
- Beethoven: Sextet in E-flat, op. 71 [1796]
- Behrman: Figure in a Clearing [1977]
- Behrman: Unforeseen Events [1991]
- Bekku: Symphony #4 "The Summer 1945" [1986-9]
- Benjamin, G.: At First Light [1982]
- Bentzon: Cor Anglais Sonata, op. 71 [1951]
- Berger, W.: String Trio in G minor, op. 69 [1898]
- Berio: Sequenza XI for guitar [1988]
- Berio: Sequenza XIII for accordion [1995]
- Bergman: Flute Concerto, op. 89 "Birds in the Morning" [1979]
- Berkeley: Piano Concerto in B-flat, op. 29 [1947-48]
- Birtwistle: Distances [1992]
- Birtwistle: Harrison's Clocks [1998]
- Blomdahl: Symphony #3 "Facetter" [1950]
- Boccherini: Symphonies (6), op. 12 [1771]
- Bolcom: The Garden of Eden [1969]
- Borgstrøm: Die Nacht der Toten, op. 16 [1905]
- Boulez: Polyphonie X [1951]
- Bowen: Flute Sonata, op. 120 [1946]
- Brandl: Symphony in D, op. 25 [1803]
- Bruch: Odysseus, op. 41 [1871-2]
- Bruins: Concerto per pianoforte ed orchestra [1952]
- Bryars: String Quartet #1 "Between the National and the Bristol" [1985]
- Burgmüller, N.: String Quartet #4 in A minor, op. 14 [1835]
- Carpenter: Symphony #1 "Sermons in Stone" [1917/40]
- Castelnuovo-Tedesco: Antony and Cleopatra, op. 134 [1947]
- Cendo: Tract [2007]
- Chance: Variations on a Korean Folk Song [1965]
- Charpentier: Médée [1693]
- Chavez: Soli IV for brass trio [1967]
- Cherubini: Médée [1797]
- Chiang Wen-yeh [or Koh Bunya]: Confucian Temple Rites, op. 30 [1939]
- Clemens non Papa: Missa Gaude lux Donatiane [1557]
- Coates, G.: String Quartet #5 [1988]
- Colgrass: Winds of Nagual [1985]
- Compère: Crux triumphans [1502]
- Copland: Duo for flute and piano [1971]
- Copland: Pieces (2) for String Quartet [1928]
- Copland: Violin Sonata [1943]
- Corigliano: Symphony #3 "Circus Maximus" [2004]
- Coulthard: Canada Mosaic [1974]
- Cras: Légende pour violoncelle et orchestre [1929]
- Cutting: Lute music, including "Divisions on Greensleeves" [late 16th century]
- Danielpour: Margaret Garner [2005]
- Danielpour: The Enchanted Garden [1992]
- Danzi: Cello concerto in E minor, P. 243 [1809]
- Dean: Voices of Angels [1996]
- Del Tredici: In Memory of a Summer Day [1980]
- Delius: String Quartet [1917]
- Denisov: Sonata for Alto Saxophone and Piano [1970]
- Desyatnikov: Nachklänge aus dem Theater [1980, rev. 2014]
- Dickinson: Piano Concerto [1984]
- Dillon: Nine Rivers Cycle [1985-1996]
- Dinicu: Hora Staccato [1906]
- Djordjević: FAIL [2010]
- Donatoni: ESA (In cauda V) [2000]
- Donatoni: Spiri [1977]
- Dopper: Symphony #2 in B minor "Scottish" [1904]
- Doppler: Andante et Rondo for two flutes and piano, op. 25 [1874]
- Doráti: Sette pezzi for orchestra [1961]
- Dumitrescu: Gnosis for solo double bass [1983]
- Dvarionas: Winter Sketches [1953-4]
- Economou: Sixteen Etudes for Children [1982]
- Eechaute: String Quartet #1 in G minor [1933]
- Elgar: Fantasia and Fugue in C minor, op. 86, arranged from J. S. Bach's "Fantasia for Organ in C Minor, BWV 537" [1922]
- Eliasson: Symphony #3 for alto saxophone and orchestra "Sinfonia concertante" [1989]
- Enescu: Cello Sonata #2 in C, op. 26/2 [1935]
