What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Daverz, Papy Oli, Linz, Karl Henning and 23 Guests are viewing this topic.

DavidW

Last night's listening!

Bruckner 8 Boulez-- a very good performance.  Surprisingly warm and not the overly analytical and transparent approach that I think Boulez is stereotyped as having.

Mahler 2 Bychkov-- this conductor has received a great deal of attention and praise from the Mahler forum.  I think most people avoid him due to Hurwitz and his cult following poo-pooing Bychkov's Mahler.  Or so the Mahler forumites have said.  This performance is swift, powerful, and not overly sentimental.  I really like it, and will give his fourth a listen soonish.



AnotherSpin

Harmonies poétiques et religieuses


SonicMan46

#111102
Last night, finished my Goldbergs perusal with my 'piano versions' of which I kept the 3 below - there are so many other excellent historic and more recent recordings of these works on a modern keyboard, but even with my rather weak culling efforts, I still own 9 versions of these works -  ;)  ;D  - yes, I know others likely have dozens and some maybe even 100!  :o  Reviews of the ladies attached for those interested.  Dave :)

P.S. Janssen is in the 20-disc box, so can I add another 'male' performer like Perahia?

   

DavidW

Quote from: ultralinear on May 27, 2024, 06:31:19 AMWhat's your view of the sound quality on this?  Somewhere I read a review which was positive about the performance but said the bass register was largely absent - in the opinion of the reviewer, fatally so. :-\


Plenty of bass for me.  But it has a huge dynamic range and low volume.  I needed to use high gain on my preamp to make it sing.  Sounds like the reviewer was just underamping.

Linz

Joseph Haydn Michel Kiener, Keyboard Sonata in E-Flat Major, Hob. XVI:52, Keyboard Sonata in C Major, Hob. XVI:50, Keyboard Sonata in E-Flat Major, Hob. XVI:49, Variations in F Minor, Hob. XVII:6, Fantasia in C Major, Hob. XVII:4 and Keyboard Sonata in G Minor, Hob. XVI:44:

Karl Henning

Quote from: Symphonic Addict on May 26, 2024, 04:48:42 PMToch: Piano Concerto No. 1

Such a brilliant score, with the right dose of dissonances to make it tasty and quirky. It could easily make my list of favorite 20th century piano concertos. BTW, the Piano Concerto No. 2 is the Symphony for piano and orchestra.


Love this disc!
TD: My instructor at UVa

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Bachtoven

Nikita Koshkin is probably the closest that guitarist come to having works written by Prokofiev or Shostakovich, particularly the 30-minute Sonata.

Karl Henning

Quote from: Cato on May 27, 2024, 03:15:59 AMIn America, "Decoration Day" (i.e. for decorating graves at the cemetery, especially after the Civil War) was a special time, captured musically by Charles Ives:



Here is an explanation of today's significance:

https://www.abmc.gov/news-events/news/decoration-day-memorial-day-american-tradition-nearly-150-years


 
Superb!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Spotted Horses

Quote from: DavidW on May 27, 2024, 05:27:12 AMBruckner 8 Boulez-- a very good performance.  Surprisingly warm and not the overly analytical and transparent approach that I think Boulez is stereotyped as having.

The beautiful transparency, where all voices can be heard, is what I valued about Boulez when he recorded for Erato and Columbia/Sony. DG failed to capture that, especially in the Cleveland recordings.

Le Buisson Ardent

Quote from: DavidW on May 27, 2024, 05:27:12 AMLast night's listening!

Bruckner 8 Boulez-- a very good performance.  Surprisingly warm and not the overly analytical and transparent approach that I think Boulez is stereotyped as having.

Mahler 2 Bychkov-- this conductor has received a great deal of attention and praise from the Mahler forum.  I think most people avoid him due to Hurwitz and his cult following poo-pooing Bychkov's Mahler.  Or so the Mahler forumites have said.  This performance is swift, powerful, and not overly sentimental.  I really like it, and will give his fourth a listen soonish.




I love all of Bychkov's Mahler recordings so far. I ignore the negative reviews, because, most of the time, they just have an axe to grind or something against Bychkov --- whatever that may be. I've been increasingly impressed by his recordings over the years. His Strauss is dynamite! Also, this recent recording of Smetana's Má vlast goes straight to the top of my list of favorites for this work:


Roasted Swan

Quote from: Cato on May 27, 2024, 03:15:59 AMIn America, "Decoration Day" (i.e. for decorating graves at the cemetery, especially after the Civil War) was a special time, captured musically by Charles Ives:



Here is an explanation of today's significance:

https://www.abmc.gov/news-events/news/decoration-day-memorial-day-american-tradition-nearly-150-years


 

In a rather blinkered/ignorant way I had never taken the time to understand what "Decoration Day" literally meant - thankyou for this insight.....

Le Buisson Ardent

Quote from: vandermolen on May 27, 2024, 03:26:19 AMNice looking set John.

Yeah, it's a great cycle overall. Nice performances.

Le Buisson Ardent

I'm going to follow @Cato with his listening of Ives' Decoration Day --- from this recording with James Sinclair conducting the Malmö Symphony Orchestra on Naxos:


Le Buisson Ardent


Le Buisson Ardent

Now playing a little program I devised:


Holst
Suite de ballet, Op. 10
Northern Sinfonia
Hickox




Glazunov
Scènes de Ballet, Op. 52
USSR RSO
Rozhdestvensky


From this OOP set -


Le Buisson Ardent

NP:

Fauré
Piano Quartet No. 2 in G minor, Op. 45
Trio Wanderer w/ Antoine Tamestit



prémont

Quote from: Harry on May 27, 2024, 04:13:20 AMEric Lebrun plays on the organ of St. Mary's Church, Helsingor, Denmark, built between 1634 and 1636 by Johan Lorentz.
Temperament: quarter-comma meantone? Pitch: ?

Marcussen's words about it here:

https://marcussen-son.dk/restaureringer/sct-maria-kirke-%C2%B7-helsingor/

Tuning unequal without wolf without further specification and a1 = 435 Hz.
Reality trumps our fantasy far beyond imagination.

Iota



Debussy: Danse Sacrée et Danse Profane
Lisa Wellbaum (harp)
Cleveland Orchestra, Boulez


Utterly gorgeous, both music and performance. The way Debussy conjures alchemy from simplicity is mesmerising.

Harry

Quote from: prémont on May 27, 2024, 09:18:52 AMMarcussen's words about it here:

https://marcussen-son.dk/restaureringer/sct-maria-kirke-%C2%B7-helsingor/

Tuning unequal without wolf without further specification and a1 = 435 Hz.


Thank you Poul, I tried to find info about it, but I failed completely.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Lisztianwagner

Richard Strauss
Eine Alpensinfonie

Herbert von Karajan & Berliner Philharmoniker


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg