Share Some Super Song Symphonies Sans Beethoven and Mahler!!!

Started by Cato, June 09, 2009, 05:09:04 AM

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Cato

That's right!  Beethoven's Ninth and Mahler's efforts are BANNED from any list here!   $:)

We are looking for things like:

Alexander Zemlinsky: Lyric Symphony

Mahler was his model, and Schoenberg his friend and brother-in-law, but Zemlinsky's work is a marvelous experience.  Also recommended, but not a symphony as such: the Six Songs for Orchestra with texts by Maeterlinck.

Igor Stravinsky Symphony of Psalms

What has happened to Stravinsky recently?  Pushed aside by the Minimalists?  This work should be visited at least once a year!  And call your mother tonight!   $:)

Dmitri Shostakovich Symphonies 13 and 14

Heavy stuff!  Some critics sniffed at #14 being called a "symphony" at all, rather than a song cycle.

We might even allow works like:

Vincent D'Indy Symphony on a French Mountain Air  0:)

Composed before the air was polluted by Gauloises   >:D !




"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Cato

P.S.

Perhaps the most recent Song Symphony is John Harbison's Symphony #5.

You can view the score here: http://digital.schirmer.com/

We can ask if Karl Henning was present at the Boston Symphony premiere performance of the work!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

karlhenning

No, I missed that one.

Thread duty:

Vaughan Williams, A Sea Symphony

karlhenning

Since Berlioz considered it one of his symphonies, we should probably include his Roméo et Juliette, Opus 17

Todd

Szymanowski's Third, Song of the Night, must surely be included.  Lush, beautiful, "exotic."  Great stuff.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

DavidRoss

"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

karlhenning

Braga Santos, Symphony № 6, "To my Daughter Maria da Piedade," for soprano solo, choir & orchestra

Cato

Quote from: k a rl h e nn i ng on June 09, 2009, 05:47:59 AM
Since Berlioz considered it one of his symphonies, we should probably include his Roméo et Juliette, Opus 17

That gets put on the Summer Listening List.  45 + years have passed since my ears zeroed in on that one!   :o
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Sorin Eushayson

Well, since Beethoven and Mahler are banned from the list, why not mentioned the Lord and King of such pieces:


DavidRoss

Quote from: Cato on June 09, 2009, 05:51:21 AM
That gets put on the Summer Listening List.  45 + years have passed since my ears zeroed in on that one!   :o
Karl steered me to Muti's recording with Jessye Norman a few years ago, one of the first instances proving his trustworthiness as a guide for me.  This reminds me that it's due for a spin.  (That's the problem with owning so many recordings: there's just not enough time to give them all the attention they deserve.  It's hard to imagine how people with several thousand records ever get around to hearing most of them.)
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

karlhenning

Quote from: Sorin Eushayson on June 09, 2009, 05:57:25 AM
. . . why not mentioned the Lord and King of such pieces:

The Lobgesang! I need to revisit that 'un, thanks!

Opus106

Just stating a fact: Havergal Brian's 1st symphony, called Gothic. I know it's super in terms of its size, but otherwise I don't have any comments to share.  0:)
Regards,
Navneeth

Superhorn

   I've never been able to understand the neglect of the gorgeous Symphony in C major by Paul Dukas . There's more to this composer than the familiar "Sorceror's Apprentice", but unfortunately not much,
since he destroyed much of the music he wrote , being terribly self-critical.
  The Dukas symphony is somewhat in the tradition of the familiar Franck symphony, and is appealingly melodious . Like the Franck, it's in three movements, and when you hear it for the first time, you'll wonder where it's been all your life ! 
  There are some excellent recordings, such as Martinon on EMI,
  Yan Pascal Tortelier on Chandos etc. I first got to know it many years ago on a superb Decca LP with Walter Weller and the LPO; I don't believe it's appeared on CD yet, but if it does, grab it !

karlhenning

Quote from: Superhorn on June 09, 2009, 06:26:19 AM
   I've never been able to understand the neglect of the gorgeous Symphony in C major by Paul Dukas.

I've never heard it, I don't believe.  Are there singers in it?  $:)

karlhenning

Verging upon the tangential, there are also:

Nielsen, Symphony № 3, Sinfonia espansiva, with soprano & baritone vocalise
Vaughan Williams, A Pastoral Symphony, with soprano vocalise
Vaughan Williams, Symphony № 7, Sinfonia antartica, with soprano vocalise & wordless chorus

karlhenning

Quote from: Cato on June 09, 2009, 05:18:13 AM
P.S.

Perhaps the most recent Song Symphony is John Harbison's Symphony #5.

On those lines (BSO connexion and all), Wm Bolcom's Symphony № 8 with texts from Wm Blake

Lethevich

It's an obvious choice, but I find it remarkable: Vaughan Williams' Sea Symphony. The writing for voice is so impressive, even more so is how effectively the poems gel with the music. It's sweeping, diverse, atmospheric, and the entire work feels to me to be something of a coda to 19th century British Romanticism, which was often desperately staid, meaning that this piece is an excellent book-end, demonstrating that there was potential in the style - it was simply utilised by many mediocre composers.

Another personal favourite is Liszt's Dante Symphony, which of course is bending the rules due to essentially being a tone poem, but that finale has not been approached by any composer, either in the perfection of the melody or the stunning transition from earthly to heavenly. There is nothing quite like it. Another very personal favourite (as in almost nobody on the planet likes it as much as I do) is Langgaard's 15th, which is deliciously gothic and moody, and with a slightly lean, stripped back sound to underline the drama. Just Langgaard at his most atmospheric and also rather concise, despite the work's great sweep.

Pettersson's 12th is just as one might envisage a Pettersson choral symphony being - very well done, but if you already dislike his style it will not convert you. I find it to be very fine and with a well-chosen (and very Petterssonian) text. Szymanowski's 3rd is amazing. I agree that Mendelssohn's 2nd is very good - quite underrated. It has been a long time since I heard it, but I recall Eisler's Deutsche Sinfonie being very strong. Britten's Spring Symphony isn't talked about often, but is first rate.

I am very interested in hearing Henze's 9th asap.

Quote from: k a rl h e nn i ng on June 09, 2009, 05:47:59 AM
Since Berlioz considered it one of his symphonies, we should probably include his Roméo et Juliette, Opus 17

Yeah, but Berlioz was nuts Romantic $:)
Peanut butter, flour and sugar do not make cookies. They make FIRE.

Brian

I second Gorecki's Third and first Atterberg's Ninth, with the disclaimer that I have not actually listened to the latter (yet).

Lethevich

How could I forget Kullervo...

I got fixated on choral symphonies, whoops :P Brian's 5th is a very fine and poetic symphony with a single soloist.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

karlhenning

With thanks to Sara for the reminder:

Langgaard, Symphony № 14, Morgenen, with chorus