- Eötvös: Jet Stream [2002]
- Erlebach: Trio Sonatas (6) [1694]
- Ešenvalds: Amazing Grace [2004]
- Fauré: Pieces breves, op. 84 [1869-1902]
- Fauré: Thème et Variations in C-sharp minor, op. 73 [1896]
- Fedele: Syntax [2015]
- Feld: Flute Sonata [1957]
- Ferguson: Five Bagatelles, op. 9 [1944]
- Ferneyhough: Sisyphus Redux [2010]
- Ferneyhough: Sonatas for String Quartet [1967]
- Ferroud: Pieces (3) for Solo Flute [1920-1]
- Finnissy: Seven Sacred Motets [1991]
- Finnissy: String Trio [1986]
- Fitelberg: Song of the Falcon, op. 18 [1905]
- Freitas Branco: Vathek [1913]
- German: Welsh Rhapsody [1904]
- Ghersem: Missa Ave Virgo Sanctissima [1598]
- Glanville-Hicks: Concerto Romantico for viola and chamber orchestra [1956]
- Glass: Days and Nights in Rocinha [1997]
- Glass: Piano Concerto #1 "Tirol" [2000]
- Glass, L.: Piano Sonata #2 in A-flat, op. 25 [1897]
- Gliere: Fugue on a Russian Christmas song [c. 1913]
- Gliere: Gyul'sara, including the Overture [1925]
- Goedicke: Concert Piece in D, op. 11 [1900]
- Goedicke: Horn Concerto in F minor, op. 40 [1929]
- Gordeli: Concertino for Flute and Orchestra, op. 8 [1959]
- Gounod: Mors et Vita [1885]
- Grainger: Children's March [1919]
- Grime: Three Whistler Miniatures [2011]
- Grisey: L'Icône paradoxale [1992-1994]
- Hába: Suite for Dulcimer, op. 91 [1960]
- Hadley, P.: The Hills [1944]
- Hakim, N.: Gershwinesca [2000]
- Hallén: Die Todteninsel, op. 45 [1898]
- Hamilton: Concerto for jazz trumpet, op. 37 [1958]
- Harty: The Children of Lir [1938]
- Haydn: Divertimento in F, Hob.II:20 [1763]
- Haydn: English Canzonettas, Books 1 & 2, Hob. XXVIa:25-36 [1794-5]
- Haydn: String Quartets, op. 1 [1757-62]
- Haydn: Symphony #2 in C [1764]
- Haydn: Symphony #3 in G [1762]
- Haydn: Symphony #38 in C "Echo" [c. 1768]
- Haydn: Symphony #61 in D [1776]
- Heininen: String Quartet #1, op. 32c [1974]
- Heinrich: Manitou Mysteries [1845]
- Henselt: Piano Concerto in F minor, op. 16 [1847]
- Henze: String Quartet #5 [1976]
- Henze: The English Cat [1980-3, rev. 1990]
- Hétu: Suite for Guitar, op. 41 [1986]
- Hill: String Quartet #2 in G minor "A Maori Legend in Four Scenes" [1907-11]
- Hindemith: String Quartet #3 in C [1920]
- Hisaishi: Symphony #2 [2023]
- Höller: Schwarze Halbinseln [1982]
- Holten: Handel with Care (Variations on Darwin) [2009]
- Hosokawa: Light and Darkness [2021]
- Hosokawa: Lotus Under the Moonlight [2006]
- Hovhaness: Psalm and Fugue, op. 40a [1940]
- Hovhaness: Symphony #25, op. 275 "Odysseus" [1973]
- Huber, K.: Chamber Concerto "Intarsi" [1993]
- Jensen: Erotikon, op. 44 [1872]
- Johnston: String Quartet #7 [1984]
- Kagel: An Tasten [1977]
- Kaipainen: Horn Concerto, op. 61 [2000-1]
- Kalliwoda: Symphony #6 in F, op. 132 [1843]
- Kallstenius: Symphony #2 in F minor, op. 20 [1935]
- Kaminski: Dorische Musik ("Doric Music") [1933]
- Kapustin: Piano Concerto #2, op. 14 [1972]
- Kapustin: Piano Concerto #5, op. 72 [1993]
- Kapustin: Piano Sonata #12, op. 102 [2001]
- Kapustin: Ten Bagatelles, op. 59 [1991]
- Karamanov: Symphony #23 "I am Jesus" [1980]
- Kassia: Ek Rizis Agathis [9th C.]
