Viva Vivaldi!

Started by Que, June 03, 2007, 12:00:25 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

FideLeo

#100
Quote from: Coopmv on June 18, 2009, 06:48:06 PM
I think Orpheus Chamber Orchestra and Philharmonia Baroque Orchestra are the top two US baroque ensembles (Orpheus is really not exclusively baroque) in my book.  I do have a number of recordings by these two ensembles and that is about it ...

The Orpheus does not play on period instruments AFAIK.  PB is not bad at all, but, as you said, no match for the Italians, Germans, Belgians or even the Brits on period strings -- maybe that's why they (still?) depend on imported British music directors (McGegen, Hugget, etc).
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

Coopmv

Quote from: masolino on June 18, 2009, 06:53:17 PM
The Orpheus do not play on period instruments AFAIK.  PB is not bad, but, as you said, no match for the Italians or even the Brits on period strings -- maybe that's why they still depend on imported British music directors (McGegen,  Hugget).

Most English baroque ensembles with some reputation have a level of virtuosity that is unmatched by just about all American baroque ensembles.  Even for ASMIF that performs on modern instruments, it has a level of virtuosity that easily surpasses most American ensembles ...

FideLeo

#102
Quote from: Coopmv on June 18, 2009, 06:57:53 PM
Most English baroque ensembles with some reputation have a level of virtuosity that is unmatched by just about all American baroque ensembles.  Even for ASMIF that performs on modern instruments, it has a level of virtuosity that easily surpasses most American ensembles ...

Moral: do not buy any Vivaldi recording by an American "baroque" ensemble.  ;)

(Has Boston Baroque recorded any Vivaldi, btw?  Haydn and Handel Society?)
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

Coopmv

Quote from: masolino on June 18, 2009, 07:01:27 PM
Moral: do not buy any Vivaldi recording by an American "baroque" ensemble.  ;)

Do not buy ANY baroque recordings by most American baroque ensembles.  But Orpheus and Philharmonia Baroque Orchestra do have a few recordings that are quite good IMO ...

FideLeo

#104
Quote from: Coopmv on June 18, 2009, 07:04:58 PM
Do not buy ANY baroque recordings by most American baroque ensembles.  But Orpheus and Philharmonia Baroque Orchestra do have a few recordings that are quite good IMO ...

The Orpheus is not a baroque ensemble (in the sense that ASMF isn't one) - they even recorded Haydn, Mozart, Schubert, Dvorak and what not.
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

Coopmv

Quote from: masolino on June 18, 2009, 07:07:15 PM
The Orpheus is not a baroque ensemble (in the sense that ASMF isn't one) - they even recorded Haydn, Mozart, Schubert, Dvorak and what not.

I am aware of that.  Personally, I do not have very high opinion of the Boston Baroque. 

FideLeo

#106
Quote from: Coopmv on June 18, 2009, 07:12:20 PM
Personally, I do not have very high opinion of the Boston Baroque.  

OK. So I guess you don't know whether they recorded any Vivaldi.   ;)

Update: here's BB's new-ish Four Seasons




HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

Coopmv

Quote from: masolino on June 18, 2009, 07:15:52 PM
OK. So I guess you don't know whether they recorded any Vivaldi.   ;)

Update: here's BB's new-ish Four Seasons






It does not matter.  I heard its Brandenburg Concertos played on my local classical FM once and I was not a bit impressed ...

FideLeo

Quote from: Coopmv on June 18, 2009, 07:24:48 PM
It does not matter.  I heard its Brandenburg Concertos played on my local classical FM once and I was not a bit impressed ...

I wasn't even impressed by their Handel Op. 6.  But tastes differ, so I guess BB's Vivaldi will matter to some :D
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

The new erato

Quote from: Coopmv on June 18, 2009, 07:04:58 PM
Do not buy ANY baroque recordings by most American baroque ensembles.  But Orpheus and Philharmonia Baroque Orchestra do have a few recordings that are quite good IMO ...
That do depend upon whether you consider the cpo releases from the Boston Early Music Festival as being American. But with Stubbs and O'Dette at the wheel, I guess one would consider them European despite (I guess) having mainly American musicians in the ensemble.

Coopmv

Quote from: erato on June 18, 2009, 11:51:35 PM
That do depend upon whether you consider the cpo releases from the Boston Early Music Festival as being American. But with Stubbs and O'Dette at the wheel, I guess one would consider them European despite (I guess) having mainly American musicians in the ensemble.

Hogwood was the conductor of the Boston based Handel & Haydn Society for a few years, wasn't he?

Bulldog

Quote from: Coopmv on June 19, 2009, 05:09:39 PM
Hogwood was the conductor of the Boston based Handel & Haydn Society for a few years, wasn't he?

15 years - 1986 to 2001.  I was suprised to find that the Society has been around since the early 1800's.

Coopmv

Quote from: Bulldog on June 19, 2009, 05:41:55 PM
15 years - 1986 to 2001.  I was suprised to find that the Society has been around since the early 1800's.

I think Hogwood was with both HHS and AAM for a number of years during this period.

Coopmv

Quote from: erato on June 18, 2009, 11:51:35 PM
That do depend upon whether you consider the cpo releases from the Boston Early Music Festival as being American. But with Stubbs and O'Dette at the wheel, I guess one would consider them European despite (I guess) having mainly American musicians in the ensemble.

Like Monica Huggett is now the conductor of the Oregon Baroque ...  Helmut Rilling has been conducting at the Oregon Bach Festival every summer for a number of years.  These European baroque conductors always give the American ensembles they conduct a halo effect.

Holden

Quote from: Subotnick on November 29, 2008, 12:44:53 AM
Back in the day when classical music clubs dealt in vinyl, I got sent this by mistake:



I played track 1 out of curiosity and didn't stop listening until I'd played both sides twice. When I wore the LP out, I purchased the cd.

TTFN.
Me.

Staying at a friends place whose classical collection basically consisted of <insert composer>'s greatest hits I put on the Vivaldi and the first track was the Mandolin Cto in C RV425. I was so taken by the piece that I thought I needed to get more of these.

This is the original (which I still don't have)



and this is what I bought which I highly recommend.

Claudio Scimone with I Solisti Veneti


I take  it that you still enjoy the Odette CD.

Cheers

Holden

Coopmv

Quote from: Holden on June 19, 2009, 06:14:42 PM
Staying at a friends place whose classical collection basically consisted of <insert composer>'s greatest hits I put on the Vivaldi and the first track was the Mandolin Cto in C RV425. I was so taken by the piece that I thought I needed to get more of these.

This is the original (which I still don't have)



and this is what I bought which I highly recommend.

Claudio Scimone with I Solisti Veneti


I take  it that you still enjoy the Odette CD.



I bought this 18-CD set at a great price from MDT late last year.  I believe every Scimone's Vivaldi CD on Erato is probably included in this set ...


SonicMan46

Yes, 'a blast from the past'!  :D  I've own that CD for years - excellent and difficult to top Paul O'Dette!



Coopmv

Here's a wonderful 18-LP Vivaldi set I bought back in the mid 80's.  I Musici was one of my favorite baroque ensembles from my LP days.  This remastered Albinoni CD shown below is one of my all-time favorites.  C-SPAN actually used the first movement of one of concertos as the title theme for its program Road to the White House in 1996 ...  


Sorin Eushayson

Quote from: Que on February 04, 2009, 01:04:42 PM
I Solisti Veniti & I Musici ≠ HIP.... 0:)

That's the tricky thing: they look like HIP ensembles, which I'm sure has tricked some in the past.  A quick listen to samples reveals otherwise...

Quote from: SonicMan on April 08, 2009, 05:44:22 PMNow Don, you're just 'teasing' us (are you part Irish, like me?  ;) ;D) - some of us here, including me, enjoy the Red Priest from Venice - but for those who may be interested in the Four Seasons, don't stop w/ just those four works - these are just the opening pieces of a 12- concerto set of Vivaldi's Op. 8 Il Cimento dell'armonia e dell'inventione; a recommendation is shown below, a 2-CD set w/ Biondi + Europa Galante; excellent bargain w/ 2 discs in a single-disc sized jewel box -  :)

One Vivaldi set I enjoy perhaps even more than Op. 8 is L'estro Armonico, Op. 3. 



Also performed by Biondi and his boys (and girls).  A Vivaldian necessity!  :D

A quick question...

I've been buying up Vivaldi like mad recently.  I cannot for the life of me find a recording of his Op. 7 set of concerti, which is quite frustrating as I have recordings of the other published sets.  Have these truly not been recorded ???

Coopmv

Quote from: Sorin Eushayson on June 20, 2009, 06:48:16 PM
That's the tricky thing: they look like HIP ensembles, which I'm sure has tricked some in the past.  A quick listen to samples reveals otherwise...

One Vivaldi set I enjoy perhaps even more than Op. 8 is L'estro Armonico, Op. 3. 



Also performed by Biondi and his boys (and girls).  A Vivaldian necessity!  :D

A quick question...

I've been buying up Vivaldi like mad recently.  I cannot for the life of me find a recording of his Op. 7 set of concerti, which is quite frustrating as I have recordings of the other published sets.  Have these truly not been recorded ???

I have over 100 CD's/LP's worth of Vivaldi's works and I have never bothered to check if there are any recordings for Op. 7 ...