Purchases Today

Started by Dungeon Master, February 24, 2013, 01:39:50 PM

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jlaurson

Quote from: DavidW on October 11, 2013, 03:42:42 AM

Most of these critics should go back to school and take some writing classes.

Pay peanuts and you get monkeys... few exceptions apart*, amateur reviewism has, alas, become the seemingly only economically feasible way of doing this.

Namely the Hurwitzer, the Bill O'Reilly of classical music reviewism...

Karl Henning

Quote from: Brian on October 10, 2013, 07:57:01 PM
I'd have never guessed that posting an offhand disparaging remark about Woelfl's quartets would have inspired the next certified GMG Trendy Composer of the Month.

You must use your power only for good . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: The new erato on October 11, 2013, 02:55:57 AM
Extremely lukewarm review on http://www.musicweb-international.com/classrev/2013/Oct13/Shostakovich_sy4_8573188.htm

Let's see . . . the reviewer opens with the Everybody likes this guy, so I'll telegraph that I refuse to like him chestnut, and concludes with the hand-wringing un-conclusion, Try as I might I simply cannot fathom blah blah blah.

I loves me paint-by-numbers reviews . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Parsifal

Quote from: karlhenning on October 11, 2013, 04:16:11 AM
Let's see . . . the reviewer opens with the Everybody likes this guy, so I'll telegraph that I refuse to like him chestnut, and concludes with the hand-wringing un-conclusion, Try as I might I simply cannot fathom blah blah blah.

I loves me paint-by-numbers reviews . . . .

I found it a useful review because it mentioned that there is a Wigglesworth recording of the piece on BIS. 

Daverz

I was unmoved by Petrenko's Shostakovich Symphony 10, though I should probably give it another listen.  I think I may pass on his 4.

Karl Henning

Quote from: Scarpia on October 11, 2013, 04:26:58 AM
I found it a useful review because it mentioned that there is a Wigglesworth recording of the piece on BIS. 

You've found the silver lining.

Quote from: Daverz on October 11, 2013, 04:29:15 AM
I was unmoved by Petrenko's Shostakovich Symphony 10, though I should probably give it another listen.  I think I may pass on his 4.

YMMV, of course . . . Brian thinks more highly of Petrenko's Tenth than do I, but I do find it a fine account.

And I am on record as finding his Fifth better than many like to give it credit for  ;)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

Quote from: karlhenning on October 11, 2013, 04:16:11 AM
Let's see . . . the reviewer opens with the Everybody likes this guy, so I'll telegraph that I refuse to like him chestnut, and concludes with the hand-wringing un-conclusion, Try as I might I simply cannot fathom blah blah blah.

I loves me paint-by-numbers reviews . . . .

I like Dan, but I don't understand his beef with Petrenko. Every single time a CD comes out, he calls it superficial and "surface"-ish, but does not explain what the differences would be if the recording were less "surface". Is this code for "too exciting"? If not, what is it specifically that he dislikes?

And yes, Petrenko's is my favorite Tenth and next-favorite Ninth (Kreizberg), but Karl and I trade places on the merits of his Fifth. The Sixth was good enough but not special.

Fafner

Quote from: Scarpia on October 11, 2013, 04:26:58 AM
I found it a useful review because it mentioned that there is a Wigglesworth recording of the piece on BIS.

Yes, same here.  :D
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Karl Henning

Quote from: Brian on October 11, 2013, 04:38:34 AM
I like Dan, but I don't understand his beef with Petrenko.

Nor do we understand his beef through that review, which is just a litany of dismissive phrases . . . curiously rhetorical, vacuous and/or banal, pawing at the soil, little to engage or inspire, tension slackens alarmingly, much too intent on manicure and polish, what a pity, rhythms lack menace, passes for precious little, a series of diverting, self-indulgent doodles, while pleasing in themselves they add nothing to the essential narrative, we've been here before, and all too often, weak, indecisive, no match for the strength and thrust of the best, nothing more than a mild attack of the vapours, it's all so damn tentative.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

TheGSMoeller

My final purchase, EVER.......of Shostakovich's 15th that is. I think this puts me in double digits of recordings. But I have a feeling this one may trump them all.


Karl Henning

Ooh, thanks for the reminder, Greg . . . just pulled the trigger on a copy for myself.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

jlaurson

Quote from: TheGSMoeller on October 11, 2013, 05:14:55 AM
My final purchase, EVER.......of Shostakovich's 15th that is. I think this puts me in double digits of recordings. But I have a feeling this one may trump them all.



In that case I sure hope you already have Kondrashin - Dresden.  ;)



Dip Your Ears, No. 88 (Shostakovich with Kondrashin)
http://ionarts.blogspot.com/2008/01/dip-your-ears-no-88.html



TheGSMoeller

Quote from: karlhenning on October 11, 2013, 05:21:24 AM
Ooh, thanks for the reminder, Greg . . . just pulled the trigger on a copy for myself.

Woot!
I have sanderling's with Berlin Symphony, and have heard/read that this Cleveland disc is a smidgen better.



Quote from: jlaurson on October 11, 2013, 05:28:06 AM
In that case I sure hope you already have Kondrashin - Dresden.  ;)



Dip Your Ears, No. 88 (Shostakovich with Kondrashin)
http://ionarts.blogspot.com/2008/01/dip-your-ears-no-88.html


Yes! Based on your rec if I recall. Definitely a top choice.

springrite

A minor amendment to the FINAL FINAL order of the year:

Del Tredici: FINAL ALICE (Chicago, Solti)
Sorabji: Transcendental Etudes (1-25 of 100) Ullen 
Do what I must do, and let what must happen happen.

TheGSMoeller

Another one I've been wanting for a while...


kyjo

Quote from: TheGSMoeller on October 11, 2013, 05:14:55 AM
My final purchase, EVER.......of Shostakovich's 15th that is. I think this puts me in double digits of recordings. But I have a feeling this one may trump them all.



Pounds the table! A fantastic recording, Greg.

Parsifal

#2899
Ordered this from Amazon.co.uk



Did want to wait until a US release for fear that the US government will be overthrown before then.

It is needed as a supplement to this:

[asin]B004HF0PEU[/asin]