- Kastalsky: Requiem for Fallen Brothers [1917]
- Kernis: Meditation (in memoriam for John Lennon) [1981]
- Kirchner, L.: String Quartet #4 [2006]
- Klami: King Lear Overture, op. 33 [1944]
- Köksal: Shiftings [2014]
- Krenek: Organ Concerto #2, op. 235 [1982]
- Krenek: Piano Sonata #7, op. 240 [1988]
- Krenek: String Quartet #3 [1923]
- Kreutzer, R.: Violin Concerto #18 in E minor [1805-9]
- Krommer: Clarinet Concerto in E-flat, op. 36 [1803]
- Krommer: Octet-Partita in B-flat, op. 67 [1808]
- Kurtág: Songs of Despair and Sorrow, op. 18 [1980-94]
- Lacorcia: Madrigals, Book 3 [1620]
- Lamote de Grignon: Triptico de la piel de toro for piano and orchestra [1958]
- Lange, S. (Jr.): Organ Sonata #5 in C minor, op. 50 [1887]
- Larcher: Mumien [2002]
- Leiviskä: Symphony #3 [1971]
- Lemare: Toccata di Concerto, op. 59 [1909]
- Leshnoff: Guitar Concerto [2013]
- Ligeti: Artikulation [1958]
- Lilburn: Violin Sonata in E-flat [1943/1984]
- Long: Chinese Folk Songs [1998]
- Lully: Alcestis [1674]
- Maconchy: Clarinet concertino #1 [1945]
- Malec: Sonoris Causa [1997]
- Mantovani: Cello Concerto [2005]
- Martin: Pavane Couleur du Temps [1920]
- Martin: Petite symphonie concertante, op. 54 [1946]
- Martin: Piano Concerto #1 [1934]
- Marttinen: Violin Concerto, op. 13 [1962]
- Mashayekhi: Concerto for Violin and Orchestra, op. 96 [1977]
- McCabe: Cloudcatcher Fells [1985]
- Melartin: Symphony #6, op. 100 "Symphony of Elements"picker [1918-24]
- Mendelssohn: Psalm 115 (Nicht unserm Namen, Herr), op. 31 [1835]
- Mercury/Zilber: Bohemian Rhapsody [1975]
- Merikanto, A.: Serenade for cello and strings [1914]
- Messager: Fortunio [1907]
- Messiaen: Petites esquisses d'oiseaux [1985]
- Molique: Flute Concerto in D minor, op. 69 [1824, rev. 1863]
- Monk: On Behalf of Nature [2013]
- Morales: Lamentabatur Iacob [16th Century]
- Mouquet: Flute Sonata in F, op. 15 "La Flûte de Pan" [1904]
- Mozart: Piano Sonata #4 in E-flat, K. 282 [1774]
- Mozart: Piano Trio #6 in G, K. 564 [1788]
- Mozart: Serenade #7 in D "Haffner," K. 250 [1776]
- Mozart: Violin Sonata #26 in B-flat, K 378 [1791]
- Muczynski: Wind Quintet, op. 45 [1985]
- Nanino: Mass for 8 Voices
- Nepomuceno: Nocturne in B flat minor, op. 33 [1904]
- Norgärd: Turn [1973]
- Novák: South Bohemian Suite, op. 64 [1937]
- Nyman: And Do They Do [1986]
- Onslow: String Quintet #26 in C minor, op. 67 [1844]
- O'Regan: Fragments from a Gradual Process [2007]
- Orff: Der gute Mensch [1930]
- Owen: Nocturne in D-flat for orchestra [1913]
- Palestrina: Ave Maria for five voices [1575]
- Palestrina: Missa Aeterna Christi munera [1590]
- Palestrina: Missa Tu es Petrus for six voices [maybe 1572]
- Pauset: Canons (8) for Oboe d'amore and ensemble [1998]
- Penderecki: Trumpet Concertino [2015]
- Persichetti: Symphony #6 for Band, op. 69 [1956]
- Pesson: Future is a Faded Song (Piano Concerto) [2017]
- Pettersson: Symphony #13 [1976]
- Pickard: String Quartet #4 [1997-8]
- Piston: Wind Quintet [1956]
- Potter: Symphony #6 in G minor [1832]
- Previn: Trio for Oboe, Bassoon, and Piano [1996]
- Purcell: My Heart is Inditing [1685]
- Purcell: Twelve Sonatas of Three Parts [c. 1680]
- Puskulcu: String Quartet #1 [2014-5]
- Puumala: Apostrophe [2005]
- Quell: A Blurring Cloud - Geschöpfe der Fahrt [2011-2]
- Rabe: What?? [1967]
- Rabl: Quartet in E-flat, op. 1 [c. 1896]
- Rahbari: My Mother Persia [2018]
- Rainier: Cello Concerto [1964]
- Raitio: Kuutamo Jupiterissa (Moonlight on Jupiter), op. 24 [1922]
- Rawsthorne (completed by Bream): Elegy [1971]
- Reincken: An Wasserflüssen Babylon [1663]
- Renié: Ballade fantastique, for harp [1912]
