http://www.youtube.com/watch?v=JdxkVQy7QLM
Wow this is funny.
Pachebel having a row with his girlfriend, the cellist? Priceless. ;D
Haha, that was great! Funny how he plays all those pop songs with the same chord progression at the end too...
Hilarious! I love it.
And to think that
I used to like the
Canon. But now I
can't, ethically...
that was actually pretty funny. i never would have found the connection between twisted sister, aerosmith & pachelbel. ;D
Quote from: biber fan on April 24, 2007, 09:27:31 PM
that was actually pretty funny. i never would have found the connection between twisted sister, aerosmith & pachelbel. ;D
Well, he does twist the melodies a little to fit the exact progression.
Quote from: The Mad Hatter on April 25, 2007, 03:09:30 AM
Well, he does twist the melodies a little to fit the exact progression.
Yes I noticed that too, but its still rather amusing.
Quote from: brianrein on April 24, 2007, 07:36:50 PM
Hilarious! I love it.
And to think that
I used to like the
Canon. But now I
can't, ethically...
why?
The ONLY way to listen to it.
Mike
Quote from: hornteacher on April 24, 2007, 06:06:34 PM
http://www.youtube.com/watch?v=JdxkVQy7QLM
Wow this is funny.
Thanks, hornteacher. That was a great find. I posted the link in a non-classical forum and it was a big hit there too. Of course everyone knows the Canon ;D
Sarge
that was awesome
Hey, have you guys heard P.D.Q. Bach's version of Pachebel's Canon? I'm just loving it for the first time ;D
"This piece wasn't written by Pachebel. This piece was written by the Marquis de Sade."
This clip is hilarious. Finally had a chance to watch it. I mostly read this forum at work, where I can't watch these clips. ;D
Quote from: biber fan on April 24, 2007, 09:27:31 PM
that was actually pretty funny. i never would have found the connection between twisted sister, aerosmith & pachelbel. ;D
Dude, you wouldn't even believe... every time a NY subway door closes, it kicks off Brahms 4th in my head. Now that I live in Chicago, the Metra doors launch me straight into the middle of the scherzo of Mahler's 2nd.