- Revueltas: String Quartet #4 "Música de feria" [1932]
- Rihm: Deus Passus [2000]
- Risset: Computer Suite from Little Boy [1968]
- Risset: Passages for flute and tape [1982]
- Romberg, A.: Symphony #1 in E flat, op. 6 [1794]
- Rosenberg: Symphony #5 "Örtagårdsmästaren" [1944]
- Rouse: Symphony #1 [1986]
- Roussel: Psalm 80, op. 37 [1928]
- Rufinatscha: Symphony #4 in B minor [1846]
- Ruttmann: Wochenende (Weekend) [1930]
- Ryelandt: Piano Quintet in A minor, op. 32 [1901]
- Sabaneyev: Sonata for Violin, Cello, and Piano, op. 20 [1924]
- Salonen: Homunculus for string quartet [2007]
- Satie: Danses Gothiques [1893]
- Sauguet: String Quartet #3 [1979]
- Sawyers: Symphony #4 [2017]
- Saygun: Partita for Solo Violin, op. 36 [1961]
- Scelsi: String Quartet #3 [1963]
- Schafer: Apocalypsis [1980]
- Schat: De Hemel (The Heaven), op. 37 [1990]
- Schlegel: Violin Sonata in G, op. 34 [1910]
- Schoeck: Elegie, op. 36 [1922]
- Schoenberg: Herzgewächse (Foliage of the Heart), op. 20 [1911]
- Schreker: Der Schatzgräber [1920]
- Schubert: Marches militaires (3), D. 733 [1818?]
- Schubert: Rondo in A for piano four-hands, D. 951 [1828]
- Schumann: Fantasiestücke (3), op. 111 [1851]
- Schumann: Impromptus, op. 5 [1833; rev. 1850]
- Sermisy: Tant que vivray [1527]
- Shapey: Concerto Fantastique [1991]
- Shymko: Double Concerto [2014]
- Simpson: Clarinet Quintet [1968]
- Skempton: Images [1989]
- Skempton: The Rime of the Ancient Mariner [2015]
- Spohr: Fantasie for harp in C minor, op. 35 [1807]
- Stanchinsky: Nocturne [1908]
- Sterkel: Symphony in D, op. 35 #1 [1792]
- Stockhausen: In Freundschaft [1977]
- Strasnoy: Kuleshov (Piano Concerto) [2017]
- Strauss, R.: Feierlicher Einzug der Ritter des Johanniter-Ordens (Fanfare for the Solemn Procession of the Knights of the Order of St. John [1909]
- Sullivan: The Yeomen of the Guard; or, The Merryman and His Maid [1888]
- Tan: Eight Memories in Watercolor [1978, rev. 2002]
- Tan: Peony Pavilion [1998]
- Tan: Water Concerto [1998]
- Tan: Water Passion after Saint Matthew [2000]
- Taneyev: String Trio in D, op. 21 [1907]
- Tansman: Cavatina [1950]
- Tarrodi: String Quartet #2 (Madardal) [2013]
- Tchaikovsky, B.: Piano Concerto [1971]
- Tchaikovsky, B.: Symphony #1 [1947]
- Theofanidis: Rainbow Body [2000]
- Thomalla: The Brightest Form of Absence [2011]
- Thompson: Testament of Freedom [1943]
- Thorvaldsdottir: In the Light of Air [2014]
- Tin: Calling All Dawns [2009]
- Tin: To Shiver the Sky [2020]
- Tishchenko: To My Brother, op. 98 [1986]
- Toch: Gesprochene Musik (Spoken Music), including Fuge aus der Geographie (Geographical Fugue) [1930]
- Tomasi: Semaine sainte à Cuzco [1962]
- Tower: Petroushskates [1980]
- Tüür: Requiem [1994]
- Ustvolskaya: Trio for Clarinet, Violin, and Piano [1949]
- Valen: Ave Maria, op. 4 [1921]
- Vali: Ashoob (Calligraphy #14 for Santoor and String Quartet) [2014]
- Vali: Segâh (Double Concerto for Persian Ney, Kamanche, and Orchestra) [2010]
- Van der Aa: Hysteresis, for clarinet solo, ensemble & soundtrack [2013]
- Vasks: Symphony #2 [1998]
- Vaughan Williams: Suite for Pipes [1939]
- Vermeulen: Symphony #4 "Les Victoires" [1941]
- Vierne: Spleens et détresses, op. 38 [1917]
- Vivanco: Missa in Manus tuas [1608]
- Vivier: Kopernikus [1979-80]
- Wallace, W.V.: Maritana [1845]
- Walton: Façade [1922]
- Weigl, K.: String Quartet #5 in G, op. 31 [1933]
- Wellesz: Violin Concerto, op. 84 [1961]
- Wendling: Flute Concerto in G, op. 4 [c. 1769]
- Willaert: O magnum mysterium [1545]
- Willan: Passacaglia and Fugue #2 in E minor [1959]
- Williams, G.: Penillion, symphonic poem in four movements [1955]
- Wolf: String Quartet in D minor [1878]
- Wood: Clarinet Trio, op. 40 [1997]
- Yuasa: A Winter Day [1981]
- Yun: Oboe Concerto [1990]
- Zelenka: Simphonie a 8 in A Minor [1723]
- Zwilich: Clarinet Concerto [2002]
- Zwilich: Millennium Fantasy (Piano Concerto #2) [2000]
Here is my contribution:
Berio: Sequenza XIII for accordion [1995]
Ligeti: Artikulation [1958]
Schreker: Der Schatzgräber [1920]
Tan: Water Passion after Saint Matthew [2000]
Vivanco: Missa in Manus tuas [1608]
Barrett, R.: life-form [2012]
Messiaen: Petites esquisses d'oiseaux [1985]
Purcell: Twelve Sonatas of Three Parts [c. 1680]
Reincken: An Wasserflüssen Babylon [1663]
Scelsi: String Quartet #3 [1963]
"Norgärd" could be corrected to Nørgård (Danish doesn't use ä!)
Quote from: Selig on March 30, 2025, 06:25:09 AMBarrett, R.: life-form [2012]
Messiaen: Petites esquisses d'oiseaux [1985]
Purcell: Twelve Sonatas of Three Parts [c. 1680]
Reincken: An Wasserflüssen Babylon [1663]
Scelsi: String Quartet #3 [1963]
"Norgärd" could be corrected to Nørgård (Danish doesn't use ä!)
Nicely done! Thank you.
I respectfully predict that this thread will sink faster than the proverbial lead balloon. Please forgive me if I sound unkind.
Perhaps engaging with the various discussions and sharing your listening journey might be more fruitful?
I confess I have no clue what the purpose of this thread is. But I'm slightly curious to find out what you have in mind. From the list, I chose five works new to me that I'd like to get to know.
Abrahamsen: Left, Alone (Piano Concerto) [2016]
Bacewicz: Musić for Strings, Trumpets and Percussion [1958]
Grisey: L'Icône paradoxale [1992-1994]
Nørgård: Turn [1973]
Schreker: Der Schatzgräber [1920]
Good luck!
Quote from: foxandpeng on March 31, 2025, 03:34:49 PMI respectfully predict that this thread will sink faster than the proverbial lead balloon. Please forgive me if I sound unkind.
Perhaps engaging with the various discussions and sharing your listening journey might be more fruitful?
This sort of threads is quite popular on the another forum, but here... not sure. :-X
Quote from: foxandpeng on March 31, 2025, 03:34:49 PMI respectfully predict that this thread will sink faster than the proverbial lead balloon. Please forgive me if I sound unkind.
Perhaps engaging with the various discussions and sharing your listening journey might be more fruitful?
Doing well enough so far anyway. Feel free to recommend any five of those works that you think someone might particularly enjoy or learn something from.
My own personal listening "journey" should matter to one more than it does to me, and it doesn't matter that much to me. I'm literally nobody. When I die, not one iota of unique insight into music will perish with me. You obviously know many, many, many things that I don't. This is one way you could share that knowledge with people like me. You are free not to do it of course, but it's an option.
Anyway, no matter what, your unkindness has not hurt me - I long ago learned to find these things amusing - so you need no forgiveness unless from yourself. Take her easy, bro. Live and let live.
Quote from: brewski on March 31, 2025, 04:26:02 PMI confess I have no clue what the purpose of this thread is. But I'm slightly curious to find out what you have in mind. From the list, I chose five works new to me that I'd like to get to know.
Abrahamsen: Left, Alone (Piano Concerto) [2016]
Bacewicz: Musić for Strings, Trumpets and Percussion [1958]
Grisey: L'Icône paradoxale [1992-1994]
Nørgård: Turn [1973]
Schreker: Der Schatzgräber [1920]
Good luck!
Thank you! Perfectly done!
I know far too few of these to take part in the popularity contest :'( .
Quote from: steve ridgway on March 31, 2025, 11:14:25 PMI know far too few of these to take part in the popularity contest :'( .
True for almost everyone, definitely including me. But if you like any of them (up to five), feel free to let me know!
Can I be picky and mention that Harry Birtwistle's piece is called "Five Distances"? Happy to promote it, though.
Quote from: DaveF on March 31, 2025, 11:42:23 PMCan I be picky and mention that Harry Birtwistle's piece is called "Five Distances"? Happy to promote it, though.
You can be very picky! I really appreciate you for letting me know.
Quote from: foxandpeng on March 31, 2025, 03:34:49 PMI respectfully predict that this thread will sink faster than the proverbial lead balloon. Please forgive me if I sound unkind.
Perhaps engaging with the various discussions and sharing your listening journey might be more fruitful?
Similar observations have been made to this exact same person a number of times over the years. We get another attempt every 3 to 5 years or so, and every time other forum members end up asking what the purpose is, or when it will end.
The list is not as long this time as some others, but it's full of obscurities and I see the claim that there will be at least another 135 tiers after this (EDIT: Which will take about 2.5
years), and I completely lose interest. The scope is (as on every occasion) simply too broad. Trying to compare works from completely different genres written several centuries apart is going to be fruitless.
To be frank I find it a little unfortunate that coffee doesn't seem to have learned anything at all about poll design, and/or that doing THIS kind of poll on GMG simply doesn't work despite it apparently working on some other forum. I listen to a podcast about business where trying to sell the same product to the same audience that didn't like it the first time would be seen as a strategy for failure. You have to learn what your market wants. GMG has indicated repeatedly that it doesn't want this.
ADDENDUM: Frankly, the most egregious problem of all is that none of us have any clue how the tiers are generated. To pick music on the current list that I actually know, I've precisely no idea why these particular 4 Haydn symphonies ended up at level 136 or where all the other Haydn symphonies might turn up.
Which very much gives the feeling that this is a game set up by someone else for their amusement, and I'm expected to behave not as a fellow player, but as a piece on the board.
Quote from: Madiel on April 01, 2025, 05:21:38 AMSimilar observations have been made to this exact same person a number of times over the years. We get another attempt every 3 to 5 years or so, and every time other forum members end up asking what the purpose is, or when it will end.
The list is not as long this time as some others, but it's full of obscurities and I see the claim that there will be at least another 135 tiers after this (EDIT: Which will take about 2.5 years), and I completely lose interest. The scope is (as on every occasion) simply too broad. Trying to compare works from completely different genres written several centuries apart is going to be fruitless.
To be frank I find it a little unfortunate that coffee doesn't seem to have learned anything at all about poll design, and/or that doing THIS kind of poll on GMG simply doesn't work despite it apparently working on some other forum. I listen to a podcast about business where trying to sell the same product to the same audience that didn't like it the first time would be seen as a strategy for failure. You have to learn what your market wants. GMG has indicated repeatedly that it doesn't want this.
Of course it's not actually a poll. Maybe that doesn't matter though.
I'm not sure what you mean by GMG not wanting this. Last time I asked, Someone in authority told me that I was free to do it. And you're free not to participate. I hope the mere existence of the thread doesn't offend you too much.
Quote from: Madiel on April 01, 2025, 05:47:44 AMADDENDUM: Frankly, the most egregious problem of all is that none of us have any clue how the tiers are generated. To pick music on the current list that I actually know, I've precisely no idea why these particular 4 Haydn symphonies ended up at level 136 or where all the other Haydn symphonies might turn up.
Which very much gives the feeling that this is a game set up by someone else for their amusement, and I'm expected to behave not as a fellow player, but as a piece on the board.
My apologies! I should have posted a link to this thread (https://www.good-music-guide.com/community/index.php/topic,34112.0.html) in the OP of this thread. I hope that would make everything as clear as it can be. However, I'll try to clear up the specific issues you raised here.
The tiers have been generated over the past 15 years by quite a few different participants.
You can find the other Haydn symphonies on the list of recommended works (https://docs.google.com/document/d/18t_9MHZTENbmYdezAAj4LRM0-Eak_MYO1HssZW2FX1U/edit?usp=sharing). If you want to find something specific, you can use a search function. If you have further questions or any kind of problems finding what you want, let me know.
This is very much for amusement. I'm not inclined to take it very seriously. It's just a way of helping me (and anyone else who cares to use it) discover new music or prioritize our listening. If you don't find it amusing or interesting or anything like that, please ignore it. But most of all, please don't take it too seriously! Especially if its existence angers you!
I'm not sure what you mean about being "a piece on the board" but I don't track people's selections over time. Each new thread is a tabula rasa, and that is intentional because one of my goals is to enable all of the participants to modify their choices over time. That is, maybe today you choose X over Y but later for some reason you prefer Y. Nothing wrong with that, as far as I'm concerned. Also, I won't know you did it unless you tell me. I hope this reassures you. If not, I'm happy to try to clarify anything that bothers you.
You know exactly what I mean by GMG not wanting this: every time you start, it quickly dies. In the marketplace of ideas it doesn't survive.
And then you leave. And then eventually you come back and basically do the same thing while expecting a different result.
I said nothing about it not being permitted. What "offends" me is not so much the existence of a thread but the existence of MULTIPLE threads, because it shows that you completely refuse to take on board any of the meaningful critiques you've been given over the years. You don't want to make this something that GMG likes, you just expect GMG to finally give in to your idea.
Sometimes you proudly announce no other project like this exists. Now, one possible reason no other project like this exists is because you're a genius. But not for the first time, I submit that the more likely reason is that everyone else who considers a project like this sees the flaws that you simply refuse to see, and makes the adjustments you refuse to make.
So to the extent I'm "offended", it's frustration that you have absolutely no respect for your audience. Us. The people who keep telling you not only that this doesn't work, but sometimes try to explain why. I'm not going to spend further time now going in to the flaws because I'm pretty sure I discussed them on at least one of the previous occasions. I like lists. I make a lot of lists in classical music. This is not a good or useful list.
Quote from: coffee on April 01, 2025, 06:17:28 AMMy apologies! I should have posted a link to this thread (https://www.good-music-guide.com/community/index.php/topic,34112.0.html) in the OP of this thread. I hope that would make everything as clear as it can be. However, I'll try to clear up the specific issues you raised here.
The tiers have been generated over the past 15 years by quite a few different participants.
You can find the other Haydn symphonies on the list of recommended works (https://docs.google.com/document/d/18t_9MHZTENbmYdezAAj4LRM0-Eak_MYO1HssZW2FX1U/edit?usp=sharing). If you want to find something specific, you can use a search function. If you have further questions or any kind of problems finding what you want, let me know.
This is very much for amusement. I'm not inclined to take it very seriously. It's just a way of helping me (and anyone else who cares to use it) discover new music or prioritize our listening. If you don't find it amusing or interesting or anything like that, please ignore it. But most of all, please don't take it too seriously! Especially if its existence angers you!
I'm not sure what you mean about being "a piece on the board" but I don't track people's selections over time. Each new thread is a tabula rasa. I hope that reassures you. If not, I'm happy to try to clarify anything that bothers you.
You have contradicted yourself here. You cannot both state that the tiers have been generated by previous participants and that you don't track selections over time. This is not a blank slate. This is you trying to get a new bunch of people to contribute to your existing data set.
Because apparently 15 years worth of data hasn't been enough for you to figure out... what? What you "should" listen to or enjoy?
I agree it's for amusement. My point was that it appears to be for YOUR amusement. And my purpose for being here is not to amuse you.
Over and out.
Quote from: Madiel on April 01, 2025, 06:21:59 AMYou have contradicted yourself here. You cannot both state that the tiers have been generated by previous participants and that you don't track selections over time. This is not a blank slate. This is you trying to get a new bunch of people to contribute to your existing data set.
Because apparently 15 years worth of data hasn't been enough for you to figure out... what? What you "should" listen to or enjoy?
I agree it's for amusement. My point was that it appears to be for YOUR amusement. And my purpose for being here is not to amuse you.
Over and out.
I meant that I don't track individuals. Of course I track the results.
Anyway, I think I understand you. If no one participates I'll go away again for a time. But since participants and boards change, if that happens I might be back again in a year or so. No matter what, take it easy. I mean no disrespect to you.
Quote from: Symphonic Addict on March 31, 2025, 04:37:31 PMThis sort of threads is quite popular on the another forum, but here... not sure. :-X
Ha! Yes, I was just wondering if Bulldog has rejoined us! :laugh:
Aho: Symphony #4 [1973]
Haydn: Symphony #61 in D [1776]
Mozart: Serenade #7 in D "Haffner," K. 250 [1776]
Mozart: Violin Sonata #26 in B-flat, K 378 [1791]
Simpson: Clarinet Quintet [1968]
Quote from: DavidW on April 01, 2025, 08:49:08 AMAho: Symphony #4 [1973]
Haydn: Symphony #61 in D [1776]
Mozart: Serenade #7 in D "Haffner," K. 250 [1776]
Mozart: Violin Sonata #26 in B-flat, K 378 [1791]
Simpson: Clarinet Quintet [1968]
Thank you!
OK, so of the 9 of these works in my collection I am happy to recommend
Birtwistle: Five Distances [1992]
Messiaen: Petites esquisses d'oiseaux [1985]
Penderecki: Trumpet Concertino [2015]
Scelsi: String Quartet #3 [1963]
Stockhausen: In Freundschaft [1977]
Quote from: steve ridgway on April 03, 2025, 07:40:50 PMOK, so of the 9 of these works in my collection I am happy to recommend
Birtwistle: Five Distances [1992]
Messiaen: Petites esquisses d'oiseaux [1985]
Penderecki: Trumpet Concertino [2015]
Scelsi: String Quartet #3 [1963]
Stockhausen: In Freundschaft [1977]
Much appreciated!
Quote from: coffee on April 04, 2025, 03:29:43 AMMuch appreciated!
It was interesting to have a few pieces in my collection selected for me and to compare them against each other, will continue with the next round 8) .
One more day to go!
Five or six participants is pretty good really. How many contribute on TC?
Quote from: steve ridgway on April 05, 2025, 10:37:03 PMFive or six participants is pretty good really. How many contribute on TC?
It depends. This is a really, really deep tier so I wouldn't expect many. On the higher tiers with the more popular works it gets up to ten or twelve sometimes.
Alright, I'll wrap this up and start another thread. Here are the works we chose to recommend a bit more strongly:
Up 2 tiers:
Messiaen: Petites esquisses d'oiseaux [1985]
Scelsi: String Quartet #3 [1963]
Schreker: Der Schatzgräber [1920]
Up 1 tier:
Abrahamsen: Left, Alone (Piano Concerto) [2016]
Aho: Symphony #4 [1973]
Bacewicz: Musić for Strings, Trumpets and Percussion [1958]
Barrett, R.: life-form [2012]
Berio: Sequenza XIII for accordion [1995]
Birtwistle: Five Distances [1992]
Grisey: L'Icône paradoxale [1992-1994]
Haydn: Symphony #61 in D [1776]
Ligeti: Artikulation [1958]
Mozart: Serenade #7 in D "Haffner," K. 250 [1776]
Mozart: Violin Sonata #26 in B-flat, K 378 [1791]
Nørgård: Turn [1973]
Penderecki: Trumpet Concertino [2015]
Purcell: Twelve Sonatas of Three Parts [c. 1680]
Reincken: An Wasserflüssen Babylon [1663]
Simpson: Clarinet Quintet [1968]
Stockhausen: In Freundschaft [1977]
Tan: Water Passion after Saint Matthew [2000]
Vivanco: Missa in Manus tuas [1608]
Thank you for highlighting works that are not obvious choices. I still find the reason for this kind of post somewhat perplexing, as it seems to me to hold little rigour, but any desire to promote good music is positive, I guess.
Quote from: foxandpeng on April 06, 2025, 01:22:13 PMThank you for highlighting works that are not obvious choices. I still find the reason for this kind of post somewhat perplexing, as it seems to me to hold little rigour, but any desire to promote good music is positive, I guess.
If not for this thread, I doubt I would have heard of many of these pieces.
That's where I find the value.
I'm always on the prowl for music that I've not heard. :)
Quote from: foxandpeng on April 06, 2025, 01:22:13 PMThank you for highlighting works that are not obvious choices. I still find the reason for this kind of post somewhat perplexing, as it seems to me to hold little rigour, but any desire to promote good music is positive, I guess.
I think having a smaller number of contributors, but with keen and varied interests, may produce a more useful resource for exploration than something like the Classic FM polls.
A late arrival here. Since the OP is gone, does anyone know or could hazard a guess as to how this seemingly random list was determined to contain only works of the 136th tier, whatever that is?
Quote from: Crudblud on April 08, 2025, 03:29:59 AMA late arrival here. Since the OP is gone, does anyone know or could hazard a guess as to how this seemingly random list was determined to contain only works of the 136th tier, whatever that is?
No need to guess, it was already explained by the OP here: https://www.good-music-guide.com/community/index.php/topic,34112.0.html
Basically: anyone can nominate works, and new works will start at the lowest tier before climbing.